Showing posts with label U.S. National Archives. Show all posts
Showing posts with label U.S. National Archives. Show all posts

Tuesday, April 30, 2019

National Archives receives WWII diary in signing ceremony

 Robert Edsel, chairman of the Monuments Men Foundation for the Preservation of Art, shows pages from the diary of S. Lane Faison, Jr., given by the Foundation to National Archives/Photo by Patricia Leslie
Pages from the diary of S. Lane Faison, Jr. given by the Monuments Men Foundation for the Preservation of Art to National Archives/Photo by Patricia Leslie


 In a signing ceremony Monday morning at the U.S. National Archives, on the eve of the 74th anniversary of the suicide of Adolph Hitler, a diary kept by a U.S. Navy Reservist about Nazi art theft in World War II was donated to the National Archives by the Monuments Men Foundation for the Preservation of Art.

The diarist, S. Lane Faison, Jr. (1907-2006), recorded observations he made during 1950 and 1951 when he directed the Munich Central Collecting Point which was a storehouse and distribution center for the recovery of art the Nazis seized from museums and private collectors.

A page from the diary of S. Lane Faison, Jr. given by the Monuments Men Foundation for the Preservation of Art to National Archives/Photo by Patricia Leslie


 Since the National Archives affords access to records by all and Monuments Men wants as many persons to see the documents as possible, it made sense for Archives to have the diary, Robert Edsel, chairman of the Monuments Men Foundation, said at the ceremony.

Earlier, Mr. Faison's four sons had given the book to the Foundation.

 
Dr. Greg Bradsher, senior archivist and "expert on Holocaust-era asset records," with S. Lane Faison, Jr.'s diary/Photo by Patricia Leslie
 
From left, Dr. Greg Bradsher, senior archivist, with Robert Edsel, chairman of the Monuments Men Foundation for the Preservation of Art, at the signing ceremony at National Archives for the gift acceptance from the Monuments Men Foundation to Archives of S. Lane Faison, Jr.'s diary. Open on the table are pages from one of 43 "Hitler's Albums" recovered and at Archives/Photo by Patricia Leslie


The diary will be reunited with 43 volumes of the "Hitler Albums" which have been recovered and already given by the Foundation to the Archives where they may be digitally accessed. The Einsatzstab Reichsleiter Rosenberg , the Nazi task force devoted to seizing art and other valuables, compiled the albums, perhaps for the pleasure of Hitler who loved art, Mr. Edsel said.

The volumes are among the estimated 100 albums of photographs of stolen art the Nazis kept with careful documentation about each piece, including the rightful owner, said Dr. Greg Bradsher, senior archivist at Archives and "expert on Holocaust-era assets," according to an Archives statement.
A page from one of "Hitler's Albums" on display at the signing ceremony for the gift acceptance of the diary of S. Lane Faison, Jr. by National Archives from the Monuments Men Foundation for the Preservation of Art/Photo by Patricia Leslie
A photograph of a stolen painting from one of "Hitler's Albums." Under the photograph is picture identification (below)/Photo by Patricia Leslie
In a "Hitler Album," the identification page underneath the photo which identifies the painting and the family from whom the Nazis stole it, as carefully recorded by the Nazis/Photo by Patricia Leslie


 The majority of the volumes are still missing, and presumably sitting in attics, barns, old houses and garages. A team of about five researchers from the Foundation is actively searching for them, Mr. Edsel said.

It is a crime for anyone to knowingly sell historical documents, artifacts and other records.

The albums were all the same size, Dr. Bradsher said, and were used as evidence during the Nuremberg trials.

Robert Edsel, chairman of the Monuments Men Foundation for the Preservation of Art, notes that not all 43  recovered "Hitler Albums" have title pages. The one on display has a title page/Photo by Patricia Leslie
On the left is David Ferriero, archivist of the U.S., who signed documents to accept the gift of the diary of S. Lane Faison, Jr. from the Monuments Men Foundation for the Preservation of Art,. Robert Edsel, chairman of the Monuments Men, is on the right and, standing, is Dr. Greg Bradsher, senior archivist/Photo by Patricia Leslie
From left, David Ferriero, archivist of the U.S., Robert Edsel, chairman of the Monuments Men Foundation for the Preservation of Art, and Dr. Greg Bradsher at the signing ceremony at National Archives for the gift from the Monuments Men Foundation of the diary of S. Lane Faison, Jr. to National Archives/Photo by Patricia Leslie


 Mr. Edsel said art was extremely important to Hitler who kept volumes of it from the time he was 16 until he died, including some of the "Hitler Albums."

During the war, General Dwight D. Eisenhower issued more than one order to Allied troops that they leave premises as they found them and not take souvenirs, Mr. Edsel and Dr. Bradsher said. With teenaged and 20-something aged soldiers, the order was difficult to follow and enforce.

Today, these sites would be treated as crime scenes, said Mr. Edsel who wrote The Monuments Men which was picked up by George Clooney and made into a film in 2014.

From left, David Ferriero, archivist of the U.S., Robert Edsel, chairman of the Monuments Men Foundation for the Preservation of Art, and Dr. Greg Bradsher with S. Lane Faison. Jr.'s diary/Photo by Patricia Leslie
From left, David Ferriero, archivist of the U.S., Dr. Greg Bradsher, senior archivist, and Robert Edsel, chairman of the Monuments Men Foundation for the Preservation of Art, with S. Lane Faison. Jr.'s diary on the left on the table and, on the right, one of 43 recovered "Hitler Albums"/Photo by Patricia Leslie

At Williams College, Mr. Faison was the director of the Museum of Art and headed the art history department where one of his students was recently retired National Gallery of Art director, Earl A. Powell III. Photographs of looted art and memorabilia seized by the Nazis may also be found at the National Gallery’s own Munich Central Collecting Point Archive.

Mr. Faison was born in Washington, D.C.

According to Hilary Parkinson of the Archives' public affairs office:

"The diary will be available to the public in NARA’s textual research room at College Park in the near future. We will be exploring options for providing access to digital images once the diary has been transferred to College Park.
 
"Some of the Einsatzstab Reichsleiter Rosenberg (ERR) Photograph Albums have been digitized and can be seen here."

Also present at the ceremony was David Ferriero, archivist of the United States.
patricialesli@gmail.com









Monday, August 27, 2012

National Archives salutes women

From left, Jennifer Krafchik, Jennifer Lawless, Joy Kinard, and Page Harrington at National Archives/Patricia Leslie

The public is grateful to National Archives for its annual recognition of Women's Equality Day celebrated every August 26, the day in 1920 when the 19th amendment to the U.S. Constitution was passed granting women the right to vote. 

Last week Archives hosted a panel of three women who talked about Beyond the Vote: Post-Suffrage Strategies to Gain Access to Power.

A co-sponsor of the event was the Sewall-Belmont House & Museum whose executive director, Page Harrington, served as moderator for the discussion.

Jennifer Krafchik of the Sewall-Belmont House presented history of the women's suffrage movement and talked about the first woman elected to Congress, Jeanette Rankin (1880-1973, R-Montana), and cited the congresswoman's anti-World War I and World War II votes. 

Joy Kinard, a district manager for the National Park Service talked only about civil rights leader Mary McLeod Bethune (1875-1955), but given that Dr. Kinard works at the Mary McLeod Bethune Council House on Vermont Avenue, and C-Span was filming, it was a good time to promote her cause.

But it was Jennifer Lawless, an associate professor at American University and the director of its Women  & Politics Institute, who grabbed attention, enlivening the evening with her talk, humor and new information about women and elections.

She lamented the dearth of female candidates and noted how quickly women's issues have risen on the agenda of this fall's political races.  Who would have guessed two weeks ago? 

(Enter stage right Congressman Todd Akin of Missouri.)

“Women make a very important difference” in elections, Dr. Lawless said, for they “almost always decide” outcomes, and they are much more politically active than men.

In the early 1990s Republican women in Congress often sided with their female Democratic counterparts on women’s issues, but severe Capitol Hill polarization now pits party vs. party, and female representation makes no difference when votes are cast. 

The Year of the Woman was 1992 when unprecedented numbers of women ran for office, propelled to action and getting their names on ballots by the 1991 case, Anita Hill vs. a male-only U.S. Senate panel in the Clarence Thomas Supreme Court nomination battle. 

So why has the number of female candidates slowed?  Women represent just 17 percent of the members of the U.S. Congress.

You can't blame the media for distorted representations for Lawless and Richard L. Fox analyzed 5,000 news stories about male and female candidates and uncovered no gender differences in coverage. 

You can’t blame voters who, research reveals, show no bias against female candidates of either party.

You can't blame lack of money for once females get going, they can raise goodly sums of cash, and Lawless ought to know since, without a lot of effort (she indicated) she was able to raise $400,000 for her own congressional race in Rhode Island in 2006. (She lost, but once you hear her, you wonder about the loss, instead, to the Rhode Island residents who can't claim her as their representative.)  (The average congressional race costs about $1 million.)

What you can blame are poor self confidence and the misconception that women believe they are not qualified, nor do they have enough money to run for office.  A lot of money is not needed in most of the 525,000 elected positions (!) in the U.S. It's the presidential race and some Senate elections where hefty sums are necessary, and that’s what attracts press attention.

“The perception problem matters more than reality,” Lawless said.

Female candidates do better when they strike out on their own and are not associated with campaigns run and dominated by men, research shows.

The importance of appearance came up for discussion, too. 

Dr. Kinard said that although Ms. Bethune was overweight, she was always dressed to the nines with gloves, hat, and a level of sophistication which silently transcended her surroundings and sent strong messages that she was to be respected and admired. 

When people show up on doorsteps with tattoos, their level of sophistication is entirely different, Dr. Kinard said.  Look at Hillary Rodham Clinton and the way she presents herself, said Dr. Kinard.  “We need more younger women to love themselves to get a man to respect them.”

There’s more talk this year about how the male candidates dress, too:  People are talking about Republican vice-presidential candidate Paul Ryan’s “ill-fitting suits,’ Dr. Lawless said.

This fall she will be teaching a course at American University about this year's election, and it is a certainty that the course is already full. 

About 150 persons of various ages and races attended the presentation at Archives with more males present than one expected.  They made up about 20 percent of the audience. 

What:  National Archives

When: 10 a.m. - 7 p.m. through Labor Day (September 3), closing at 5:30 p.m. after Labor Day through March 14, 2013

Where: Constitution Avenue, between 7th and 9th streets, NW

How much: No charge

Metro station: Archives-Navy Memorial-Penn Quarter or walk from Metro Center

For more information: 866-272-6272

patricialesli@gmail.com

Tuesday, February 21, 2012

Free Oscar screenings at National Archives start Wednesday

Entrance to The U.S. National Archives for free Oscar screenings is on Constitution Avenue at Seventh/Patricia Leslie



For the eighth consecutive year, Oscar nominees in four film categories will be screened at no charge at National Archives from Wednesday through Sunday.

The categories are Documentary Feature, Documentary Short Subject, Live Action Short Film, and Animated Short Film, however, the acclaimed Pina documentary feature will not be shown on February 24 as previously announced.

The screenings will be presented in the William G. McGowan Theater by the Academy of Motion Picture Arts and Sciences in partnership with the Charles Guggenheim Center for the Documentary Film and the Foundation for the National Archives, located across the street from the ice-skating rink at the National Gallery of Art at the corner of Seventh and Constitution.  (Metro station:  Archives-Navy Memorial-Penn Quarter.)

Seating is on a first-come, first-served basis, and no reservations are permitted. All must be present to receive tickets which shall be distributed at the Special Events entrance on Constitution Avenue, 60 minutes before start time, and doors will open 30 minutes after that.  (I have seen lines form two hours before showtime.)  

Some films may be inappropriate for general audiences.


The hole left by Pina's cut from Friday night will be filled by another screening of the Live Action Short Film Nominees (100 minutes) which will also be shown on Saturday at noon.

Screening schedule (subject to availability)
Documentary Feature Nominees
Wednesday, February 22, 7:00 p.m.

Hell and Back Again
Danfung Dennis and Mike Lerner
(88 minutes; unrated)

Thursday, February 23, 7:00 p.m.
Undefeated
TJ Martin, Dan Lindsay and Richard Middlemas
(113 minutes; unrated)

Friday, February 24, 7:00 p.m.
Live Action Short Film Nominees (100 minutes) in place of Pina

Pentecost
Peter McDonald and Eimear O'Kane
(11 minutes; unrated)

Raju
Max ZƤhle and Stefan Gieren
(24 minutes; unrated)

The Shore
Terry George and Oorlagh George
(30 minutes; unrated)

Time Freak
Andrew Bowler and Gigi Causey
(10 minutes; unrated)

Tuba Atlantic
Hallvar WitzĆø
(25 minutes; unrated)

Documentary Feature Nominees, continued
Saturday, February 25, 7:00 p.m.

Paradise Lost 3: Purgatory
Charles Ferguson and Audrey Marrs
(105 minutes; unrated)

Sunday, February 26, 4:00 p.m.
If a Tree Falls: A Story of the Earth Liberation Front
Marshall Curry and Sam Cullman
(85 minutes; unrated)

Live Action Short Film Nominees
Saturday, February 25, noon.

Pentecost
Peter McDonald and Eimear O'Kane
(11 minutes; unrated)

Raju
Max ZƤhle and Stefan Gieren
(24 minutes; unrated)

The Shore
Terry George and Oorlagh George
(30 minutes; unrated)

Time Freak
Andrew Bowler and Gigi Causey
(10 minutes; unrated)

Tuba Atlantic
Hallvar WitzĆø
(25 minutes; unrated)
Total running time: 100 minutes

Animated Short Film Nominees
Saturday, February 25, 3:30 p.m.

Dimanche/Sunday
Patrick Doyon
9 minutes; unrated)

The Fantastic Flying Books of Mr. Morris Lessmore
William Joyce and Brandon Oldenburg
(15 minutes; unrated)

La Luna
Enrico Casarosa
(7 minutes; rated G)

A Morning Stroll
Grant Orchard and Sue Goffe
(7 minutes; unrated)

Wild Life
Amanda Forbis and Wendy Tilby
(14 minutes; unrated)

Total Running Time: 52 minutes.

Documentary Short Subject Nominees
Sunday, February 26, 11:30 a.m.


The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
Robin Fryday and Gail Dolgin
(25 minutes; unrated)

God Is the Bigger Elvis
Rebecca Cammisa and Julie Anderson
(37 minutes; unrated)

Incident in New Baghdad
James Spione
(22 minutes; unrated)

Saving Face
Daniel Junge and Sharmeen Obaid-Chinoy
(40 minutes; unrated)

The Tsunami and the Cherry Blossom
Lucy Walker and Kira Carstensen
(40 minutes; unrated)

Total Running Time: 164 minutes

Thursday, February 12, 2009

THE Emancipation Proclamation at Archives






By the Queen of Free

For five days only beginning today on the 200th anniversary of Abraham Lincoln's birth

Despite the sign which said a 20 minute wait, it took less than that to reach the original document. The ink is quite faint. In the low lighting the approximate 75 visitors and those in the rotunda were subdued and of somber mood. Several security guards stood nearby.

At the line's entrance an attractively designed 8.5 x 11” four-page brochure in sepia tones with the complete text and brief explanation about the Proclamation is available at no charge.

The Proclamation, which Archives names one of the nation's most treasured documents, declared the freedom of all slaves in states which had seceded from the Union (South Carolina, Mississippi, Florida, Alabama, Georgia, Louisiana, Texas, Virginia, Arkansas, Tennessee, and North Carolina) but omitted its abolishment in the border states (Kentucky, Missouri, Maryland, Delaware, and West Virginia). Exceptions were made for those portions of the Confederate states which were already under Union jurisdiction on January 1, 1863 when Abraham Lincoln signed the Emancipation Proclamation.

The National Archives at 700 Pennsylvania Avenue is open special hours this weekend from 10 a.m. until 6:30 p.m. from Saturday through Monday for viewing the document which is only made public a few days each year.