Showing posts with label Washington Post. Show all posts
Showing posts with label Washington Post. Show all posts

Thursday, May 26, 2022

Another must for journalists: Carl Bernstein's book

 


You know it's a "must." He's a "must" for anyone who's a news-aholic, and/or in the writing business (which in Washington, D.C. is everyone!)

Chasing History: A Kid in the Newsroom details Carl Bernstein's five years working for The Washington Evening Star, beginning when he was in high school and ending with his start at the Washington Post, mostly covering the years, 1960-1965.

He describes the ins and outs of what it’s like to be on staff of a major newspaper, how to get there (call and call and call the editors again!), the background and coverage of the major events of the times (JFK's inauguration, JFK's assassination, Sputnik, the 1963 March on Washington) and even, a fake obituary which he and others planted in the Post. (He admits he was chiefly responsible.)

He recounts working with editors (with few negative stories about anyone, save Bill Hill), flying to scenes, and abandoning school for his passion.  All information helpful for any fledgling or would-be writer, to learn what it takes or took back then to get hired by a paper, although challenges now do not mirror challenges then.

At the end, Bernstein includes welcome updates in brief biographical sketches of his tale's main characters, most whose names I couldn’t keep straight anyway, except for Joanne's. 

When I became aware of the section, the first name I hunted was Bill Hill's, a main character Bernstein omits since he did not like Hill for various reasons and whose absence at the end is rather childish. But, maybe Hill would not cooperate and update Bernstein because, like many of the characters, he is dead. 

In addition to the rear listings, adding a one- or two-sentence description of the majority of the cast would have been helpful  to keep names straight.

Other book weaknesses (which, no doubt, his many friends have failed to mention in their glorification) are the title and the cover, great examples of mediocrity.

Blue on blue is dull on dull and Chasing History?  

Huh?  

What does this mean?  How about Carl Bernstein's Start-Up for starters?  

I know Carl Bernstein did not choose the jacket design or the title and he probably argued with the publisher who, of course, knows more about publishing than the author.  Hahahahaha.  

And Carl, I was stunned, stunned (!) that you accepted the assignment of the weather page redesign when Bill Hill pulled out all the plugs to try and resuscitate the Star, which, of course, now lies buried in the cemetery of newspapers with so many others.

At age 78, Carl, it's time to hurry up and finish your second and final volume, thank you very much.

Whoops!  I mentioned Hill's name only four times!


patricialesli@gmail.com


Thursday, April 2, 2020

Wrong, WAPO: The Grand Ole Opry still plays at the Ryman


In an obituary today on country music singer-songwriter Jan Howard (may she rest in peace), the Washington Post's print version says in the credit line under Ms. Howard's picture that she performed "during the Grand Ole Opry's last show at the Ryman Auditorium in Nashville on March 18, 1974."

Not only was March 18, 1974 not the last show for that time period at the Ryman (the last show was March 15, 1974), but the Grand Ole Opry still performs several times a year at the Ryman Auditorium.

Methinks the Washington Post needs a fact checker.

patricialesli@gmail.com

Monday, January 15, 2018

Great (not Best) Picture, 'The Post'


Tom Hanks and Meryl Streep in The Post/20th Century Fox


A better title would have been:  I, Katharine , since it's all about her.

The Post is a lesson in history for all, one that every journalist will want to see.

The timing of its release to coincide with the pub date of Michael Wolff 's Fire and Fury is prescient or just lucky (likely, the latter), to say the least. That we are dealing with the same issues today, almost 50 years after the publication of the Pentagon Papers and the effort by the President of the United States, Richard M. Nixon, to silence publication of critical documents important for the livelihood of the union, is alarming.
  
The actual Nixon tapes are used effectively in shadowy scenes at the "White House" while Curzon Dobell, who portrays the president, stands with his back to the camera and speaks into a telephone.

The movie becomes a bit soppy when "Ms. Graham" sits on a twin bed and talks with her daughter while her granddaughters sleep together in the adjacent bed (?). The inclusion of this scene and too many references to "Oh dear, I am a woman and no one takes me seriously" was annoying.  Please.

The screen writers seem to try to bring some modernity to the piece and we can thank them for omitting the suggested, what-would-have-been-a gratuitous sex scene with Benjamin Bradlee (Tom Hanks) and his wife at the time, Tony (Sarah Paulson.  Was she really the fluff bunny the writers made her here?)

One can't help but compare the 1971 U.S. Supreme Court membership (which voted 6-3 to release the papers)  to today's group and predict a vote now on the public's right to know:  With Justices Thomas, Alito, Gorsuch, and probably Roberts voting to suppress, and Ginsburg, Kagan, and Sotomayor voting to release, the outcome might depend upon Justices Breyer and Kennedy, ending in 5-4 affirmation, one can hope.

Congratulations to the screen writer, Liz Hannah, age 32, whose original idea was immediately snatched up by Amy Pascal and Steven Spielberg who happened to find the leading stars, Ms. Streep and Mr. Hanks, available on short notice to film. (Funny how things work.)

I doubt that many millennials have any familiarity with the Pentagon Papers since it preceded their births, and with the increasing demise of history taught in school, this ignorance may reduce the film's attendance.  But, there are still many old journalists around who will rush to see it

I am happy Daniel Ellsberg, 86, is still alive to see himself again preserving the union.

Tom Hanks is outstanding, natch, and there is no one who can top Meryl Streep's acting ability. Never mind that the screens are saturated with her and that, egads! Another rendition of Mamma Mia! (groan) is due out this summer.  (The first one cured me of any affinity for Streep in a musical.)

At Rotten Tomatoes 88% of the critics liked The Post (no surprise) but what is surprising is the far lower "liked it" score (70%) by audience members. 

The 4:40 p.m. screening at Tysons Corner on opening day was almost sold out with audience applause and gasps (the opening of a door) at the end, but that's the last time I feel compelled to see a movie on its opening, given the outrageous prices for entrance and treats. Cinema Arts is well worth the wait.

Oscar nominations:

Best Actor:  Tom Hanks

Best Actress:  Meryl Streep (should win but I don't want her to win since she's been nominated 20 (!) times and won three!  Please, can the judges bestow Oscar on someone else?)

Best Picture (which is Shape of Water, but since this is the "Year of the Woman," Lady Bird probably will win)

Best Director:  Steven Spielberg

Best costuming:  (Oh, those dresses looked really, really bad but nicely done by Ann Roth.  I never thought of Katharine Graham as being overweight like portrayed by Streep.)

Best Set and Production Design: Rena DeAngelo and Rick Carter (The recreation of the printing press process from 50 years ago is staggering.)

patricialesli@gmail.com

Friday, April 29, 2016

Critic Sarah Kaufman at the American Women Writers National Museum


Sarah Kaufman at the American Women Writers National Museum at the National Press Club/Photo by Patricia Leslie

Last month the Pulitzer Prize winning dance critic Sarah Kaufman was the featured speaker at a luncheon meeting of the American Women Writers National Museum at the National Press Club, and she talked mostly about her new book The Art of Grace: On Moving Well Through Life which is about saving grace or getting it, or something.

The cover is rather non-descript, not an eye-catcher that makes you stop at the book table to take a second look amidst the competitors vying for attention, and the title is rather lame, too, to match the cover, and I am sorry, Sarah, but the contents ("grace," huh?) are not something to whet a reading appetite, unless a reader needs sleeping aids (which likely means I need lots of it. Grace, that is, not sleeping pills.)


When we see "Grace" on the cover of a book jacket, Sarah, we expect something titillating about Grace Kelly. It doesn't even have to be something new. How high has anything about "grace" ever climbed on the charts?  (But, like all the other celebrity writers, Sarah, I am sure you didn't write this for the money.)

Sarah, do you honestly think the current crop of millennials is interested in holding open doors? (Just ask Metro.)

(Update after a friend's email: I suppose I came to the meeting not to hear about another book (of which I barely knew she had one), but to perhaps glean some insight and information on ways I can become a better writer which, I dare say, explained the attendance of most, if not all, who were there.

Anything unrelated to Grace was only extracted from Ms. Kaufman in Q and A. 

And blurbs, blurbs, blurbs, blah, blah, blah.  So many on so many books.  What do they matter?  

Do you honestly think another staff member from the Post or Huffington Post is going to say anything negative about a colleague's pride and joy?  Come now.  You scratch my book and I'll scratch yours.)

Ms. Kaufman has been the dance critic at the Washington Post since 1996, and won the Pulitzer in 2010, only the second dance critic to win the major prize, and "neither of us is from New York," she said, almost proudly. And New York is a city where she has never lived and seldom visits. (Take that, New York and Big Apple-loving Hirshhorn director.  Why don't you go back where you came from? And take Peter Marks (hasn't won the Pulitzer) with you and maybe Philip Kennicott (won the Pulitzer) since all they seem to write about are the arts in New York.  We got plenty of arts in D.C.)

Married and the mother of three, Ms. Kaufman still looks like a ballerina, but with years of training, she said she has never danced professionally.

Answering a question from a guest about her reading choices, she said that growing up with brothers put her in touch with the Hardy Boys, whose every title she has read. (Nancy Drews, no, never; you hear that Justice Sotomayor?) Ms. Kaufman admires the style of Katherine Anne Porter (won the Pulitzer) "so perceptive" who "really had a sense of the artificiality and hypocrisy of what was going on in that era."

Ms. Kaufman said she had just read (hasn't won the Pulitzer) Jonathan Franzen's Purity and liked it, but devoured (won the Pulitzer) Donna Tartt's Goldfinch: "That thing just flew" (760 pages).

"Belt-tightening" began at the Post about five years ago, and the paper is "tapering down on reviews" since they don't produce the online traffic the newspaper desires, she said.

Ms. Kaufman said she will be writing more "thinking pieces" and advance notices, and invited all there to send her ideas.

"Artists here [in Washington] are getting richer," Ms. Kaufman said, but still, whether it's ballet, modern or jazz, "live form of dance is really having a struggle. The key is young people. The Golden Goose of every dance company" is figuring "how to get young people" in the doors, and the hell with the old for after we are gone, the halls (and printed newspapers) will be no more (Editor's note).

The American Women Writers National Museum was founded by attorney Janice Law and is celebrating its fourth anniversary. It is "a Museum in Washington, D.C. for American Women Authors, Playwrights, Poets, Screenwriters, Journalists."
 

patricialesli@gmail.com

Monday, February 9, 2015

Dear Wall Street Journal,

I am having withdrawal pains, separated from you.  Every day, I agonize so much without you on my doorstep.  But, just like quitting cigarettes, the separation gets easier, day by day, especially since, during those last few days, you were a "no show" .833333 percent of the time.

It's now been about two months since we parted.  I miss your business pages, the art pages, Jason Gay, but most of all, the Saturday edition with the hilarious economist, whose name I have already forgotten. (I never could stand your editorials and always looked the other way.)

Wall Street Journal, you asked too much of me, to hang with you when you stood me up five of six dates of our last week together!  Please!  What's a girl to do?

Since you've been gone, I have begun a new relationship, just a "trial," with the Times, only on weekends, which I hope doesn't upend my planned resumption with you since it's you I long for, my first love.

Valentine's Day approacheth.

Yes, I am willing to give you another chance, Wall Street Journal (once my relationship ends with the Times).Your kind invitation came in the mail ($99 for six months!). Thank you very much! A much better price than your original offer of $150 per month!  (Wall Street Journal, get real!) It pays for a girl to hold firm to her principles and not succumb to wild pitches.

And when your trial ends, Wall Street Journal, if we are still a "twosome," if you haven't stood me up again, I'll end with you and pick up again where I left off with the Times and go back and forth.  It pays a girl to have suitors competing for attention! If only I had enough money and time to spend with both of you every day. With the Post we could have a menage a quatre!  For I especially like to compare your book reviews with the Post's and see who's copying whom. 

I haven't detected that yet in the Times, but we just started dating.

patricialesli@gmail.com

 

Sunday, December 21, 2014

You done me wrong, Wall Street Journal

Found at the Harris-Teeter, Tysons Corner, Virginia

And I don't read you any more.

Stood up and broken-hearted again, Wall Street Journal.

A "no show" for five days out of six.

Who would last that long with any lover?

I get the message, Wall Street Journal:
You don't love me any more.

I called,
I tweeted,
I bawled!
And pleaded.

Your henchpeople promised you'd call me back!

You didn't.

How can you do this to a longtime lover, Wall Street Journal?

You did.

Three years ago when I recommended that you double-date with WAPO so you would arrive on time and on the day promised, you ignored me.

I cried,
I tweeted;
And wrote;
And bleated

Finally, you got the message, Wall Street Journal

But now, the end is here
And in you go, the recycling bin,

My friend, I'll say it clear
I'll state my case, of which I'm certain
I read a paper that was full
I read each and ev'ry weekday
And more, much more than this, you did it your way


Regrets, I've had a few
I gave you many chances, a lot to mention
I ignored what I had to do and saw through without exemption
You had no plans for a charted course,

each careful step along the highway
And more, much more than this, 

You did it your way

Yes, there were times, I'm sure you knew
When you charged more than what was due
But through it all, when there was doubt
I paid it up, you had some clout
I faced it all, and I was small, you did it your way


For what's a girl, what has she got?
If not respect, then she has naught
To say the things she truly feels and not the words of one newsreel
The record shows I took the blows;

You did it your way!

And now we've split up,
We've gone our byways,
I am sick of you and all the chances
I gave to you to make advances
You did it your way.

We are not the door mats on the doormat of life like you treat us, Wall Street Journal, all the subscribers you've disappointed, teased, and tormented. The doormat, where I always hoped to find you.

Herstory now.

By the time I get to Phoenix,
You may be in Brooklyn
By the time I make Albuquerque
You may give me a call
But you'll just hear that phone keep on ringing
Because it's on silent, that's all
You've dumped this girl, so many times before
You just didn't know
I would really go

One can only wonder...

Why doesn't the Wall Street Journal write an article about its own lousy customer service?

patricialesli@gmail.com

Thursday, August 7, 2014

Where are the Washington Mystics? Part 6

On the Mystics' home page is a photo of their big win Tuesday night over the New York Liberty, 79-46.  You go, girls!


I thought this saga had ended, at least for the year, with Part 5, but no.

Where are the Washington Mystics in the Washington Post?

They ain't pictured, that's where they're not.

Sure, there is a nice story by Gene Wang on Page D3 in yesterday's paper and the picture with it?

Get real. 

Instead of a photo about the Mystics vying for the playoffs in its "most lopsided win of the season" to accompany the article, the editor, asleep at the switch, chose a photo of competitors, teams playing 300 miles away from Washington, which would be Chicago at Connecticut.

Forgetabut the Mystics!  (Don't be fooled by the online story with an old picture of the coach.  The print edition had no Mystics pictured.)

This is just what the newspaper did June 30, 2014 when it ran another photo of competitiors, but not of the Mystics.  What's up, editor?

The Washington Post can't allocate time to locate a wire service photo of the local team who conquered the New York Liberty, 79-46, at Verizon. Coach Mike Thibault said he was able to relax in the fourth quarter because the Mystics were doing so well, like the WAPO photo editor who relaxes in all the quarters.

In the same paper are four photos (color!) about the size of a football, of the Redskins at practice (including the visiting Tom Brady.  Well, la dee-dah.  We don't know what Tom Brady looks like?  We've got to see more of him? (Editor's note:  Not such a bad thing.)  It's a Redskins' story, duh.)

And, three photos of the Nats! 





This omission on the day after the San Antonio Spurs (a men's basketball team) named a woman (!), a woman, Becky Hammon, to become a full-time assistant coach, making her the first woman to become an assistant coach in any of the four men's major professional sports (page A1).

Ladies, when the Washington Post goes cryin' for a federal bailout, I am going to seek an injunction and demand equal space for equal play, favorites be flummoxed. 

Read earlier "Missing Mystics" chapters here:

Where are the Washington Mystics? Part 1




 
And check out the schedule for the last Mystics' regular season games before the playoffs begin:
 
Friday, August 8, at Indiana
 
Sunday, August 10, at Connecticut
 
Wednesday, August 13, v. Chicago at Verizon Center, 11:30 a.m.
 
Friday, August 15 at Connecticut
 
Saturday, August 16, v. New York at Verizon Center, 7 p.m.
 
Show your support for our hometown ladies' team!  Like the Washington Post doesn't.

patricialesli@gmail.com

Thursday, July 24, 2014

Reuters is the fastest

 
This is a MD-83 aircraft like the one which crashed today in Mali/Reuters
 
When it comes to the story today about the Air Algerie tragedy in Africa, Reuters was the first news service I could find to confirm the crash.

Here is a headline timeline in EST:

10:22 a.m.  Reuters confirms the plane has crashed

10:38 a.m.  Bloomberg News reports the plane has vanished

10:39 a.m.  BBC reports the plane is missing

10:41 a.m.  CNN says the plane is "lost" and "off radar"

10:42 a.m.  Washington Post reports the plane has vanished

10:44 a.m.  New York Times has no mention of it on its website

10:50 a.m.  Wall Street Journal reports the crash

10:52 a.m.  Reuters was added to my "favorites"
The planned route of the Air Algerie flight/Chicago Tribune, NDN

EUMETSAT


patricialesli@gmail.com



 

Friday, July 11, 2014

Where are the Washington Mystics? Part 5


These Washington Mystics fans threw their hands in the air when they learned the Mystics had scored in the Washington Post/Photo by Patricia Leslie

It is almost a miracle.

Found in the sports section of Thursday's Washington Post on page D3 was an article which spanned three columns with a picture about the Washington Mystics beating the Chicago Sky, 72-65, in Illinois Tuesday night ("Washington holds on to end its slide").

That the Post even carried an article (Associated Press), let alone a photo of a Mystic (!) (Bria Hartley) and not a picture of the competition as in pages past, are reasons to celebrate and bring out the cake and champagne with the hope that from now on, the Post will give the Mystics the coverage they need, warrant, and their fans demand. 

After all, Washington Post, this town is made up of more than strictly men.

For more on the matter:

Read: Where are the Washington Mystics? Part 1



 
Next up for the Mystics:

July 12 at Tulsa Shock, 7 p.m.

July 15 at Phoenix Mercury, 7 p.m.

July 23 v. Connecticut Sun at Verizon Center, 11:30 a.m.

July 25 v. Tulsa Shock at Verizon Center, 7 p.m.

July 27 v. Atlanta Dream at Verizon Center, 4 p.m.

July 29 at New York Liberty, 7 p.m.

 patricialesli@gmail.com

Wednesday, July 2, 2014

Where are the Washington Mystics? Part 4

This fellow was jumping for joy when he heard the Washington Mystics got a story in the Washington Post/Photo by Patricia Leslie

All right, already. 

So the Washington Post ran a story June 30, 2014 with the headline at the top of the page (D3), "Misfiring Mystics lose eighth in past 11."  

You think the Mystics would get that much coverage if they won a game?

No, sista.  You've got to be kidding.  They lost to the San Antonio Stars, 73-65.

But it was a story.

A story. 

A miracle on page D3.

Hold on.

Whatsis?

You think the editors used a picture of the Washington Mystics in a story about the Washington Mystics? 

This bears repeating:  
You think the editors used a picture of the Washington Mystics in a story about the Washington Mystics?

That makes sense, no?

Yes.

You think? 

You think.

 God forbid, WAPO would send a photographer to a Mystics' game. I don't suppose the wire services shot any photos of the Mystics' game and that is why WAPO used a picture of, instead and hold on, the "Liberty." Who's that?  Dunno.  Never identified.  New York or Connecticut?

Oh, come on.  Not really.

Really.
Now, just imagine this: 

A newspaper story of the Whatevertheskins' game and no picture of the Skins!  But juxtaposed (rhymes with "panty hose") with the story is a picture of the Dallas Cowboys playing another team! 

No Whatsisskins! 

No hometown team pictured anywhere!

You've got to be kidding.

Or, a story (one of four on the same day) about the Nationals and all you see are tomahawks and Atlanta Braves! 

Or, how about 16 stories (the same day) about Bryce Harper and nothing but pictures of Justin Upton?

Come on! No way!

I tell you, it's the truth.

You think?

I am going to write my favorite legislator and propose Title IX for the newspaper once the newspaper almost goes defunct and has to accept a federal bail-out. 

Hey!  GM got one.  Why not WAPO?  A newspaper run by the government.  Richard Nixon was right, all along.

Next up for the Mystics:

July 2, 7 p.m. v. Indiana Fever at Verizon

Read:  Where are the Washington Mystics? Part 1
 
 
patricialesli@gmail.com

 

Sunday, June 29, 2014

Where are the Washington Mystics? Part 3

Washington Mystics coach Mike Thibault seems to cry "Help!" for media coverage/Photo by Patricia Leslie

If you thought you might get some pre-game coverage in the Washington Post about today's Mystics game v. the San Antonio Stars at Verizon, you found out you were wrong.

Nothing.

Well, excuuuuusssse me, a single line of 8 point type in the right corner on page D10 is not coverage? 

"San Antonio at Washington, 4"

"4" as in 4 p.m. 

As on the bottom of the last sports page.

The only female in today's sports section was Serena Williams and her defeat at Wimbledon.

Why bother subscribing to WAPO

News about local women in sports? 

Local female teams?  

Getoutahere.


If the Washington Mystics had any friends at the Washington Post, the stands might be a little fuller/Photo by Patricia Leslie
 
Help, I need somebody
Help, not just anybody
Help, you know, I need someone
Help

When I was coachin', so much younger than today
I never needed anybody's help in any way
But now these days are gone, I'm not so self assured
Now I find, I've changed my mind, we don't want to be ignored

Help me if you can, I'm feeling down
And I do appreciate your comin' round
Help me get our team back on the ground
Won't you, please, please help me?

And now our lives have changed in, oh, so many ways
Our winning team never makes it to the page
But every day and some we feel so ignored
I know that you can help us like you've never done before
 
Help us if you can, we're feeling down
And we do appreciate your bein' round
Help us bring the fans back on down town
Won't you please, please help us
Help us
Help us
Whoooooooo.....
 
 
 
 
Next up for the Mystics:
 
Wednesday, July 2, 7 p.m. v. Indiana Fever at Verizon



 

Thursday, June 26, 2014

Where are the Washington Mystics? Part 2


With a little help from their friends at the Washington Post, the Mystics might be able to fill more seats at home games at Verizon Center/Photo by Patricia Leslie

The Mystics are not to be found in a prominent position among the sports pages of the Washington Post,* that's for sure. 

The day after the team won its first game in five starts, when players beat the Stars 81-70 in San Antonio, all the team could muster in WAPO's sports pages was a lowly left corner of 179 words (including the title) alongside a hockey capsule (June 25, 2014, p. D2).

On the front sports page were color photos of Tiger Woods and Lebron James, the latter which took up almost half the page.  I thought the NBA season had ended.  Does James play for the Wizards?  Is he joining the team?  On page D3 was another picture of Woods. I guess when it comes to sports, all that counts are men.

Those editors think only men read sports? 

What kind of message does this send to budding female athletes?

The only photo of a female in the section was a young girl holding a sign, "Welcome back, Tiger."  Whew.  Looks like the sports sex discrimination at WAPO will continue long past my lifetime, alas.

* This version is not what appeared in the print edition.

Next up for the Mystics:

June 27, 7 p.m. v. Connecticut Sun, Verizon Center

June 29, 4 p.m. v. San Antonio Stars, Verizon Center

Part 1 of "Where are the Washington Mystics?" is right here.
Last September at Verizon when the Mystics played the Connecticut Sun/Photo by Patricia Leslie

patricialesli@gmail.com

Saturday, June 14, 2014

Where are the Washington Mystics?

 
Not pictured in today's Washington Post.
 
Coach Mike Thibault and the Washington Mystics get no help from the Washington Post/photo by Patricia Leslie

Under a surprisingly large headline (for women's sports: "Washington tops shorthanded Chicago"), what picture do you think WAPO used for the story?

You might expect a picture of the Mystics scoring.  A battle under the net.  (The final score: 79-68.)  A picture of the night's heroine, Emma Meesseman?

No, m'am, strike damn.  Get real.  That makes too much sense.  That would be logical, no?  To expect  a picture of the Mystics?  Or Coach Thibault or something... Mystics?  On top of that big story about a game the Mystics won.

Please.

Why, of course, WAPO used a photo of, of (sic and hold on) competitors (Connecticut and New York) playing in a game  at Madison Square Garden. 

That would be New York, right? 

Yes. 

That picture covered almost a third of the page. And the article about that game?  Give me two paragraphs and two paragraphs only. 

Oh, but that picture has a former Georgetown player in it. 

Big deal.  That was so last year.

I had to take several looks.  Whatsis?  It made no sense.  No picture of the Mystics?  What is going on?  They did play at Verizon, didn't they? 

Well, yes.

I suppose WAPO:

1.  Deems the Mystics too unimportant to show on the sports pages.  So it relies on the wire services for photos of...competitors?  Or...

2. Left the page in the hands of an 16-year-old intern (no pay).  Or...

3. Is so broke it has no money for wire service photos of the Mystics.  Or...

4. Was so captivated by the NHL and the World Cup it forgot about the rest of sports. 

5.  All of the above?

Hey, WAPO editors, it is 2014, not 1914

Next up for the Mystics:  Atlanta, Verizon, 4 p.m., Father's Day, June 15.   Take your camera.

patricialesli@gmail.com