The best audio book ever! 'Be My Baby'

I have listened to many audiobooks but none as great as Be My Baby: A Memoir by Ronnie Spector, the lead singer of the Ronettes who released the song, "Be My Baby" in 1963.

The record shot to the top of the charts and upended the lives of the Ronettes, some for good, some for not-so-good, but worth it!

The trio gained instant, unending fame.

For all the music fans who remember the song or hear it on the radio, this is a "must listen" book.

It’s delightful, heartbreaking, and one I never wanted to end.

I couldn't wait to jump back in my car and turn it back on again.

Earlier, I had tried reading the book but it failed to "grab me" after a few pages, and I put it down.

But the audio is different. It's the opposite!

Most audio books are not read by the author and many voices just don't fit. I shut them off early and return the copy to the library.

But Rosie Perez is something special. She is perfect on this score, the New York voice on the audio who delivers the memoir in a personable, first-person account of Ronnie's life with all its ups and downs and harsh realities, including her six mostly agonizing years as the wife of Phil Spector, music producer extraordinaire. (If you thought he was weird, you ain’t heard nuthin’ yet!)

Ronnie describes the prison-like conditions she endured as his wife which took her mother to rescue her (again).

In the book (co-written with Vince Waldron), John Lennon, Keith Richards (who wrote a forward to the 2022 edition) and several more "big" stars make more than cameo appearances, and it's reassuring to find out they are/were "normal," more or less, like you and me (although with a bit more in their wallets!).

Of course, Phil Spector was not "normal" in the "normal" sense (geniuses seldom are), but extremely possessive and controlling of Ronnie, such that (for  one example), he refused to let her accept the Beatles' invitation to tour with them and fly on their plane, but, wait...Spector permitted himself to fly on their plane.

In 2021 he died of Covid in a hospital where he was taken from prison, serving 19 years for the murder of actress Lana Clarkson at his mansion.

Ronnie Spector died last January of cancer right after she had updated her 1990 best-seller Be My Baby: How I Survived Mascara, Miniskirts, and Madness. In a 2021 postscript she talks about the impacts of Covid, and according to her publisher, she was getting ready for a book tour.

At YouTube two years ago, the video of Ronnie Spector and the Ronettes had recorded 19 million views.

After her death, Cyndi Lauper posted a comment: "We love you Ronnie!"

We miss you, Ronnie!

'Be My Baby,' a winter winner in Vienna

Danny Issa and Casey Bauer star in Vienna Theatre Company's Be My Baby, a romantic comedy by Ken Ludwig/Photo by David Segal

I loved this play.  There's so much to love about it:  the humor and style, the story, the fun, the "important message." 

Consider it an early Valentine present from the Vienna Theatre Company, written by D.C.'s own Ken Ludwig, a lawyer by training, a playwright by passion.

The story is totally implausible, but it works.  In Scotland (why Scotland?) a young couple (Casey Bauer and Danny Issa) marry (a play with a wedding!  A surefire winner) but are unable to have children, so the bride's aunt (Allison Shelby) agrees to travel abroad, to California no less, with the groom's caretaker, a grumpy old man, a geezer (John Barclay Burns (related to Robert?)), to fetch a newborn for the childless couple, the baby of a relative who doesn't want the baby (?).  The mutual love the older couple shares is not.  (Did you get all that? Where do playwrights come up with these ideas?  Anyway, it's much simpler to follow than the way it appears here, and...)

The young couple (Gloria and Christy) are a real life young couple, girlfriend and boyfriend, so their "sizzle" is not pretense.  

From left, actors Allison Shelby, Erick Storck, and Danny Issa face Casey Bauer (the bride) and John Barclay Burns (in kilt) in Ken Ludwig's romantic comedy, Be My Baby, at the Vienna Theatre Company/Photo by David Segal

In Be My Baby, everyone does an admirable job of speaking with a Scottish accent (with no voice coach listed in the program) and Burns' accent is actually real (according to program notes), however, in the beginning, Ms. Bauer speaks a little too fast, and is sometimes hard to follow. (I found myself wishing she had a microphone, but perhaps her rapidfire delivery was first scene jitters.)

Ms. Shelby is beautiful and perfectly suited as a grandmother and caring relative, and Mr. Burns is dynamic, delivering zingers, but the two "ensembles," Eric Storck and Meg Hoover, come very close to stealing the show.  They portray several characters and vary their voice inflections and gaits to suit the fancy of a nurse, a flight attendant, bellman, preacher, judge, to name a few of their roles. (Kudos to the costume designer, Susan Devine.)

And for more content, how about some lines from "Scotland's favorite son," its national poet, Robert Burns (1759-1796), spoken in Be My Baby by the living Mr. Burns, such as "For whither thou goest I will go; and where thou lodgest I will lodge; thy people shall be my people...."?

The sets are simple and adequate.  Strollers and a baby carriage hang from the black ceiling to foretell the future (nicely designed by Suzanne Maloney, also the play's director). Everything is all black, save the mostly wooden structures:  a door frame, a bench, a table, a desk, a railing. In the second act, for some reason, props from earlier scenes remain and clutter up the stage, distracting from later scenes until they are removed. 

And who counted the scene changes?  They zoom by quickly, in and out, and no one will doze.

Particularly effective are Aunt Maud's first plane ride, and the opening car scene when Maud and Gloria ride together and move their bodies perfectly in time with each other and the car's rhythm.

The sound designer/composer Jonathan Powers does an outstanding job with constant baby cries, the noises from different vehicles (a car, a jet engine, a cruise ship's horn) and lots of 60s music brought back to life for those of a certain age.  (Mr. Ludwig celebrates his 65th birthday in March.)  I hereby nominate Mr. Powers for a "watchie" (Washington Area Theatre Community Honors).

At the end, the bride cries real tears, and I did, too, swept away by the moment.  Will Be My Baby have that effect on you?

On opening weekend, almost a sell-out.

Other key crew members: Laura Fargotstein, producer; Mary Ann Hall, stage manager; Micheal J. O'Connor, assistant stage manager; Tom Epps, lighting designer; Kimberly Crago, master electrician; John Vasko, master carpenter; Leta Fitzhugh, scenic artist; and Rachel Comer and Meghann Mirabile, prop masters. 

What:  Be My Baby by Ken Ludwig

When:  Jan. 30, 31 and February 6, 7 at 8 p.m., and February 1 and 8, at 2 p.m. 

Where: Vienna Theatre Company,120 Cherry Street, Vienna, VA 22180 (Vienna Community Center)

Tickets: $14

Parking: Lots of free parking on-site

For more information: 703-255-6360 or visit the website

Duration: Two hours with intermission

To read other local reviews of shows still playing, go to Other Reviews on DCMetroTheaterArts.
 

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