Tuesday, October 15, 2013

Miracle on the W and OD Trail



The Herndon Moose Lodge #2274 welcomes all to the W & OD Trail/Patricia Leslie

Attention, ladies of the Washington region:  I have an unbelievable find. One that is astonishing and shocking.  

Ladies(shhhhh), I have found the place in the D.C. area, maybe the only place, where men exceed women by a wide margin. By a ratio of, like and gulp, 4 to 1. I counted and thus, I know.  
This was one.  To protect the safety of all, most shout out "on your left" when passing/Patricia Leslie


The Gardner Family welcomes all to the W & OD Trail, a good place to walk dogs/Patricia Leslie

Or take a survey.  The surveyor said he thought they were measuring for a new water line/Patricia Leslie

Or inventory bees?  (What was he doing?)/Patricia Leslie

Or catch up on local history.  This marker describes Sterling Station/Patricia Leslie

Sometimes (rarely) the view's not so good/Patricia Leslie 

But usually, like this and easy on the eyes/Patricia Leslie

Perhaps it is like this all the time in Loudoun County? Another reason to go west, go west.
In Loudoun County along the W & OD Trail, you might see some smart folks taking outdoor siestas after lunch.  Why don't we all siesta after lunch?/Patricia Leslie

Ladies of the jury, it is time to get out your helmet and your bicycle and get to riding on the W and OD Trail.  They are there.  Whizzing by. And trim. They do not all appear to be the same-sex variant. (Or would that be "variation"?)

But you have to stop your bicycle and get off to "engage." And you may want to think about "needing help."  Leave your bike tools at home.

Why at one point when I laid down my used pink (found at the dumpster) bicycle (no kick stand) and sipped some water and munched on my pear snack in the shade, a right good-looking dude flew past and yelled:  Did I need any help?  

Y e e-haw, come on over, dude!  

Help?  

Help?  

Yeah, I needed some HEP.

"No, no need for help.  I am okay," I shouted.  (What was I thinking?)

Let's have lunch on the W & OD Trail in Loudoun County/Patricia Leslie

Then, at the same stop a couple of minutes later, another right handsome cowpoke came along carrying a plastic bag and set himself right down at the picnic table across the lanes from me and proceeded to eat lunch in the sunshine and yelled across the trail, something about

"It's a great day!"  

"But you're in the sun," I hollered back.  Even with a breeze cooling you off riding the trail, it was hot.

And he said: "I like the sun." 

And I said, "I like the sun, too, but it's a little bit much for me today, and I really like this shade" even if I was standing in rather high grass where, I later discovered, flying varmints resided, which bit the blood out of my left forearm which to this day still bears their marks, and it is possible snakes lived there, too, but having snake experience, I maintained a snake lookout  and saw none, but ignored my arms.  Drat it all. 

The buzzards flew overhead/Patricia Leslie

He and I ate our food in silence a few minutes, enjoying being outdoors and away from horns and the sounds of the city, listening to nature's music:   the soft rustle of the wind and leaves, the buzzing of insects, the overhead vultures (they make sounds?), and then it was time for me to leave because of the huge, loooonnnng uphill slope I still had before me.

And he hollered across the way: "Well, have a nice ride!"  

And so I did.
Along the W & OD Trail/Patricia Leslie


patricialesli@gmail.com

Wednesday, October 9, 2013

Hitchcock's '39 Steps' soars in Herndon



Emily Levey is Annabella and Pamela and Margaret, and James Finley is Richard Hannay in NextStop's 39 Steps/photo by Rebekah Purcell, VSION


Way out in Herndon, professional theatre? 

Oh, come on! 

Theatregoers, this is for real.  A top-notch production crew and cast.  You'll be awestruck. 

Alfred Hitchcock's 39 Steps is on stage in the inaugural season at Herndon's NextStop Theatre (formerly the Elden Street Players) and whoever thought Hitchcock could be so funny?

I laughed myself silly and that's what it's all about:  entertainment.  Why pay to see a play and go away depressed?  It won't happen here.

Last Friday night almost all 114 seats were taken and now, a ticket discount is available.*

You know the story of 39 Steps, don't you?  It's really not necessary to know it to enjoy this farce, this slapstick of a show which moves so fast your mind will whirl, and this is not to scare any potential theatergoer who may anticipate the plot is too complex a la Shakespeare, but this is Hitchcock and Monty Python rolled into one and quite easy to follow, as long as you don't get dizzy from the nonstop action. Whew.

James Finley plays Richard Hannay, a sophisticated 37-year-old Englishman, a bachelor, who gets caught up in the murder of a new lady acquaintance (who parks herself at his apartment, and away we go).

Four actors portray 140 characters, and you'll be swept away by the fast costume, voice, and mannerism changes, all carried off with deft aplomb.

The leading man (Hannay) is the only character who does not change his person or clothes.  Emily Levey is Annabella/Pamela/Margaret, the new acquaintance, the murder victim who becomes the librarian, the farmer's daughter, and the girl on the train, though not necessarily in that order.  (Who can keep them straight?)

The show stealers are the "everymen," the "clowns" played by Evan Crump and Nick Rose who are hotel operators, policemen, airplane pilots, a Christmas tree, a farmer, train passengers, and a few more.
Evan Crump, left, and Nick Rose play multiple roles in NextStop's 39 Steps.  Is that the McGarrigle or the Bates Hotel?/Photo by Rebekah Purcell, VSION


(You'll blink twice to make sure Rose is not Robin Williams.  Or his first cousin.  Or, was that Crump?)

One of the funniest scenes is when they sit on a train with Hannay and change seats. They move and jerk to the rhythm of the vehicle which soon becomes real enough when a chase ensues on top of and in-between cars.  Oh!  And there is an airplane crash, a leap from a bridge, and a wee bit of sex. With handcuffs.

Before the show starts, you may wonder about the cluttered set but most of the components play a role in the action, and the scene changes so much, the extraneous parts become part of the background, and fade once you become engrossed by the speed.

Evan Hoffmann is NextStop's producing artistic director who directed 39 Steps.  Before the show started, he came out and addressed the audience, unable to contain his enthusiasm and energy, and repeated what he says in the program:  "We are going to work towards the dream of making the Dulles Corridor the future of great theatre in the DC Metropolitan area."  NextStop is well on its way.

The play runs through October 20, but hurry since many productions sell out.  This is too funny to miss.  Why stay home when you can laugh and have fun and support the arts which support more arts? It pays to get out.

Special recognition goes to Stan Harris, the sound designer, assisted by Brian Christiansen.  Those two rigged up so much Hitchcock music, a tally sheet couldn't keep track. Who is old enough to remember Hitchcock's TV show?  It's there, too.  All, synchronized magnificently.

Of note are costuming by Jenny O'Donnell, properties design by Kevin Laughon, and period hair styling by Kat Brais, assisted by Lorraine Magee.

Applause all the way around to cast and crew for a great night at the theatre!



What:  39 Steps

When:  Thursday (7:30 p.m.), Friday (8:00 p.m.), Saturday (8:00 p.m.), and Sunday nights (7:00 p.m.) and Sunday matinees (2:00 p.m.), now through October 20, 2013

Where:  NextStop Theatre, 269 Sunset Park Drive, Herndon, VA 20170 at the Industrial Strength Theatre located in the back right corner of Sunset Business Park, near the intersection of Spring Street/Sunset Hills Road.  Right off the Fairfax County Parkway.

Parking:  Available near the door at no charge

*How much:  Click tickets which start at $25 but a discount of $7 per ticket is available for two or more.  Use the coupon code: GO2NEXTSTOP. Call 866-811-4111 for assistance.

Rating:  G.  Appropriate for all age levels.  "Street talk" Is absent.

For more information:  703-481-5930 or info@nextstoptheatre.org

patricialesli@gmail.com







Saturday, October 5, 2013

Ballets Russes to exit Oct. 6?


Natalia Goncharova, Russian, 1881-1962, costume for the sorcerer Kostchei from The Firebird, 1926. Dansmuseet- Museum Rolf de Mare, Stockholm/Patricia Leslie

If our paid representatives on Capitol Hill can get it together and reach agreement and stop wasting taxpayers' time and money on a congressional debacle about a law already passed which has been affirmed by the U.S. Supreme Court, viewers will still have time to see a really big show at the National Gallery of Art, if the doors re-open.

It is an absolute must for all dancers, historians, art aficionados, musicians, any one with an art interest. Reason alone to stop the insanity on Capitol Hill, but, please, read on.

Sunday is the last scheduled day of the exhibition.  Since the federal government is closed and no one is working to deconstruct it, does this mean Diaghilev will be extended? We hope!


If you can get in the door, go.  If you are reading this, go.

Giorgio de Chirico, Italian, 1888-1978, costumes for Le Bal, 1929. Wadsworth Atheneum Museum of Art, Hartford, CT, and the Victoria and Albert Museum, London/Patricia Leslie

The large exhibition, Diaghilev and the Ballets Russes, 1909-1929:  When Art Danced with Music, encompasses it all: music, dance, film, costumes, set design, scenery.

The objects hang just a few feet from viewers permitting close inspection. Be prepared to be star struck at the National Gallery of Art, the only venue in the U.S.

On my first trip, my feet became concrete, and I fell into an art stupor, overcome by the ballet wonderland.

I exaggerate not.

Alexandre Benois, Russian, 1870-1960, costume worn by Lydia Lopokova as a Sylph from Les Sylphides, c. 1916. The poster behind the dress is of Anna Pavlova from Les Sylphides made for the first Russian season by Valentin Serov, Russian, 1865-1911, all from the Victoria and Albert Museum/Patricia Leslie

Captured at the entrance by the projected movement of the dancers in their costumes, and by film clips of the 1913 Rite of Spring dance which I could see in the distance, I was able to break the momentary hypnosis and move on into the exhibition. 

The original Ballets Russes Company created by Serge Diaghilev (1872-1929) of Russia lasted only 20 years until his death, significant that its short life could have such far reaching influence to command attention a century later.

Wikipedia says it is "widely regarded as the most influential ballet company of the 20th century."

Go and see why fancily-clad patrons rioted in Paris at Diaghilev’s 1913 premier of The Rite of Spring with music by Igor Stravinsky (whom Diaghilev discovered) and choreography by Vaslav Nijinsky. It was not a “good” riot, but a “bad” one (which naturally leads one to wonder:  Besides Miley Cyrus what would "outrage" us today?  Congressional members who act like marauding cats?).

Leon Bakst, Russian, 1866-1924, costumes for three Nymphs for L'apres-midi d'un faune, c. 1912.  National Gallery of Australia, Canberra. On the wall above the costumes is a scene from the dance film clip, complemented at the exhibition by the music of Debussy's memorable composition/Patricia Leslie

Before the political revolutionaries struck Russia, Diaghilev was already a dance revolutionary who with composers, designers, artists, and choreographers, introduced modernism to the world's stage, headlined by Russia.  Peter the Great would be proud.

Probably the greatest theatre producer who ever lived, according to the catalogue, Diaghilev's skills lay not only in his productions but his ability to assemble some of the twentieth century greats like Joan Miro, Pablo Picasso (who designed five of Diaghilev's ballets), Serge Prokofiev, Giorgio de Chirico, Leon Bakst, Georges Rouault, and Claude Debussy, who worked together to achieve the objective.

The Gallery show unfolds chronologically with the performances described in costume, show bills, photographs, and film.  Viewers may be shocked by some of the extreme and avant-garde apparel and wonder how the dancers moved about in intricate costumes weighing far more than one might imagine dancers to nobly carry.

Indeed, the “must-hear” tape (available for $5 until an hour before closing) reveals the dancers were none too pleased about some of their costumes.

Some of my favorite and most memorable dancers' attire are the athletic designs created by Coco Chanel for Le Train bleu (The Blue Train).  The outfits are unusual for a ballet with striped, knitted bathing suits that reach mid-thighs and so weird they are hard to visualize in a ballet, but a film clip of part of the dance does just that. 
Costumes from The Rite of Spring (1913) by Nicholas Roerich, Russian, 1874-1947, outline a view of the leaping manikin outfitted for The Spirit of the Rose (1911/1922) by Leon Bakst, Russian, 1866-1924. A reviewer for the Wall Street Journal called this Rose re-creation a "misstep" in the exhibition. The Wadsworth Atheneum Museum of Art, Hartford, CT, lent the Rose costume and the Victoria and Albert Museum, the Rite costumes/Patricia Leslie 

Although Diaghilev went to St. Petersburg in 1890 to study law, his interest in music led him to classes at the city’s music conservatory where a professor, Nikolai Rimsky-Korsakov, almost squashed his dreams of a musical career by telling Diaghilev he had no talent.

The new graduate was not sidetracked by the prediction and went on to travel extensively in Russia, building up contacts with the art world, finding overlooked Russian masterpieces, staging theatre, and editing an art journal.

In 1906 he opened a major exhibition of Russian art in Paris, beginning a long love affair with France where he staged operas, ballets, concerts, and launched his multi-faceted company in 1909.

Mikhail Larionov, Russian, 1881-1964, costumes for Chout or The Tale of the Buffoon, 1921. Victoria and Albert Museum/Patricia Leslie

Sadly, Ballets Russes never performed in Russia but danced all over Europe, some South American countries, and in 56 American cities in 1916 and 1917, including Memphis, Nashville, Knoxville, Seattle, Portland, Atlanta, Omaha, Detroit, Tulsa, Wichita, Columbia, S.C., New Orleans, Richmond, and Washington, D.C. 

In Birmingham, Alabama the performance “Scheherazade was considered obscene,” said a paid Russian supplement to the Washington Post September 11, 2013, which quotes the stunning 270-paged catalogue and the National Gallery’s curator, Sarah Kennel.

(A map in the exhibition outlines tour stops, and the catalogue lists every performance, date, and location.)

After the 1917 Russian Revolution, Diaghilev never returned to his native land, and the Soviets dismissed him from their history books for 60 years. They executed his beloved half-brother, Valentin, a few weeks after Diaghilev died in Venice in 1929. 

Henri Matisse, French, 1869-1954, costume from The Song of the Nightingale, 1920.  Victoria and Albert Museum/Patricia Leslie

It is a privilege to see the exhibition and to read the catalogue, and guests have many donors to thank, especially ExxonMobil and Rosneft, and the U.S. taxpayers for making the opportunities possible.

The exhibition was initially presented in 2010 at the Victoria and Albert Museum in London which organized the presentation in collaboration with the National Gallery of Art. 

Since Diaghilev was able to gather up and successfully direct the disparate personalities well known for their quirks and sensitivities, who is to say another theatrical producer could take not command on Capitol Hill?  Does Steven Spielberg do politics?

WhatDiaghilev and the Ballets Russes, 1909-1929:  When Art Danced with Music

When: Now through October 6, 2013 (maybe) from 10 a.m. - 5 p.m., Monday - Saturday and 11 a.m. - 6 p.m., Sunday

Where: The National Gallery of Art, East Building

How much: No charge

Metro stations: Smithsonian, L'Enfant Plaza, Archives-Navy Memorial, or Judiciary Square

For more information: 202-737-4215

patricialesli@gmail.com
 

Monday, September 30, 2013

Postponed: free noon concert Wednesday at St. John's, Lafayette Square

The U.S. Army Chorus
 
(This just in:  The concert is postponed due to congressional meltdown.  More to come.)

 
St. John's Church at Lafayette Square inaugurates its 2013-14 free noon First Wednesday concert series October 2 with a performance by the nation's premier men's chorus, the United States Army Chorus, who regularly sing with the National Symphony Orchestra on Memorial Day, Independence Day, and at other patriotic events.  

This will be the third consecutive year the chorus has sung in the concert series.

Formed in 1956 to join the U.S. Army Band, "Pershing's Own," the group's songbooks include the traditional military music, and pop, Broadway, folk, and classical music, too. The chorus frequently performs for visiting heads of state since members can sing in more than 26 languages and dialects.  Most of the choristers hold advanced music degrees and tour the U.S., singing with symphonies and in renowned concert halls.
If fall comes, can springtime be far away from St. John's, Lafayette Square?/Patricia Leslie

St. John's, known to many Washington residents as the yellow church at Lafayette Square, is often called the “Church of the Presidents.” Beginning with President James Madison, who served from 1809 to 1817, every president has either been a member of, or has attended services at St. John's. A plaque at the rear of the church designates the Lincoln pew where President Abraham Lincoln often sat when he stopped by St. John's during the Civil War.  

St. John's organist Benjamin Hutto will accompany the chorus Wednesday. The concert will start at 12:10 p.m. and last about 30 minutes. Those needing a break from the congressional meltdown on Capitol Hill will likely find the concert especially soothing. And bring your hanky in case "The Battle Hymn of the Republic" is on Wednesday's program.

Who:  The U.S. Army Chorus

What:  The First Wednesday Concerts

When: 12:10 p.m., October 2, 2013


Where: St. John’s, Lafayette Square, 1525 H Street, NW, at the corner of 16th, Washington, D.C. 20005

How much:  No charge

Duration: About 35 minutes 

Wheelchair accessible

Metro stations: McPherson Square, Farragut North, or Farragut West

Food trucks:  Located two blocks away at Farragut Square


For more information: Contact Michael Lodico, St. John's associate organist and choir director, at 202-270-6265


Other First Wednesday concert dates all starting at 12:10 p.m. are:

November 6: Bianca Garcia, flute, assisted by Michael Lodico, organ, in the world premiere of "Kokopelliana" by Stephen Cabell

December 4: Madrigal Singers from St. Albans & National Cathedral schools directed by organist Benjamin Hutto, performing seasonal music

January 8, 2014 (2nd Wednesday): Organist Richard Fitzgerald improvises on themes from the stained glass windows of St. John's

February 5: Soloists from the St. John's Choir perform baroque music for Valentine's Day 


March 12 (2nd Wednesday): Virtuoso Organist Dongho Lee performs Charles Ives's Variations on "America" and other works 

April 2: The U.S. Air Force Strings conducted by 2nd Lt. Shanti Nolan, with organist Michael Lodico, perform Francis Poulenc's Organ Concerto

May 7: Easter music for trumpet and organ with trumpeter A. Scott Wood and Benjamin Hutto

June 4: Organist Alan Morrison


patricialesli@gmail.com

Just another day in the White House neighborhood


On Friday the Sikhs for Justice held a rally in Lafayette Park across the street from the White House /Patricia Leslie 

Over at the White House Friday it was another day in the neighborhood at Lafayette Park, the scene of a rally by the Sikhs for Justice who, from a distance, looked like, well, it was the color of their turbans and the time of year which drew attention.
The Sikhs for Justice in Lafayette Park Friday/Patricia Leslie
The Sikhs for Justice in Lafayette Park at the White House Friday/Patricia Leslie

Who are the Sikhs for Justice?  I didn't know either.  From their website:

Sikhs For Justice (SFJ) and All India Sikh Students Federation (AISSF) has launched an international campaign to have United Nations investigate the killing of Sikhs in 1984 and declare it Genocide.

The 1984 Yes It’s Genocide campaign will obtain more than 1,000,000 signatures requesting the UN to independently investigate the organized killing of Sikhs. It is clear that India is unable to objectively investigate itself.

After almost 3 decades and 10 Commissions, India is no closer to figuring out who organized the killing of Sikhs. One thing everyone agrees on is that the killing on Sikhs were indeed organized and well planned, as stated in Justice Nanavati’s Report.

Many academics, politicians and media personal have been given false narratives to the point where only a handful of people know the reality. The killing of Sikhs during 1984 was not spontaneous anger. The Indian Government's Commissions has proven the same.
The signs say "PM Singh's Party Killed"  and in red letters below that, "30,000+ Sikhs In Three Days".  Listed at the bottom is a website, www.1984yesitsgenocide.org/Patricia Leslie

And who are the Sikhs?  Wikipedia says Sikhs in India are the nation's fourth-largest religion which has existed more than 500 years beginning with the birth of the founder, Guru Nanak.  They are mostly located in Punjab.

The essence of Sikh teaching is summed up by Nanak in these words: "Realization of Truth is higher than all else. Higher still is truthful living".Sikh teaching emphasizes the principle of equality of all humans and rejects discrimination on the basis of caste, creed, and gender.

Baptised male Sikhs must wear turbans (females have the option) and have the surname "Singh" which means "lion." Female surnames are often "Kaur" which means "princess." 

The U.S. has the third highest number of Sikhs in the world (500,000) after India (19 million +) and the United Kingdom (760,000).

patricialesli@gmail.co

Saturday, September 28, 2013

Caps zap Phils on fight night


On the big screen was a big fight between Tom Wilson and a Philadelphia Flyer Friday night at Verizon.  Wilson, a 19-year-old forward from Toronto, won the battle/Patricia Leslie
 
Okay, boys and girls, you want fights?  You had 'em Friday night at Verizon when the Caps played the Philly Flyers and came out victorious in the boxing ring and ice rink, too.  The final score:  6-3, and we got wings.  (You have to go to a game to find out what this means.)

This photo is deceiving since the Caps won all the fights and the game/Patricia Leslie

There were so many fights Heidi and I lost count, and they happened so fast it was tough to aim, focus, and fire the camera, but you get the picture.  Is everything Philadelphia always so rough and tumbly? Of course. It's Philadelphia.  No disrespect intended!  Just the facts, m'am.

Usher!  Usher!  There's a scrum below Section 119/Patricia Leslie

Rather than a pre-season game when play might not as fierce as a regular game, this one was p-u-r-t-y muscular, and here we go!  What a season awaits.  Go, Caps, go!  At the last preseason game Saturday the Chicago Blackhawks beat the Caps 4-3 in overtime. The Caps' preseason record is 4 - 4.

Helmets off! Caps win/Patricia Leslie

One more slugfest for the fans, please, and the Caps win again/Patricia Leslie

The Caps' game vs. the Nashville Predators Wednesday night was a bit tamer, and the Caps won 4-1/Patricia Leslie

Alex Ovechkin fires one into the Preds' net/Patricia Leslie

The Caps congratulate goalie Braden Holtby at the end of the Predators' game/Patricia Leslie
 

The Caps congratulate goalie Michal Neuvirth at the end of the Flyers' game/Patricia Leslie

SMSGT. Thomas Lenig is recognized for his military service at the Caps/Flyers game.  In tribute to the troops, fans pause, stand, and cheer all those in military service at every game. We are grateful/Patricia Leslie

A member of the military who was recognized for his service at the Caps/ Predators game/Patricia Leslie
 
 
 
 

Sunday, September 22, 2013

Nats ignite Friday's sixth inning

Jayson Werth got things soaring for the Nats with a huge hit over the lights in the Nationals 8 - 0 beating of the Miami Marlins Friday night.  (Is it a baseball?  A planet? The moon?) Until the sixth inning, it was a drowsy baseball game/Patricia Leslie
Ryan Zimmerman soon followed up with another big smacker/Patricia Leslie
Bryce Harper ran to second and lost his helmet to the right corner, but he was safe/Patricia Leslie


Meanwhile, on Tuesday night vs. the Braves, someone hit a foul which landed in the Anacostia River/Patricia Leslie

Hey, what was up with those presidents Friday night? President Abe got so excited about pitcher Jordan Zimmerman's coming two-hit shut-out, he "forgot" and ran the wrong way and missed getting in the picture/Patricia Leslie











President Abe, nevertheless, was able to pull off another stunning upset, racing from the rear and beating everybody to keep his title as the winningest president/Patricia Leslie

At the Tuesday race it looked like Teddy might win the presidents' race, he was so far out in front, but .../Patricia Leslie

Something gray sneaked up and tripped him.  A gray pigeon? A rat? A mayor? Never give up, Teddy!/Patricia Leslie
The winner Tuesday was Abe again (I think)/Patricia Leslie

Not only do fans in the peanut gallery above third and beyond have glass shields and ushers to block their views, but Zorro left his mark for them, too/Patricia Leslie

You can join the fun at today's last two home games of the regular season, a double-header vs. the Marlins.  Start times are 1:35 p.m. and 7:05 p.m.  (Saturday's game was rained out.)

patricialesli@gmail.com