Showing posts with label jazz concerts. Show all posts
Showing posts with label jazz concerts. Show all posts

Monday, January 30, 2017

Free jazz concert, Feb. 1, St. John's, Lafayette Square


Jazz singer Sara Jones

Did someone say Billie Holiday?   

Jazz singer Sara Jones, the winner of a Billie Holiday competition, will present a free lunchtime concert at St. John's Episcopal Church on Lafayette Square Wednesday to sing the greats of Cole Porter and George Gershwin, among other composers.

Accompanying her for Winter Escape will be Steve Heberman on the guitar and Paul Langosch, bass.

St. John's quotes Ms. Jones describing the concert as "jazz standards and Brazilian bossa novas that will keep you warm during this wintry and blustery season.  With songs lovingly curated from the Great American Songbook, we will explore songs about love of travel, love of warmth, and love of life!"  

A prelude to Valentine's Day!

The concert is one of St. John's First Wednesday Concert series, presented without charge.
 
St. John's Episcopal Church, Lafayette Square, Washington, DC/Photo by Patricia Leslie

St. John's was founded in 1815 and is known to Washington residents as the yellow church at Lafayette Square. It's often called the “Church of the Presidents” since beginning with James Madison who was president from 1809 to 1817, every president has attended services at the church. A plaque at the rear of St. John's designates the pew where President Abraham Lincoln often sat when he stopped by the church during the Civil War.  

Benjamin Latrobe, the architect of the U.S. Capitol Building, designed St. John's Church in the form of a Greek cross.  

The church bell, weighing almost 1,000 pounds, was cast by Paul Revere's son, Joseph, in August, 1822, and hung at St. John's that November where it has rung ever since. Wikipedia says two accounts report that whenever the bell rings on the occasion of the death of a notable person, six male ghosts appear at the president's pew at midnight and quickly disappear.  (Who are the six?)

Following tradition, President Donald J. Trump and his family began his presidency on the morning of January 20, 2017 with private services at St. John's.

For those on lunch break Wednesday, food trucks are located at Farragut Square, two blocks away.

 

A concert not to miss! 

Who: Jazz vocalist Sara Jones

What:
First Wednesday Concerts

When: 12:10 p.m., February 1, 2017

Where:
St. John’s, Lafayette Square, 1525 H Street, NW, at the corner of 16th, Washington, D.C. 20005

How much: No charge

Duration: About 35 minutes

Wheelchair accessible

Metro stations: McPherson Square (White House exit), Farragut North, or Farragut West

For more information: Contact Michael Lodico, St. John's director of music ministry and organist, 202-270-6265 or
Michael.Lodico@stjohns-dc.org
 

Other dates and artists of the First Wednesday Concert Series are:
 

(The first Wednesday in March is Ash Wednesday.)

April 5: Soloists from St. John's Choir will sing.

May 3: Thomas Smith, the director of music at Christ Church, Georgetown, will play A Journey to Merrie Olde England - A Recital of English Organ Music.

June 7: Bach's Brandenburg Concerto No. 2 will be played by the U.S. Air Force Strings with trumpeter Mary Bowden.


patricialesli@gmail.com






Monday, August 3, 2015

Love nights and jazz notes at the Sculpture Garden


Another party night at the Sculpture Garden at the National Gallery of Art/Photo by Patricia Leslie
In the distance is the dome of the Smithsonian Museum of Natural History and beyond it, the top of the Washington Monument, seen from one of the entrances to the Sculpture Garden.   In the winter, the Sculpture Garden's center becomes an ice rink/Photo by Patricia Leslie
Shoes are not required at the Sculpture Garden at the National Gallery of Art.  And shirts?/Photo by Patricia Leslie
This is an impressionist painting of a veggie sandwich hanging at the Sculpture Garden at the National Gallery of Art/Photo by Patricia Leslie
Hidden love under a Chagall umbrella at the Sculpture Garden at the National Gallery of Art/Photo by Patricia Leslie
Incendio made music at the Sculpture Garden at the National Gallery of Art on July 31, 2015/Photo by Patricia Leslie
The amount of visible grass at the Sculpture Garden set a record for the summer.  (You have to attend to know what I mean.)  A guard told me the week before was packed, and we mused about the reason.  The salsa dancing?  He said people were dancing galore.  Center in the photo is Joan Miró's Personnage Gothique, Oiseau-Éclair (Gothic Personage, Bird-Flash), 1974, cast 1977, bronze, Gift of The Morris and  Gwendolyn Cafritz Foundation/Photo by Patricia Leslie

I can see clearly now the grass is there.
I can see all obstacles moved away.
Gone are the crowds that made me sad.
It's gonna be a bright (bright)
bright (bright) moonlighty night.
It's gonna be a bright (bright)
bright (bright) moonlighty night.

Oh, yes I can make it now the crowd is gone.
All of the bad feelings have disappeared.
Here is that seat I've been longing for.
It's gonna be a bright (bright)
bright (bright) moonlighty night.

(ooh...) Look all around, there's nothing but green grass.
Look straight ahead, there's nothing but green grass
This could be a park at the beach with a big, pink elephant to admire.  It was actually a lark in the park at the Sculpture Garden with Alexander Calder’s Cheval Rouge (Red Horse), 1974, on long-term loan from the Calder Foundation, New York/Photo by Patricia Leslie
Look at these beauts!  The latest in head fashion, newly arrived from Hermes for next year's entrants in New York City's Fifth Avenue Easter Parade/Photo by Patricia Leslie
Something which never changes at the Sculpture Garden's party nights:  the long line for the ladies room/Photo by Patricia Leslie
One last kiss, oh, baby, one last kiss, it never felt like this, oh, baby, not like this, you know I need your love, oh, oh, oh, oh, baby one last kiss at the Sculpture Garden at the National Gallery of Art/Photo by Patricia Leslie

This year is the 15th season of free sculptures in the jazz garden or free jazz in the Sculpture Garden (take your pick, they both are available) to be seen and heard on Friday evenings, now through the end of August at the National Gallery of Art's prized outdoor jewel.

Inside the gated community (outsider alcohol, verboten, with bag check) are fascinating sculptures to admire (both of the permanent and human varieties), live music to hear, and food and beverages to consume to launch the weekend celebration.   


Which sculpture is your favorite?  As you ponder the answer, you may settle on the meaning of life.  Stand at different corners of Roy Lichtenstein's House I (1996, fabricated 1998, fabricated and painted  aluminum, Gift of The Morris and Gwendolyn Cafritz Foundation) and watch it move.  What does it mean?  

Or consider Roxy Paine's Graft, (2008 – 2009, stainless steel and concrete, Gift of Victoria and Roger Sant) waving towards Capitol Hill.  It's easy to determine a meaning.

Last Friday night, it was not the band which stole the show, but the usual suspects:  the people, the scenery, the young, the old, the babies and bold were all on hand.  It's lots of fun. With lots of food and beverages to buy.  

Unless you bring your own chairs (which are allowed),  blankets, or towels, you may be standing, standing, standing, since unoccupied seating is not available unless you get there long before the opening bell.

Upon arrival I ducked in the cool (air conditioned) Pavilion Cafe to find just a few ahead of me in the food line, and my favorite dish, the hummus plate.  

I placed my order with the fellow behind the counter who skidded it across the counter top to me, and upon examination, I tossed it back:

"Where are my grape leaves? This is the wrong plate."

 "Oh," he said, "those were last year's menu.  I miss them, too."  So yesterday. 


Yesterday all my food plans since have gone astray,
Now the menu is in serious decay,
          And I may have to eat at the Subway

Suddenly I'm not as excited as I used to be.
There's a leaf hanging over me.
Oh, yesterday came suddenly.

Why grape leaves had to go, I don't know, no one would say.
They made dinner gong, and I long for yesterday.

Yesterday, eating hummus was such a holiday
       Now I found a place to hide away 
       Which may be on the dreaded subway 

And this was heard in passing:


Where have all the grape leaves gone, long time passing?
Where have all the grape leaves gone, long time ago?
Where have all the grape leaves gone?
Menu planners got them everyone.
When will they ever learn?
When will they ever learn?

 
With drooped shoulders and a sadness that only grape leaves could shatter, I made my way to the sweltering outdoors and the line for bar-be-cue.  And beer.

Alas!  No lite on draft!  Only Stella.  Pullease.

And no place to sit.  

Ho hummus, I bought some bar-be-cue.  (Honestly, these Nawrtherners don't know what bar-be-cue is. Have they ever been to the Saoyuth and tasted bar-be-cue?)

In a roped-off area, a guard stood on a stone wall where a fellow sat smoking near the constantly long line for the ladies room, and with the guard's permission, I sat down to eat.  No problems. Not even smoke got in my eyes.

But, Sculpture Garden:  Why so few seats?  I declare the number of bars at your party has doubled, and it does seem like seats have been removed to fit more people inside the province.

Sculpture Garden:  Have you ever been to the South and sat in grass and later discovered you've been devoured by invisible chiggers?  The aggravation lasts about five days, and you have to scratch in the most private of parts!  Once done, you will never sit in grass again, I don't care if it's plastic grass the Inuit have planted for decoration in Nunavut.

Sculpture Garden:  I do not sit in grass.  But, I do have a suggestion for a new sales item for your Friday night gigs:  towels for rent.


Party people, hurry!  There are not many Friday weekends left (4) before summer fun ceases, and soon, it will be brown and dull winter when the temperature may drop to minus 30, and we shall be frozen solid in our winter tombs.  Better to enjoy life now while we've got it!  

 Who: 
August 7   – Miles Stiebel (jazz violin)
August 14 – Origem (Brazilian jazz)
August 21 – Seth Kibel (clarinet)
August 28 – Afro Bop Alliance (Latin jazz)

When:  5 - 8:30 p.m. every Friday through August 28, 2015 (During the summer, the Sculpture Garden opens every day at 10 a.m. (11 a.m., Sunday) and closes at 7 p.m.)

Where:  The Sculpture Garden, National Gallery of Art, between Seventh and Ninth streets at Constitution Avenue, N.W., Washington, D.C. On the Mall.  

Admission: No charge, but you may want to bring some coins for drinks and treats.

Metro stations: Smithsonian, Federal Triangle, Navy Memorial-Archives.

For more information: 202-289-3360.  And/or check 

www.nga.gov/jazz for the latest information.



Monday, May 18, 2015

Army's new jazz and All-Stars delight audience

The U.S. Army Blues in concert, Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie
 
One of the joys of living in the Washington, D.C. region is the plethora of musical opportunities offered by expert performers, many who play for free for eager and enthusiastic audiences.  So it was on Sunday afternoon at Brucker Hall at Fort Myer, Virginia where about 150 jazz lovers came out to hear non-traditional, original compositions and arrangements by members of the U.S. Army Blues, under the direction of Jeremiah Keillor.  The Army Blues is the premier jazz ensemble of the U.S. Army, an 18-piece ensemble, part of the Army Band "Pershing's Own."
Trumpeters in the Army Blues are Mark A. Wood, Kenneth W. McGee, Graham E. Breedlove, and Kenneth R. Rittenhouse.  According to the concert's leader, Joseph D. Henson, Take Five by Paul Desmond, made famous by the Dave Brubeck Quartet and arranged by Master Sgt. Rittenhouse for Sunday's performance, was "as traditional" as anything heard in the "New Music Concert"/Photo by Patricia Leslie
Trombonists in the group are Matthew F. Niess, Victor Barranco, Harry F. Watters, and Jeffrey J. Cortazzo, and on drums, Steve Fidyk.  On the program were Utopia by Blues' Joseph Henson and Bloodline by Michael Kramer, also a Blues member (below)/Photo by Patricia Leslie

New Army Blues member and guitarist is Michael Kramer who wrote To Herb, Two Herbs as a tribute to "overlooked jazz composer" Herbie Nichols (1919-1963) who died at 44 from leukemia.  Mr. Henson called it "probably the band's most challenging piece" of the day, but it didn't sound like it/Photo by Patricia Leslie
On the sax were Antonio L. Orta, Bill E. Linney, Mr. Henson, and David T. Brown/Photo by Patricia Leslie
A "New Music Concert" at Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie
These were the Blues' "Swamp Romp" playing Xavier Perez' Reich Sauce in the Chili. The program said Perez, "a big fan of composer Steve Reich" (b. 1936) put together the piece with a "bluesy, Southern boogaloo"/Photo by Patricia Leslie
Xavier Perez/Photo by Patricia Leslie
A "New Music Concert" at Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie
Pianist Daniel A. Roberts composed Link's for his friend, Lyle Link, an area alto saxophonist.  Bass player Regan Brough arranged The Lover's Celebration by Memphis' James Williams (1951-2004) as a solo piano piece.  It featured a no-conflict relationship in a light, delightful, and soothing style/Photo by Patricia Leslie
An incredible show by the National Jazz Workshop All-Star Jazz Orchestra under the direction of Alan Baylock and produced by Matt Niess, preceded the Blues' performance. The website says the All-Star Jazz Orchestra is "an audition based ensemble open to music students aged 15-22 in the Washington, DC area. The mission of NJW is to offer the highest level of instruction to young jazz musicians while promoting America's Art form, jazz. NJW employs educators and artists dedicated to helping students reach their potential as musicians and individuals"/Photo by Patricia Leslie
Jaquan Andrews is the trombone soloist (left on second row) from the National Jazz All-Stars, playing Cold Duck Time.  Other All-Star trombonists are Aidan Farley, Jack Grimm, Zachary Niess, Noah Flanigan, and Francis Baylock/Photo by Patricia Leslie
Pianist Daniel A. Roberts got double billing, playing for the Army Blues and subbing for the All-Star Jazz Orchestra/Photo by Patricia Leslie
Garrett Mader and Jan Knutson are All-Star guitarists/Photo by Patricia Leslie
Sax All-Stars are Kurtis Wheeler, Eli Kane, Ben Brooks, Alex de Lazzari, Ben Francis, and Zach Hanna/Photo by Patricia Leslie
An All-Star at Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie
The only female spotted on the stage the whole afternoon was Caeley Niess who played a sexy Concerto for Cootie by Duke Ellington (1899-1974) and almost stole the show. Niess's parents, Suzanne and Matt Niess are members of the Army band. Other All-Star trumpeters are Robert A. Barron, Michael Berkeley, Nathan Bradley, Marshall Klimmek, and Jake Crawford/Photo by Patricia Leslie
All-Stars at Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie
On drums somewhere in the photo is All-Star Scott Sawicki /Photo by Patricia Leslie
All-Stars at Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie
An All-Star at Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie
All-Stars at Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie
Behind the trombone is an All-Star/Photo by Patricia Leslie
These two All-Stars really dug their music on stage at Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie
All-Star bassists are Jacob Dormuth and Michael Baylock/Photo by Patricia Leslie
More All-Stars at Brucker Hall, Fort Myer, VA, May 17, 2015/Photo by Patricia Leslie