After the audience had seen his new film, Liza: A Truly Terrific Absolutely True Story, writer and director Bruce David Klein addressed an appreciative crowd at Cinema Arts in Fairfax, Virginia Saturday afternoon to talk about it, a must-see movie for any Liza fan.
Klein used the word "explosive" often in his telling to describe Liza. Answering a question in the Q and A session, he said Liza saw the film after it was finished and “loved it;" she had no control on the script or anything about it.
Making the film was like "sculpting," Klein said, crafted from thousands of hours of film, carving it into the final piece presented on screen.
Liza's illustrious mother, Judy Garland (1922-1969) made the film more difficult since her ghost could have dominated the production but Klein instead focused on Liza's "mentors" like Kay Thompson who took Liza under her wing after her mother's death.
That the film focused on her mentors and not her Oscar, her Tonys, Emmy, Grammy and other awards made Liza very happy, Klein said.
Liza's father, Vincente Minnelli (1903-1986), stage and film director, was equally as notable as her mother and more influential on Liza than her mother, Klein believes.
When Liza was 5 or 6, her father had dresses made for her in her size from the costume designs in the films he was working on which would have been Father of the Bride (1950), An American in Paris (1951), and The Bad and the Beautiful (1952).
Liza touches on all four of her marriages, three miscarriages and relationships with so many men, it left me spinning and breathless (envious) trying to keep up.
Her fragility on screen is supported by her persona in several interviews, all accompanied by a piano which just happened to roll into every room of interviews "in case Liza wanted to sing," an understatement Klein said because Liza loves and wanted to sing.
And sing she does! (All while maintaining her heavy cigarette habit!)
Mia Farrow is interviewed at length, and, in separate sessions, Joel Grey (now almost 93!), George Hamilton (85), and Michael Feinstein (usually on piano) are among others who deliver glowing spiels about Liza.
The only parts of the film I thought were too lengthy were the visuals of "chapters" in Liza's life ("Don't hang around with people you don't like").
Clips from her films are included, of course, making me wish, Mr. Cinema Arts Owner, for a Liza Minnelli film weekend.
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