Hurry to Baltimore tonight or tomorrow for a knockout performance by the Baltimore Symphony Orchestra and the Morgan State University Choir in concert with national opera stars who present George Gershwin's Porgy and Bess.
You ain't heard nuthin' 'til you hear (and see) this.
It's performed with spine-tingling songs, duets and trios, ("Summertime," "It Ain't Necessarily So," "I Got Plenty o' Nuttin,'') by singers who act, move, and dance, far more than anticipated for a concert opera.
Who needs sets with glamour like this flowing across and above the stage? Which is where the Morgan State Choir stood in all-black ensembles, about 50 voices strong, under the direction of Eric Conway.
The show's director, Hana S. Sharif, excels with her cast and crew, including effective, unnamed fight and sound managers.
The words to the music are screened above the performers, but the production stands on its own, and the words are unnecessary.
Excellent, essential contributions by the BSO's xylophonist and pianist produce a hush in several places when they play solo, always under the capable direction of Conductor Marin Alsop.
While I waited in line to order my dinner at Strathmore before the Thursday evening performance, the couple behind me told me they had come just for the choir.
"Have you heard them?" they asked me.
No, I had come just for Porgy and Bess which I've heard and seen many times.
"Well, just you wait!" they exclaimed. "They are outstanding!" And they were, combined with the soloists and orchestra.
One of the soloists is the talented tenor, Larry Hylton, another star graduate of the Duke Ellington School of the Arts, who played Sportin' News, and there he was, a'prancin' and dancin' across the floor, back and forth, in yellow pants and a top hat made to stand out.
The show is a fast-paced exhibition by George Gershwin (1898-1937) which takes place in Charleston, S.C. during the Great Depression, when a woman, Bess, becomes the property of one man, Crown, then another, Porgy, and finally, Sportin’ Life, who carries her away to New York.
No matter how many time you have seen this show, the exceptional tunes endure.
Bass-baritone Robert Cantrell is Porgy who carries the role fittingly, strong and rich, while he limps in suspenders across the stage, aided by a crutch, but it's the powerful voice of baritone Lester Lynch as Crown who makes his presence keenly felt even before he enters the stage. He commands the crowd's attention and sets the pace for the action, whisking Bess away to his land of no forgiveness.
Soprano Laquita Mitchell is the beautiful Bess who dashes out in a bright red, sexy dress to catch the hand of the most available.
The first mid-act applause followed soprano Reyna Carguill's incredible solo as Serena, who delivers "My Man's Gone Now," after Crown's murder of her husband, Robbins (Joshua Jones).
Another show-stopper is soprano Jasmine Habersham
who plays Clara and begins the show serenading "Summertime" to her baby until her husband, Jake (Cameron Potts) comes on stage to cradle their child and croon "A Woman is a Sometime Thing."
Alexandra Crichlow Bradshaw is the distinguished Maria who joins Ms. Carguill and Mr. Cantrell in the closing of "Bess, Oh Where's My Bess?"
Porgy takes leave of the stage singing "Oh, Lawd, I'm On My Way" to follow Sportin' Life and his Bess to New York.
Not to miss!
What: Porgy and Bess by the Baltimore Symphony Orchestra and the Morgan State University Choir and more
When: Tonight at 8 p.m. and Sunday at 3 p.m.
Where: Meyerhoff Symphony Hall, 1212 Cathedral St.
Baltimore 21201
How much: Tickets information is at the link. For special "Young and Free" discounts at the Sunday performance, click here.
For more information: Call 410-783-8000.
I'm on my way....
to Baltimore
I'm on my way
to a heav'nly land
for in that town
I'll hear the grand
music o'er the land
Oh Lawd, I'm on my way
I'm on my way to a heav'nly land
I'll ride that long, long road
If You are there to guide my hand
Oh Lawd, I'm on my way
I'm on my way to a heav'nly land
Oh Lawd, it's a long, long way
But You'll be there to take my hand
Oh, I got plenty o' nuttin'
An' nuttin's plenty fo' me
I got no car, got no mule, I got no misery
De folks wid plenty o' plenty
Got a lock an dey door
'Fraid somebody's a-goin' to rob 'em
While dey's out a-makin' more
What for?
I got no lock an de door
(Dat's no way to be)
Dey kin steal de rug from de floor
Dat's okeh wid me
'Cause de things dat I prize
Like de stars in de skies
All are free
Oh, I got plenty o' nuttin'
An' nuttin's plenty fo' me
I got my gal, got my song
Got Hebben de whole day long!
patricialesli@gmail.com
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