The maestro would not approve: 'My Name is Alfred Hitchcock'

Cohen Media Group's film, My Name is Alfred Hitchcock is for Hitchcock (1899-1980) connoisseurs only. Unless moviegoers like looking at the maestro’s face in the same photograph repeatedly which consumes about a third of the film. 

It's as if writer/producer Mark Cousins couldn't think of anything or anybody else to fill the space.

Alistair McGowan does an excellent job mimicking Hitchcock's voice. Film credits let viewers know the monologue is not Hitchcock speaking although you'd swear the voice was Hitch's.

 

The film is too long and could be shortened probably by a third (eliminating his face), however it lacks adequate biographical information about Hitch and his wife, Alma (1899-1982) with whom he appeared to have a  close relationship. 

Reading Hitch's bio on Wikipedia, it seems I Am Alfred Hitchcock did not give Alma enough credit for contributions to her husband's success.  (Calling Zelda Fitzgerald!) 

What happened to their daughter, Patricia (1928-2021)?

Notwithstanding (!), there are few movies like this which make me want to “take action” and see every film the subject ever made, many which are clipped here and screened for only a few seconds, to whet my appetite.  It reminds me of holding a piece of steak in front of a German Shepherd and not letting him or her eat. 

All the big stars are here:  Paul Newman, Janet Leigh, Cary Grant, James Mason, Peter Lorre, Albert Einstein (!), and many more.

Half of the movie titles were new ones for me. Please, take me to the Hitchcock Festival.  I wouldn't be surprised to find a cruise for Hitchcock lovers.  Please, take me to it.

Reviewers at Rotten Tomatoes gave I Am a 93% but since there were fewer than 50 reviews submitted by members of the audience, the "people's rating" (the one that is more important) is absent.  The few reviews by "the people" may be explained by its British origination, however, it was released in 2022 but only released in the U.S. in October. 

The music by Donna McKevitt far exceeds the quality of the film.

patricialesli@gmail.com

 

'Dial 'T' for Thriller' at the Olney

Nisi Sturgis is Margot Wendice in Dial 'M' for Murder at Olney Theatre Center. "Hark!  Who goes there?"  "Honey, may I borrow your phone?"/Photo by Stan Barouh

Once you step inside the theater at the Olney and spy the set, darling, you know it will be a magnificent show, quite enough to suit your fancy and leave you spellbound throughout. 

From left, Nisi Sturgis as Margot Wendice, Cameron McNary as Max Halliday, and Alan Wade as Inspector Hubbard in Dial 'M' for Murder at Olney Theatre Center/Photo by Stan Barouh

Alfred Hitchcock fans will not want to miss the theatre's newest production, Dial 'M' for Murder, every bit the mystery on stage as it was in the master's 1954 movie starring Ray Milland, Grace Kelly, and Robert Cummings. (Can you imagine?)

From the get-go and the haunting shadow from the cascading single light shining from above (design by Sonya Dowhaluk) and the pling, pling, pling of the single strings (marvelously composed and played by Roc Lee on a synthesizer), who needs a plot when you can just sit back and admire the living room, a piece of art unto itself with fab 50s Mad Men decor, the sofa, the chairs, the harsh corners, the lamps, the trophy shelves, and the doors (design by Charlie Calvert). 

In true Hitchcock fashion, you must keep up with the key, dearie, or get lost like the rest of us, but it doesn't matter.  Where there's Hitchcock and murder, you know you are in for a treat, even if the wrong man is snuffed out. Director Jason King Jones makes sure shadows of doubt lurk in the minds of attendees.

The mystery begins with Margot Wendice (Nisi Sturgis) and her lover, Max Halliday (Cameron McNary), a foreign correspondent, who quickly reveal their dangerous lies.

Ashley Smith is the handsome (with a touch of George Clooney) and beloved (or is he?) Tony Wendice, the rich and strange husband, thrown overboard for the likes of another man.  Tony enlists an old pal, James Konicek as Captain Lesgate in a blackmail sweep, as Tony's suspicion of the illicit couple grows, and downhill they go.


In the single female role Ms. Sturgis does resemble Grace Kelly, a believable, adoring spouse (no farmer's wife) especially as a white shadow underneath the spotlight in a flowing gown. (I suppose the leading female had to be a blonde, perhaps a Hitchcock requirement.)

Then there is the ubiquitous (almost notorious) Alan Wade as Inspector Hubbard who said at the after-party he has starred in so many Olney shows, he's lost count (about 25), but quite a natural, the man who knows too much.  Look out when he shows up at the torn curtain, at the entrance to a pleasure garden, right outside the rear window through which various characters come and go in their passionate adventures (?).  (You see what I mean about intrigue?)

Who might the victim be?  Leave it to Hitchcock to upset the planned order of things.  

The costuming (by Seth Gilbert) is divine, especially the peach colors wore by Captain Lesgate, and the Fab 50s apparel of Margo who sweeps the stage a la Loretta Young, if anyone young and innocent can recall her television show. 

The pace is fast, also propelled by lighting and music which are skilfully woven with the characters to leave us guessing.

The dialect coach, Zachary Campion, did a splendid job, guiding the actors in natural, unpretentious delivery, and is to be commended for outstanding achievement (is there an award for that?), and is an important crew member, like fight choreographer, Casey Kaleba, able to land strong punches. 

Let's finish with a toast of champagne, shall we?, before we say "bon voyage" (May 1, but look for an extension) to another really good show at the Olney.

 Hear!  Hear!  Helen Hayes nominations: 

Outstanding Lighting Design: Sonya Dowhaluk

Outstanding Musical Direction: Roc Lee

Outstanding Set Design: Charlie Calvert

Outstanding Lead Actor in a Play: Ashley Smith

Outstanding Supporting Actor in a Play: James Konicek

Additional members of the creative team are Elisabeth A. Ribar, production stage manager, and Alexandra Ley, dramaturg. Frederick Knott (1916-2002) wrote the play, which was originally part of a BBC television series with its premiere in London in 1952.

Where: Olney Theatre Center, 2001 Olney-Sandy Spring Road, Olney, MD 20832

When:  Wednesday through Saturday through May 1, 2016 at 8 p.m. with Saturday and Sunday matinees at 2 p.m. and an April 27, Wednesday matinee at 2 p.m.  

How much: Tickets start at $38, with discounts for military, groups, seniors, and students.

Duration: 130 minutes with one intermission.

Refreshments: Available for purchase and may be taken to seats.

Parking: Abundant, free, and on-site

Special performances and events:

April 20, 8 p.m.  Audio described performance for the visually impaired, presented by Metropolitan Washington Ear.

April 23, 2 p.m. and April 30, 2 p.m., Afterwords, post-show discussions

For more information: 301-924-3400
 
patricialesli@gmail.com

Hitchcock's '39 Steps' soars in Herndon

Emily Levey is Annabella and Pamela and Margaret, and James Finley is Richard Hannay in NextStop's 39 Steps/photo by Rebekah Purcell, VSION

Way out in Herndon, professional theatre? 

Oh, come on! 

Theatregoers, this is for real.  A top-notch production crew and cast.  You'll be awestruck. 

Alfred Hitchcock's 39 Steps is on stage in the inaugural season at Herndon's NextStop Theatre (formerly the Elden Street Players) and whoever thought Hitchcock could be so funny?

I laughed myself silly and that's what it's all about:  entertainment.  Why pay to see a play and go away depressed?  It won't happen here.

Last Friday night almost all 114 seats were taken and now, a ticket discount is available.*

You know the story of 39 Steps, don't you?  It's really not necessary to know it to enjoy this farce, this slapstick of a show which moves so fast your mind will whirl, and this is not to scare any potential theatergoer who may anticipate the plot is too complex a la Shakespeare, but this is Hitchcock and Monty Python rolled into one and quite easy to follow, as long as you don't get dizzy from the nonstop action. Whew.

James Finley plays Richard Hannay, a sophisticated 37-year-old Englishman, a bachelor, who gets caught up in the murder of a new lady acquaintance (who parks herself at his apartment, and away we go).

Four actors portray 140 characters, and you'll be swept away by the fast costume, voice, and mannerism changes, all carried off with deft aplomb.

The leading man (Hannay) is the only character who does not change his person or clothes.  Emily Levey is Annabella/Pamela/Margaret, the new acquaintance, the murder victim who becomes the librarian, the farmer's daughter, and the girl on the train, though not necessarily in that order.  (Who can keep them straight?)

The show stealers are the "everymen," the "clowns" played by Evan Crump and Nick Rose who are hotel operators, policemen, airplane pilots, a Christmas tree, a farmer, train passengers, and a few more.

Evan Crump, left, and Nick Rose play multiple roles in NextStop's 39 Steps.  Is that the McGarrigle or the Bates Hotel?/Photo by Rebekah Purcell, VSION

(You'll blink twice to make sure Rose is not Robin Williams.  Or his first cousin.  Or, was that Crump?)

One of the funniest scenes is when they sit on a train with Hannay and change seats. They move and jerk to the rhythm of the vehicle which soon becomes real enough when a chase ensues on top of and in-between cars.  Oh!  And there is an airplane crash, a leap from a bridge, and a wee bit of sex. With handcuffs.

Before the show starts, you may wonder about the cluttered set but most of the components play a role in the action, and the scene changes so much, the extraneous parts become part of the background, and fade once you become engrossed by the speed.

Evan Hoffmann is NextStop's producing artistic director who directed 39 Steps.  Before the show started, he came out and addressed the audience, unable to contain his enthusiasm and energy, and repeated what he says in the program:  "We are going to work towards the dream of making the Dulles Corridor the future of great theatre in the DC Metropolitan area."  NextStop is well on its way.

The play runs through October 20, but hurry since many productions sell out.  This is too funny to miss.  Why stay home when you can laugh and have fun and support the arts which support more arts? It pays to get out.

Special recognition goes to Stan Harris, the sound designer, assisted by Brian Christiansen.  Those two rigged up so much Hitchcock music, a tally sheet couldn't keep track. Who is old enough to remember Hitchcock's TV show?  It's there, too.  All, synchronized magnificently.

Of note are costuming by Jenny O'Donnell, properties design by Kevin Laughon, and period hair styling by Kat Brais, assisted by Lorraine Magee.

Applause all the way around to cast and crew for a great night at the theatre!

What:  39 Steps

When:  Thursday (7:30 p.m.), Friday (8:00 p.m.), Saturday (8:00 p.m.), and Sunday nights (7:00 p.m.) and Sunday matinees (2:00 p.m.), now through October 20, 2013

Where:  NextStop Theatre, 269 Sunset Park Drive, Herndon, VA 20170 at the Industrial Strength Theatre located in the back right corner of Sunset Business Park, near the intersection of Spring Street/Sunset Hills Road.  Right off the Fairfax County Parkway.

Parking:  Available near the door at no charge

*How much:  Click tickets which start at $25 but a discount of $7 per ticket is available for two or more.  Use the coupon code: GO2NEXTSTOP. Call 866-811-4111 for assistance.

Rating:  G.  Appropriate for all age levels.  "Street talk" Is absent.

For more information:  703-481-5930 or info@nextstoptheatre.org

patricialesli@gmail.com