Showing posts with label Paul Mellon. Show all posts
Showing posts with label Paul Mellon. Show all posts

Sunday, September 18, 2016

Mellon show ends today at the National Gallery of Art


Paul Klee, Swiss, 1879 – 1940, Dampfer und Segelböte (Steamboat and Sailboats), 1931, watercolor. National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon, 1983

Only a few hours remain to see the special exhibition devoted to a small portion of the hundreds of works of art formerly owned by Paul Mellon (1907-1999) before he gave them to the National Gallery of Art.
Edouard Manet, French, 1832–1883, The Raven Perched Upon a Bust of Pallas, 1875, gillotage. In Edgar Allan Poe, Le Corbeau, translated by Stephane Mallarme (Paris: Richard Lesclide,1875). National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon,
2014

Paul Mellon was the son of the founder of the National Gallery, Andrew Mellon (1855-1937), so it is fitting that the Gallery recognize the largesse of the family on its 75th birthday with a presentation of Paul and Bunny Mellon's collection found in their home, pieces which Paul Mellon hung himself. 
Jacques Villon, French, 1875–1963, A Woman in Blue at the Beach, 1902/1904, watercolor over graphite. National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon, 1995 

The National Gallery is filled with the Mellons' gifts, including the 88 pastels, drawings, watercolors, illustrated books, and prints which make up this show and are not displayed often or for long periods of time due to light's damaging effects. 
The donor gave no thought really to the juxtaposition of the pieces in his home, said his friend and curator Andrew Robison when the exhibition opened.  Mellon only bought and hung what he liked, which matches the arrangement here.
Winslow Homer, American, 1836 – 1910, On the Stile, 1878, watercolor and gouache over graphite. National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon, 1994
 
Represented artists in the show include
Mary Cassatt, Winslow Homer, Édouard Manet, Jean-Auguste-Dominique Ingres, Edgar Degas, George Bellows, Vincent van Gogh, Pablo Picasso and Georges Braque.

Rene Magritte, Belgian, 1898 –1967, The Murderous Sky, 1927, brush and ink with collage of sheet music cutouts, lithograph. National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon, 1995
Henri Matisse, French, 1869–1954, Self-Portrait, 1937, charcoal. National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon, 1985

On the walls are Mellon quotes which Robison pulled from books, news articles, and magazines. Robison described Paul Mellon as a man who had a "gentleness [and] shyness" about him, "reserved [with a] mischievous smile."

George Bellows, American, 1882 – 1925, Dempsey and Firpo, 1923/1924, lithograph. National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon, 1983

"He only bought what he said he wanted to live with," said Robison. Collecting was rather like "occupational therapy" for him.

His favorite artists were "probably" Degas and Homer whose watercolors he liked better than Degas'.

At the Paul Mellon exhibition/Photo by Patricia Leslie

Some of his favorite subjects were boxing, horse racing, the water, New York and Parisian night life, and woman's curves, all depicted in pictures and now on the walls of what used to be called "the Mellon Gallery," said Earl A. Powell, III, the National Gallery's director.
 

At the press preview of the show, Director Powell told a funny story about the time he was invited to the Mellons' shortly after Powell was hired in 1992 as the National Galley director.

At the Mellons' home, "Murray the Butler" greeted Powell. In one hand Murray held a sheet of paper and in the other, a martini, which later came to be known as the "Mellon Martini," created by Mellon himself, a concoction of vodka and gin because Mellon didn't like the smell of vermouth or maybe it was the other way around. 

Whatever, there was some smell he didn't like.

Murray said to Powell: "Sir, Mr. Mellon has made a list of art works on the wall he thought you might like to have, and if you want others, please add them to the list." (!!!!!)

What: In Celebration of Paul Mellon

When: Today is the last day, Sunday, September 18, 2016, 11 a.m. - 6 p.m.

Where:
West Building, Galleries 72 and 73, the National Gallery of Art, between Third and Ninth streets at Constitution Avenue, N.W., Washington, D.C. On the Mall.
 

Admission charge: Never on Sunday or any day

Metro stations for the National Gallery of Art:
Smithsonian, Federal Triangle, Navy Memorial-Archives, or L'Enfant Plaza

For more information: 202-737-4215


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