Veterans' services see possible funding cut of 9%

Participants in the 2010 Memorial Day Parade in Washington, D.C. carried photos of troops who gave their lives for service for the United States/Patricia Leslie

At the Center for American Progress last week a packed audience sat and listened intently to a discussion about the plight of American veterans who need jobs and services. 

Unless Congress fails to act and compromise on the debt ceiling, services for veterans will be cut 9.1% this January.  Troop withdrawals from Iraq and Afghanistan are expected to bring about 100,000 veterans home to the U.S.

On a CAP panel to discuss veterans' needs were Tom Tarantino, deputy policy director of Iraq and Afghanistan Veterans of America, Robert Greenstein, president of the Center on Budget and Policy Priorities, Koby Langley, Corporation for National and Community Service, and CAP's Lawrence Korb.

Mr. Tarantino held the microphone the most, meaning he talked the most, too.

We do a great job of training troops for combat, Mr. Tarantino said, but transitioning from military to civilian life and finding a job, is very, very difficult for many servicemen and women.

It is time to train employers how to hire veterans.

Most employers "have no idea what a military resume is." Veterans sometimes omit their service dates for fear of being tagged with post-traumatic stress disorder.

The present generation of employers is the first which has not served in the military, a contributing factor to lack of veteran hiring. Modern employers "look at (military) service as a 'black hole,'" Mr. Tarantino said.

When Army captains in their late 20s leave service, some find jobs as interns because employers do not understand their military resumes.  U.S. troops who have served in Iraq and Afghanistan number 2.4 million; 5 million saw duty in Vietnam.

At the presentation, the Veterans Administration came in for sharp criticism for its continuing poor treatment of female service members who are the fastest growing segment of the homeless veteran population. At the VA women are often treated like spouses rather than members themselves.

The VA is not a very welcoming place for women vets, Mr. Tarantino said, describing a scene he witnessed at the VA Medical Center in Washington where a female service member had to almost get physical before she convinced a staff member she was a vet and not a spouse.

Programs are needed to educate veterans about the hazards of payday lending and about for-profit schools, some which have low completion rates.

It was good to see attention devoted to veterans and reminded one audience member of a recent "military night" at a Capitals hockey game at the Verizon Center when armed forces shared more of the spotlight than usual, and wounded vets played hockey in-between game periods. The hearts of the silent crowd ached as fans watched with admiration, the wounded warriors without legs shoot pucks from specially equipped sleds. And hoped they would be the last.

One of CAP's briefing papers available at the presentation listed alternative expenditures to the 60% defense budget growth over the last 10 years:

$ Instead of $25 million for one Trident II nuclear missile, why not spend it on a proposed cut of $23.3 million for veterans training and employment services?

$ Instead of $468 million for six V-22 Osprey helicopters, why not spend it on a proposed cut of almost $410 million for energy assistance for low-income households, one in five which has at least one vet?

$ Instead of $7 million for 54 active-duty personnel in Europe and Asia, why not spend $6.8 million on proposed cuts to housing for homeless veterans?

$ Instead of $35 billion on half the cost of Defense Department overruns, why not spend $38.6 billion on proposed cuts to veterans' services?

Money for people, not weapons, not things.

St. Patrick's Day Parade, Washington, D.C.

Some of the many dancing children in the St. Patrick's Day Parade, Washington, D.C./Patricia Leslie

Scenes from a lovely day on Constitution Avenue in our nation's capital where everyone had a good time and the wearing of the green was de rigueur. Maybe it was a big green stovepipe hat or a large hair ribbon, a green headband with rhinestones and glimmering jewels with two shamrocks bouncing around on a head, a large elf's ear, huge green sunglasses, a green, sparkling necklace, a green gown, or green leashes worn by prancing Irish terriers, all seen amidst the harmonies of fire truck sirens, bagpipes, and the always happy Celtic music mixed in with Bolivian sounds (?), and did you ever know that Metro had so much emergency equipment?  The Nationals' George Washington, Abraham Lincoln, Teddy Roosevelt, and Thomas Jefferson came out to join the festivities and walk, but where were the Washington Capitals?  Over at Verizon getting ready to take out Toronto.

The Hurley School of Irish Dance/Patricia Leslie

The military is always sharp and precise/Patricia Leslie

The O'Neill School of Irish Dance/Patricia Leslie

There go the flag girls from Great Mills High School in Great Mills, Maryland/Patricia Leslie

Little people (from Bolivia?) danced to the music/Patricia Leslie

Meanwhile, over at Ireland's Four Courts in Arlington, the Northern Virginia Firefighters' Emerald Society Pipe Band made merry for the people/Patricia Leslie

The Northern Virginia Firefighters' Emerald Society Pipe Band/Patricia Leslie

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'Joan of Arc' dazzles Baltimore Symphony Orchestra audience

Hermann Stilke (1803-1860). Joan of Arc's Death at the Stake (1843) Hermitage Museum, St. Petersburg/Wikimedia Commons

                                    


Powerful, stunning, and intoxicating.

Those are some of the adjectives which come to mind remembering the exceptional concert at Strathmore Saturday played by the Baltimore Symphony Orchestra in commemoration of its "women who take risks" series and the 600th anniversary of the birth of Joan of Arc born in 1412, perhaps on Epiphany, January 6.

The music for the Voices of Light Baltimore premiere was composed by Richard Einhorn (b. 1952) performed to accompany the screening of Carl Theodor Dreyer's 1928 silent movie, The Passion of Joan of Arc, about Joan's trial and interrogation, her torture, imprisonment, and burning at the stake.

From recorded words in the trial, the judges asked Joan: "Are you in a state of grace?" "Are you Satan's creature?" and, to the guards, "Go, prepare the torture chamber."

The film was released a few years after the Catholic Church, which had ex-communicated Joan as a heretic, canonized her in 1920.

Most negatives and prints of Dreyer's film were lost in two fires, however, a Danish version was discovered in 1981 in a mental hospital in Oslo, Norway. In 1988 composer Einhorn "idly poking around in the film archives of New York's Museum of Modern Art  stumbled upon the movie and after viewing it "walked out...shattered" and immediately began writing his piece about the maiden, according to program notes.

It took Einhorn six years to complete Voices  which includes actual words from the trial, lots of medieval "misogynistic poetry," and her own writings. 

The Baltimore Choral Arts Society under the direction of Tom Hall added immensely to the production which never ceased to be haunting and ominous throughout the 90-minute presentation of 15th century music and frequent Gregorian chants. Church bells tolled intermittently.

Joan of Arc's birth place, now a museum,  Behind the trees is the church where she worshipped/Wikimedia Commons

     

The program quoted Einhorn who said Joan loved bells whose sounds seemed to speak to her.  The composer traveled to her home village, Domremy, France, where he recorded church bells for use in his score. At the film's end, they ring to toll her burning at the stake, and a man cries out "You have burned a saint!" Police seize weapons to beat unmercifully the hundreds of people who had gathered and wail in anger and sorrow, mourning the loss of an innocent person.

Joan was 19 when she died at the stake on May 30, 1431.  Her remains were burned twice more and then tossed in the Seine.

The entire musical rendition was captivating in its beauty of a tragedy. Renee Jeanne Falconetti starred in the film as Joan, a performance critic Pauline Kael called perhaps "the finest ...ever recorded on film." Ms. Falconetti never acted again.   (Watch the full movie here in French with English sub-titles.)

Soloists on Saturday were expert, and all were making their BSO debut: Julie Bosworth, Janna Critz, Tyler Lee, and David Williams. In the orchestra, drums, flutes, and strings got a heavy and much-appreciated workout.

At the evening's conclusion, the two teen-aged boys who sat beside me and never moved during the show, rose slowly from their seats, smiled softly and said, yes, Joan of Art was a remarkable person.  They were as captivated as the rest of us by the masterpiece they witnessed on the stage.

Six hundred years after Jeanne d'Arc, and we are reminded how little times have changed as we see in the halls of the United States Congress a similar jury of patriarchal white men sitting in judgment over women while Rush Limbaugh attempts to burn with his venom, a Georgetown University law school student.

Bravo to the prescient BSO for choosing risky women to feature this year. What would the judges think of an orchestra headed by the capable and erudite Marin Alsop? Shocked that a large city orchestra is headed by a woman, the first conductor to receive a MacArthur Fellow award and named last year to The Guardian's list of Top 100 Women? Congratulations, Ms. Alsop and the BSO on another stellar production.

Ambassador Dennis Ross is zzz at GWU

Ambassador Dennis Ross speaking at the Elliott School of International Affairs, George Washington University/Patricia Leslie

He may be diplomat extraordinaire, but speaker extraordinaire, he ain't. I guess we can't have it all.

Ambassador Dennis Ross, formerly of this and that, is terribly smart and refined, evident in his address to a packed 150 person (more or less) SRO crowd Tuesday night at the Elliott School of International Affairs at George Washington University, one of my very favorite places to visit in this town (after the National Gallery of Art, natch).

He is knowledgeable, to be sure, confident and cocky, justifiably so.

His talk was entitled: "Challenges Ahead: America and the Middle East," but his monotone and lack of inflexion is on par with a row of humming refrigerators at the Home Depot.

That I'd had only five hours sleep for each of the two preceding nights contributed no doubt to my short naps while he talked, and thank goodness I was not so fast asleep that my body leaning over in the chair did not fail to jolt me from slumber when Ambassador Ross's tone crept higher than usual.

(On several occasions during the talk I was just glad I had not grabbed the leg of the young man sitting oh-so-close-next-to-me, to regain my balance before I fell upon the floor.)

What did the good ambassador say? Most of my words in my notes are scrunched together which is what happens when I sleep and write at the same time. They look like this: xzvxwpymnvxw but all squeezed together.

I don't think he said anything new really, delivering one of his stump speeches, but he likes sanctions and think they are effective although they take a long time to work.

Ambassador Dennis Ross speaking at the Elliott School of International Affairs, George Washington University/Patricia Leslie

Citizens of Middle East nations who have revolted have found solace in their mosques, Ross said, where they enjoy freedom of speech and assembly. In contrast to the regimes which have been and are being overthrown, the Muslim Brotherhood has identity, legitimacy, and lack of corruption, permitting the voices of the people to be heard. But the people have expectations and the  Brotherhood "must find a way to deliver" soon, i.e., build houses.

One thing is for certain: The pathway to the Middle East's future is a known unknown. Who would have guessed?

I recall being impressed by every single question posed by the students in the Q and A which followed, but, unfortunately, at this point my notes were nothing more than blobs of ink which I can't make out to list.

The event was sponsored by the Institute for Security and Conflict Studies which presented the Security Policy Forum.

A few minutes before the good ambassador began speaking, my colleague Rashid called and offered me free tickets (near the ice!) to the Caps game. The Caps are My No. 1 Favorite Team, but, no, I told Rashid, I was at the Elliott School for International Affairs at George Washington University to hear Ambassador Ross's important talk which I absolutely was not going to miss.

 

I missed it all right: I missed one of the best games of the season. In the last period, Troy Brouwer erased the Caps' two-goal deficit with just moments to spare and tied the game to take it into OT when the now hot and flashy Ovie came roaring back, shot the puck between the legs of the New York Islanders' goalie, Evgeni Nabokov, and bam! Just like that! Victory snatched from "the jaws of defeat." 

And that's the choice I made. 

Ambassador Dennis Ross speaking at the Elliott School of International Affairs, George Washington University/Patricia Leslie

  

Ceiling is tops at Verizon for Caps' games

The Capitals celebrate another goal in their 4-1 victory over Montreal at Verizon Center/Patricia Leslie

 Okay, we splurged and bought (at the Ticket Exchange) “ice” seats (that is, not far from) to see what it was like after my pals, Christine and Catherine, raved about them, and the night they went, Troy Brouwer scored a hat trick, and Christine and Catherine didn’t even know what a hat trick was. The nerve.

Anyway, for the Montreal game Claire and I sat in Row P in the “horseshoe” or “end zone” or behind the goalie, whatever you want to call it. We paid $140 each vs. what we usually pay (about $55) for ceiling seats, or approximately one-third the cost of ice, in case you are not a mathematician. (By the way, every time we go, the Caps win, and that's no foolin'! For three years now. Take that, Pittsburgh.)

I declare you can see better from the ceiling than in Row P behind the goalie. Okay, yes, as Claire said, you can see the players’ faces, but what good is that when you can’t see the puck? 

Where's the puck?  Oh, there's the puck/Patricia Leslie

Attention, Mr. Leonsis: It is terrific that you give tickets to the troops and they are recognized at every game, but Mr. Leonsis, have you sat in the horseshoe and do you know how bad the visibility is there? Mr. Leonsis, for our troops, I think you can do better and give our guys and girls seats on the 50-yard line, if you please. Thank you. Consider what they are giving up for us!

(Also, Mr. Leonsis, I would like to request, please, that "kiss-cam" be mandatory at every game. Everyone just loves it to pieces!)

Anyway, back to the ground floor seats: The food offerings at this level vis a vis the skylights are outasite. Really. The choices compare to the menu at the Inn at Little Washington vs. Church’s Fried Chicken, but I don’t think they’ve got fried chicken upstairs. That bunch is chiefly a ‘dogs and chili with onions crowd. Throw on some mustard.

On the ground the beer selections are far better, too, with a bar and a neo-wooden décor which sells mixed drinks! 

Getoutahere! 

Plus, upon entry to the ground floor, a photographer takes your picture and posts it somewhere the next morning, but I forgot to look.  Claire, did you remember to check us out?

George told me that to sit on the ground level, I would need one of those pricey ($150) jerseys vs. the cheap ($20) #8 Ovechkin t-shirt from Modell’s I bought last month, and he was right. Everyone in our ground section wore a jersey. I felt rather poorly in my worn-one-time-t-shirt and kept my coat on, but Claire's got a red, feathery boa she had wrapped around her neck and kept slinging it around which none of those people could match. But not to boast.

There goes my shirt's namesake, #8 Ovechkin, who had another great night and scored his Goal #25 for the season/Patricia Leslie

I would also like to note that you get real cheerleaders the size of hockey sticks in the stands for your ground level seats which, by the way, are roomier, comfier, and are they leather? Either that or the cheerleaders the size of hockey sticks sprayed leather fragrance on the seats before we arrived.

Take it away, Caps/Patricia Leslie

But not to complain: Claire and I have ceiling seats for the Winnepeg game, and there we feel more at home. It’s the difference between Palm Beach and Panama City, Florida, if you have ever been to either. Panama City is preferable. Palm Beach is so stuffy and highbrow, and besides, I doubt they drink beer or eat fried chicken in Palm Beach. Now how in the world did we jump from the Caps to fried chicken in Palm Beach? There are similarities.

Where is it?/Patricia Leslie

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Ice skate at the Sculpture Garden

Ice skaters at the National Gallery of Art's Sculpture Garden Ice Rink at 7th and Constitution, seen under the legs of Alexander Calder's (American, 1898-1976) Cheval Rouge (Red Horse) 1974.  Painted sheet metal.  Courtesy, Calder Foundation, NY. 2002 Estate of Alexander Calder. Artists Rights Society, NY/Patricia Leslie

“Weather permitting,” the National Gallery of Art’s Sculpture Garden ice rink will be open through mid-March unless the daffodils and blades of grass burst through warm ice and interfere.

On three visits (lunchtime, one weekday evening, a weekend), there was plenty of room to “bust a few,” enjoy laughs and outdoor winter exercise, while gliding effortlessly across the ice to music. (Not all glide “effortlessly." Some rail-huggers never let go of their support and hug the rail constantly. Oh, dear.  How boooorrring.  Rink guards ensure that speed demons do not plow down those less dedicated.)

At the National Gallery of Art's Sculpture Garden Ice Rink looking towards the dome of the Gallery's West Building.  Can you find the full moon just over the tree tops?/Patricia Leslie

Cameras are not allowed on the rink (because it would require stopping?), however, rail-huggers do stop, of course, but there are no fines.  Oh, and the backward skaters and fancy flingers?  Forgetabutit.  On a weekday with fewer skaters, one may be able to take flight (?).  Here are the rules.

The skater is about to take flight.  Seen through the legs of Louise Bourgeois's (American, 1911-2010) Spider, 1996. Cast, 1997.  Gift of Morris and Gwendolyn Cafritz Foundation/Patricia Leslie

Ice skating is great fun for all ages and skill levels, and there are plenty of skates for rent at the ice rink. Visitors will find warm and cold refreshments available for purchase in a nearby heated tent which has chairs and tables so skaters may sit, rest a spell and massage broken limbs.

Taking off between the legs of Louise Bourgeois's (American, 1911-2010) Spider, 1996. Cast, 1997. Gift of Morris and Gwendolyn Cafritz Foundation/Patricia Leslie

A totally delightful experience!

What: Ice skating

When: Now through mid-March, Monday through Thursday, 10 a.m. - 9 p.m., Friday and Saturday, 10 a.m. - 11 p.m., Sunday, 11 a.m. - 9 p.m.

Where: The National Gallery's Sculpture Garden at 7th Avenue and Constitution

How much: Skate for two hours on the hour for $7 (children and seniors) to $8 (adults). Skate rentals are $3, and lockers are 50 cents.

Metro: Federal Triangle, Smithsonian, or Archives-Navy Memorial

For more information: 202-216-9397 and/or ngaicerink@guestservices.com

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Ringo comes to Baltimore June 24

Ringo Starr and his All Starr Band are coming to Baltimore Sunday, June 24, and advance tickets are on sale now through Friday night at 10 p.m. to subscribers of the Baltimore Symphony Orchestra. (Another reason to join!)

The band will perform at BSO’s Joseph Meyerhoff Symphony Hall (unaccompanied by the BSO) where the Beatles drummer and his entourage are expected to play Yellow Submarine, With a Little Help from My Friends, Wings, It Don’t Come Easy, Rosanna, Broken Wings, Hello It’s Me, and Black Magic Woman and many more.

Ringo has just released a new album Ringo 2012 with new versions of Wings and Step Lightly.

Members of Ringo's All Starr Band are Steve Lukather, Gregg Rolie, Richard Page, Todd Rundgren, Mark Rivera, and Gregg Bissonette.

Baltimore is one stop on the group's national tour, and the closest site to D.C.  Click here for tickets (starting at $136 or $105 or $102, up to $999, depending upon which site you land + the service fee) or call 1-800-282-8495.  (Do not buy at the first site.  Just keep clickin' and watch the prices change.) 

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