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See America's 19th century history in 175 pictures on display through Sunday at the National Gallery of Art.
East of the Mississippi: Nineteenth-Century American Landscape Photography is the first show of its kind to focus on the Civil War century and its aftermath, not only in city scenes, but in visuals from the country, too. Lenders to the exhibition include 42 collectors, museums and libraries from the U.S. and Canada.
James E. McClees, 1822-1857, Entrance to Woodlands Cemetery, The Library Company of Philadelphia. This Philadelphia cemetery was like many of the era when citizens enjoyed the grounds like they would enjoy a park. They relaxed and picnicked.
Frederick DeBourg Richards, 1822-1903, The Hole in the Wall, 1859. Black Dog Collection. The "hole in the wall" was fencing installed to permit passersby opportunity to see Benjamin Franklin's grave at Christ Church, Philadelphia.
Photographers in the show include Charles Bierstadt, John Moran, Alfred Stieglitz, Edward Steichen, William Rau, and George Barnard.
The National Gallery of Art organized the exhibition in association with the New Orleans Museum of Art. With Yale University Press, the museums have published a catalogue of 288 pages with 220 color illustrations available in the shops.
Jay Dearborn Edwards, 1831-1900, South Claiborne Avenue at Common Street (New Orleans), 1858-1861, The Historic New Orleans Collection
Jay Dearborn Edwards, 1831-1900, Esplanade Street from Royal Street Toward Lake (New Orleans), 1858-1861, The Historic New Orleans Collection
George Barker, 1844-1894, Silver Springs, Florida, c. 1886, Daniel Wolf, Inc.
After the National Gallery, the exhibition moves to the New Orleans Museum of Art where it shall be up from October 5, 2017 through January 7, 2018.
The National Gallery's Diane Waggoner was curator. Support from the Trellis Fund and Kate and Wes Mitchell made the show possible.
Where: The ground floor of the West Building, the National Gallery of Art, between Third and Ninth streets at Constitution Avenue, N.W., Washington, D.C. On the Mall.
Admission charge: None
Metro stations for the National Gallery of Art:
Smithsonian, Federal Triangle, Navy Memorial-Archives, or L'Enfant Plaza
For more information: 202-737-4215
patricialesli@gmail.com
Edward H. Fox, 1851-1919, On Clear Fork, Rugby, Tennessee, 1880s. From the collection of William L. Schaeffer.The label describes Rugby as a utopian coummunity established for British boys who were ineligible to inherit family estates due to primogeniture. A new railroad to Chattanooga permitted the viability of the town which still exists!
See America's 19th century history in 175 pictures on display through Sunday at the National Gallery of Art.
East of the Mississippi: Nineteenth-Century American Landscape Photography is the first show of its kind to focus on the Civil War century and its aftermath, not only in city scenes, but in visuals from the country, too. Lenders to the exhibition include 42 collectors, museums and libraries from the U.S. and Canada.
James E. McClees, 1822-1857, Entrance to Woodlands Cemetery, The Library Company of Philadelphia. This Philadelphia cemetery was like many of the era when citizens enjoyed the grounds like they would enjoy a park. They relaxed and picnicked.
Frederick DeBourg Richards, 1822-1903, The Hole in the Wall, 1859. Black Dog Collection. The "hole in the wall" was fencing installed to permit passersby opportunity to see Benjamin Franklin's grave at Christ Church, Philadelphia.
Photographers in the show include Charles Bierstadt, John Moran, Alfred Stieglitz, Edward Steichen, William Rau, and George Barnard.
The National Gallery of Art organized the exhibition in association with the New Orleans Museum of Art. With Yale University Press, the museums have published a catalogue of 288 pages with 220 color illustrations available in the shops.
Jay Dearborn Edwards, 1831-1900, South Claiborne Avenue at Common Street (New Orleans), 1858-1861, The Historic New Orleans Collection
Jay Dearborn Edwards, 1831-1900, Esplanade Street from Royal Street Toward Lake (New Orleans), 1858-1861, The Historic New Orleans Collection
George Barker, 1844-1894, Silver Springs, Florida, c. 1886, Daniel Wolf, Inc.
Isaac A. Bonsall, 1833-1909, Chattanooga, Tennessee from Lookout Mountain, 1863-1865, Collection of Paul Sack
After the National Gallery, the exhibition moves to the New Orleans Museum of Art where it shall be up from October 5, 2017 through January 7, 2018.
The National Gallery's Diane Waggoner was curator. Support from the Trellis Fund and Kate and Wes Mitchell made the show possible.
What: East of the Mississippi: Nineteenth-Century American Landscape Photography
When: The National Gallery of Art is open 10 a.m. - 5 p.m., Monday through Saturday and 11 a.m. - 6 p.m., Sunday. The exhibition closes Sunday, July 16, 2017.
When: The National Gallery of Art is open 10 a.m. - 5 p.m., Monday through Saturday and 11 a.m. - 6 p.m., Sunday. The exhibition closes Sunday, July 16, 2017.
Where: The ground floor of the West Building, the National Gallery of Art, between Third and Ninth streets at Constitution Avenue, N.W., Washington, D.C. On the Mall.
Admission charge: None
Metro stations for the National Gallery of Art:
Smithsonian, Federal Triangle, Navy Memorial-Archives, or L'Enfant Plaza
For more information: 202-737-4215
patricialesli@gmail.com
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