Showing posts with label autobiography. Show all posts
Showing posts with label autobiography. Show all posts

Saturday, July 11, 2026

Jill Dougherty's 'My Russia' is a must for Russophiles

 



For all the Russophiles (like me) who enjoy reading about the country’s history and culture, Jill Dougherty's My Russia:  What I Saw Inside the Kremlin is one for your reading list: A curiosity seeker’s background into contemporary Russian history and culture.

 

It may be too lengthy (330 pages; I skipped most of the chapter on vodka) and the font size, too small, but the content is a must.

That the few pictures are not chronologically arranged is a wonder and confusing. 


The book has lots of background on Vladimir Putin, now in his second term as Russia's president and maybe president for life.  (In 2013 in St. Petersburg, a Russian guide laughingly told my tour group of mostly British citizens: "I am sure Putin will be leader for life.") 


Ms. Dougherty and her twin sister, Pamela, studied Russian in high school, and the book goes on to detail Jill's ascent at CNN becoming its Moscow bureau chief for almost a decade.

She mentions Mr. Putin's autobiography, written many years ago with some falsehoods contained therein. She provides her psychoanalysis of him and why he is as he is, perhaps having a Napoleonic complex (he is 5'7") or an inferiority complex. 

His quirks (we all have) and more are outlined. 

To make him more of an "average guy," a p.r. campaign was instituted.

She mentions three times, I think, the mysterious kiss Putin planted on her for... why?  It was anyone's guess, but he is another Mr. Macho, after all.  

Ms. Dougherty recounts the decline of Boris Yeltsin (1931-2007) who served as Russia's first popularly elected president (1991-1999) before Yeltsin named his favorite deputy, Mr. Putin, to succeed him when Yeltsin retired six months early. 

Remember the Kursk?  Putin didn't want to.  August 12, 2000 brought the explosion of Russia's nuclear sub, the Kursk, and the deaths of 118 sailors in the Barents Sea, a tragedy which Putin initially ignored, vacationing on the Black Sea but finally appearing several days later to recognize the deaths and the accident... wearing a golf shirt. 

Ms. Dougherty describes the evolution of U.S./Russian relations since 9/11, and their graduation deterioration with the growth of NATO, Russia always blaming the West, particularly the U.S., for its problems.

About the time of Ted Turner's death (May 6, 2026) was about the time I got to the chapter on his visit to Russia in 2000, there to meet with Putin and discuss business and Turner's possible purchase of a stake in the NTV, the Russian-owned free television channel, now owned by Gazprom, a purchase Putin shot down.

She ended her stay in Russia on March 6, 2022, sadly, she writes, probably the last time she'll be there. (I feel the same, Jill!  How can we visit Russia again?) 

Amanda Wilson's jacket design is exceptional, better than most covers, drawing attraction from bookstore browsers, no doubt. It contrasts the author's photo and her white hair with a dark cover and colorful Russian domes, dominated by the title in white. 



patricialesli@gmail.com



Sunday, June 28, 2026

Make haste! Shakespeare saves a life at the Folger


Jacob Ming-Trent talks to God in Folger Theatre's How Shakespeare Saved My Life/Photo by Erika Nizborski


Jacob Ming-Trent wants to save another life, like Shakespeare saved his, to inspire at least one person, one artist to create, to make, to help, to forgive.


At the Folger Theatre, it's the world premiere of How Shakespeare Saved My Life which Mr. Ming-Trent wrote and performs in the most energetic, gripping solo show I have seen.


In a fast 90 minutes, the actor/playwright describes his youthful struggles for survival, his encounters with the law, with teachers, men on the street, men in the pulpit.
Jacob Ming-Trent in Folger Theatre's How Shakespeare Saved My Life/Photo by Erika Nizborski.


He portrays several different characters, his parents, a preacher man, the guys under the bridge, and many more, all realistically presented with distinctive mannerisms, vocal pauses and inflections. 

Director Tony Taccone has Mr. Ming-Trent moving from stage right to stage left and back again, speaking non-stop, leaving the audience breathless and hungry for calm which they hope he (and they) will find.

When he was a teen, his mother threw him out of the house, refusing to let him back in despite his many pleas over the years, she, a cruel and heartless person who told her only child at his father’s funeral, that she felt absolutely nothing, nothing for her son when he was born. 

One can't help but wonder how she feels now or where she is, if she'd let him back in the house since he's found success, but her story is not his or this story which includes forgiveness.

His dad told his son that the best thing for a man to be was a good listener, and his child followed his advice, quoting Shakespeare in his show: ”To thine own self be true.”

Shakespeare rescues Mr. Ming-Trent from a life of crime, from homelessness, despair, thoughts of suicide.

Combining his script with hip hop, and the fantastic music by Jake Rodriguez, Takeshi Kata's rapidly changing scenics and Alexander V. Nichols' projections, and it’s another greatness thrust upon Mr. Ming-Trent’s canon, with a supporting cast, the audience becoming the congregation in Mr. Ming-Trent's church, hungry for inspiration and the hope he bestows.

This Life ends abruptly before we hear about Mr. Ming-Trent’s star rising, his many shows listed in the program attesting to his success.

"Play on," Jacob Ming-Trent, play on.

Other Life creative team members are Tiffany Rachelle Stewart, choreographer; Danielle Preston, costumes; Alan C. Edwards, lighting; Taylor Kiechlin, production stage manager; Miranda Korieth, assistant stage manager.


The Folger and Red Bull theatres commissioned the play with co-production by the Berkeley Repertory Theatre.

In an interview with American Theatre this year, Mr. Ming-Trent said: “Shakespeare is a rule-breaker, and I’m a rule-breaker. I love tearing down the classical theatre’s ivory tower and using the scaffolding and bricks to rebuild a place where we all are welcome.”


Who: Jacob Ming-Trent

What: How Shakespeare Saved My Life

When: Evenings through July 5 at 7:30 p.m. (8:00 p.m., Friday) plus matinees Wednesday, Thursday, and Sunday at 2 p.m. No performance on July 4.

Where: Folger Theatre, 201 East Capitol Street, SE Washington, DC 20003

How much
: Tickets start at $20 with discounts for military members, veterans and their families; those 35 and under; public servants; seniors; students; first time Folger attendees; pay-what-you can; groups of ten or more; and rush tickets at half price, if available, one hour before performances. Check the website.

Closest Metro stations: Union Station and Capitol South

Recommended for ages 13 and up
. Mature language and adult situations and conversations.

For more information: folgerboxoffice@folger.edu or 202-544-7077

patricialesli@gmail.com