Seal ignites Wolf Trap

Seal at Wolf Trap/Patricia Leslie

If you missed the fireworks last week on the Mall, there were more out at  Wolf Trap Tuesday night.

Yeah, he was that good.

And he had nice things to say about D.C., being that we don't hear too many nice things, infested with politicians and junkies like we are.

Seal at Wolf Trap/Patricia Leslie

"You are a great, great audience" he shouted repeatedly.  "I love to come here, because this region is so diverse! The nation’s capital!  Just look at you!"  he shouted to cheers.  “You’re a great mix!”

Seal at Wolf Trap/Patricia Leslie

The crowd of young, old, black, white was totally enraptured by Seal who performed straight for almost two hours without intermission, without any other singers breaking up his delivery.  Plus he knew exactly what to wear in Vienna, Virginia: solid black   (Like he might wear something else?) 

 

Seal at Wolf Trap/Patricia Leslie

He danced, hopped, skipped, gyrated, and jumped across the stage all night, up and down, across and back, putting the moves on the music and thrilling us all and frequently grasping the extended hands of the fans who hung on the stage rim, wanting to make permanent contact, but he pulled none of them up to join him like some expected, and that was quite all right.  He was Seal.

Sorry, honey, not tonight/Patricia Leslie

So many of the pieces he sang seemed devoted to Heidi, at least to the fans, and we probably thought of her more than he did, but he began the concert with "Tonight we're going to forget about whatever it is that's been dragging us down" because this is "the here and the now!" 

And later:  "The beginning of the year was not so good, but I am happy now!"  (New girlfriend?)

Seal at Wolf Trap/Patricia Leslie

He sang his biggies and some Al Green, too.  (Al's coming to Wolf Trap on August 24, and darecity we hope the president will come and sing a duet with Al? Please, please, please...)

Seal at Wolf Trap/Patricia Leslie

One thing is for certain:  Seal never has to worry about weight.  One woman said she just came to check him out and see what all the fuss is about.  "And he can sing, too?"  she gasped. 

Seal at Wolf Trap/Patricia Leslie

With those undulating movements he reminded another woman of a male stripper who keeps his clothes on.  Too bad.  I don't suppose the Wolf Trap neighborhood would dig a strip tease out in their neck of the woods too much.

Seal at Wolf Trap/Patricia Leslie

Macy Gray was the first act, and she started off the evening with that sultry voice just before 8 p.m. wooing the audience with her style and tunes.  She may be the most talkative entertainer to the audience there is, and there's nothing wrong with that.  One of her songs was like a slowly-spoken poem with a single instrument playing in the background, but aren't all songs poems? 

“This ain’t no library,” she bellowed.  “Get up and move!”  We did.

Macy Gray at Wolf Trap.  Her band wore lighted hats, ties, or jackets/Patricia Leslie

A back-up singer for Macy Gray, Shameka?/Patricia Leslie

Just before the concert began, a heavy, longlasting downpour drenched the yard folks and  many "in house," too, but the sheets of rain could not/would not dilute the crowd's pure enjoyment and enthusiasm, and no one left, but stayed to dance in the aisles, listen and sing and throw hands in the air and sway with the tunes.

It was a good time!  It was a great time.  You didn’t even need a date to bust a move and shake a tail feather. And that’s what it’s all about, isn’t it?  Or why did you go?

After the concert a woman walked barefoot across the parking lot and when asked if she had lost her shoes during the storm on the hillside she said no.  She left her high wedges in the car, she said, after she realized she wouldn't be able to walk in them to the performance.  Despite sore feet, she was happy, grinning broadly, like everyone else going home after a night with a lightning streak at Wolf Trap. 

Seal's stage at Wolf Trap/Patricia Leslie

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Two Amelias star at the National Portrait Gallery

One of many occupations of women during the Civil War was that of spy.  Pictured is Belle Boyd of Martinsburg, Virginia (now West Virginia) and Front Royal, Virginia who became a Confederate spy after a Union soldier denounced her mother. Wikimedia Commons/Library of Congress

Was it coincidence that two "Amelias" opened at the National Portrait Gallery only days apart?

And “lost” persons are and were a central role in each?

There is One Life: Amelia Earhart now through May 27, 2013, and for one night only in the Gallery's Nan Tucker McEvoy Auditorium, there was Amelia: A Story of Abiding Love in the Civil War, a staged presentation about a woman in search of her husband, a Union soldier fighting somewhere between Pennsylvania and South Carolina in the 1860s.

According to the playwright, Alex Webb, who starred as the husband of Amelia, the play is based on the 400 to 500 women who impersonated soldiers during the war.

In commemorating the 150th anniversary of the Civil War, the National Portrait Gallery seeks to examine the role of women during the period of which Amelia played a role.   

Shirleyann Kaladjian (Webb's real-time wife) was "Amelia" who wanders from Gettysburg to battlegrounds down South, in search of "Ethan" (Webb), ending her journey at Andersonville, Georgia, the site of the notorious Confederate prison.

Several themes run concurrently in the play:  The search for love, the audience education about women in the Civil War,  and the horrors of Andersonville, not unlike those at the Union prison in Elmira, New York, where about the same number of inmates died.   

It was the first fictitious production of the National Portrait Gallery's Cultures in Motion performing arts series, "designed to educate, entertain, and promote mutual understanding of [America's] diverse cultures" and undertaken for this production with the Washington Stage Guild.

Webb and Kaladjian delivered powerful performances over the 90-minute playing time, remarkable in content and effect, propelling some members of the audience to leap to their feet in eager applause at the end.

And the play may be entitled Amelia but the show was all about "Ethan," one of many characters Webb portrayed.

His metamorphosis on stage from person to person without costume or scene change was one for acting classes, nothing short of exceptional since every person he became was lifelike, due to Webb's uncanny ability to transform people, mannerisms, voices, and inflexions. 

From turning around in a bent position and suddenly becoming Amelia's frail mother or her limping dad in the same scene,  to a Confederate guard, a sashaying Northern belle in a "ball gown" with 15-foot circumference, to a doctor, an escaped slave, Rebel soldier, guard, and more, Webb effected the personalities with stunning skill.

The couple moved frequently around the stage against a minimal but strong set design (a fence post, a bench and chairs, by Carl F. Gudenius) and, in one scene, they walked along a path strewn through the audience, talking the whole time.

Flashing throughout the production as backdrop were actual
Civil War scenes of battlegrounds, soldiers, farm and social life.

Taped music from the era under the direction of Stowe Nelson added to the mood.

"Every woman has got to find a husband," Amelia's mother tells her daughter, a refrain I heard more than 100 years later from the lips of my own mother. 

I do declare, Miss Scarlett, times have changed. 

Andersonville today is a National Historic Site dedicated "to all American prisoners of war throughout the nation's history."

Bill Largess directed; Jewell Robinson produced; Michael Kramer served as technical director and stage manager; and Sigridur Johannesdottir was costume designer.

The National Portrait Gallery is located at Eighth and G, NW and is open from 11:30 a.m. until 7 p.m. daily, except Christmas Day.  The closest Metro station is Gallery Place/Chinatown, or one may walk from Metro Center, a few blocks away.  For more information, call 202-633-8300.

patricialesliexam@gmail.com

The 'Louvre' exits Washington on Sunday

Samuel F. B. Morse, Gallery of the Louvre, 1831–1833, oil on canvas, Terra Foundation for American Art, Daniel J. Terra Collection

What?

The Gallery of the Louvre is going to leave the National Gallery of Art on July 8 after a year's sojourn in Washington, alas.

Say it isn't so.  Can't it stay here forever?  The people love it and want it to remain in the West Building in that perfect gallery.

It is going to leave.  The Terra Foundation for American Art has been gracious to loan it to the National Gallery of Art where it has occupied prominent position, and there is only one day more to see it.

Samuel F. B. Morse (1791-1872), yes, the inventor (Morse code), painted Gallery of the Louvre between 1831-1833, and it is big.  He copied 38 masterpieces from the Louvre, and hung them in his Gallery of the Louvre's Salon Carre in desired arrangements that he favored. You may read more about it here. 

When I went over to the National Gallery at lunch to check out George Bellows again, I remembered the exit date for Louvre and swung around the corner for one last look. Sigh.

Have you ever heard of Maurice Williams and the Zodiacs?  You must not be from the South.  A modification of their hit "Stay" (1961) may be applied to the people's desire to re-arrange the location of Morse's Gallery.

Stay, ahhh
Just a little bit longer
Please, please, please, please, please
Tell me that you're going to

Now your owner won't mind
And the Gallery won't mind
If we have another look, ya
Just one more time

Oh, won't you stay
Just a little bit longer
Please let me hear you say
That you will

Say you will!

Oh ya, just a little bit longer
Please, please, please, please, please
Tell me your going to
Come on, come on, come on, stay
Come on, come on, come on, stay, oh la de da
Come on, come on, come on, stay, my, my, my, my
Come on, come on, come on , stay

What: Samuel Morse's Gallery of the Louvre

When: Now through July 8, 2012, from 10 a.m. until 5 p.m., Saturday, and from 11 a.m. until 6 p.m., Sunday

Where: West Building, National Gallery of Art, Fourth through Ninth streets, NW, on the Mall

Admission: No charge

Metro stations: Smithsonian, Federal Triangle, Navy Memorial-Archives, L'Enfant Plaza, and/or ride the Circulator

For more information: 202-737-4215

(Update) A "must have" for Morse fans:  Samuel F. B. Morse's Gallery of the Louvre and the Art of Invention, edited by Peter John Brownlee, Terra Foundation for American Art, distributed by Yale University Press, 2014

patricialesli@gmail.com

Crosby, Stills & Nash at Wolf Trap

Crosby, Stills & Nash at Wolf Trap/Patricia Leslie

The sold-out audience loved it all, every bit of the two+ hour show which began shortly after 8 p.m. when the stars came out to shine and were not preceded by an unknown group.

Hallelujah

It was Crosby, Stills & Nash all night and none other.

Crosby, Stills & Nash at Wolf Trap/Patricia Leslie

They sang the old favorites and some new ones, too ("Love the One You're With," "Just a Song Before I Go," "Our House," "Name of Love," "Radio"), and the mostly 50+ white audience sang with them sometimes, and the second half was the best.

Crosby, Stills & Nash at Wolf Trap/Patricia Leslie

An occasional breeze cooled the sweaty throngs whose enjoyment was interrupted intermittently by lightning streaks which lasted most of the night. A harsh rainfall poured on the lawn crowd which fled to the overhangs at the beverage and food counters, but many stayed put on the grass, determined not to miss a note at Wolf Trap. 


When Graham Nash announced they were going to sing a song to Bradley Manning, scattered boos were heard from a few males in the crowd, and David Crosby shouted at them:  "You haven't even heard a f---ing word yet!  Talk about pre-judgment!"

Amen, brother

When "Almost Gone" ended, Nash screamed:  "The
f---ers who are responsible for killing millions are free, and he's in jail for telling the truth!" The people cheered and clapped, and no counter voices were heard, and those who sympathize with the soldier, who may have assisted in the release of documents which could have saved countless lives had they been released years earlier, were grateful.

Graham Nash at Wolf Trap/Patricia Leslie

Crosby, Stills & Nash have been around for 40+ years, but like fine, aging wine, their music has not weakened, and the people stood and wildly applauded the entertainers, happy to be present for celebrations of singular artistry and talent.

An usher said it was only the third sell-out of the season (Dolly Parton and Garrison Keillor were the others) and most Saturday nights at Wolf Trap have seats available since the "big" stars prefer larger venues for weekends.  He said the sound is actually better on the lawn.

Stephen Stills at Wolf Trap/Patricia Leslie

Another reason to spend a night in the grass at Wolf Trap and hear Seal on Tuesday night.

Attention, seniors:  If any tickets remain 30 minutes before show time, they are available for purchase at half price at Wolf Trap for you and you only, which may be the only advantage to moving up.  At least, at Wolf Trap.

Before the rain at Wolf Trap Tuesday night/Patricia Leslie

After the rain at Wolf Trap Tuesday night/Patricia Leslie

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The biggest, baddest snake in Washington, D.C.

Is not found in the halls of Congress.

Nor on the airways (sorry, Rush).

The biggest and baddest is at the Smithsonian's National Museum of Natural History.

This snake is not for the squeamish.  Nor for anyone who has snake dreams.  (Huh?)

This granddaddy of granddaddy snakes is huge:  Estimated to have weighed 2,500 lbs., be 48 feet long and the size of a school bus.  It looks so real you will cringe upon sighting it slithering around on the museum's floor.  

Stand back!

"Whoa, buddy!  This is one big snake!  Yeekers!  Yikers!  Here, have a crocodile."/Patricia Leslie

It may have come from a warming of the Earth which allowed it to grow big and powerful in a gigantic hot and tropical ancient rainforest which may say something to global warming skeptics.


(You know what's happening on the East Coast, right?  Not only do we have to fear drowning from rising waters, but now, there's the possibility of being consumed by huge snakes, able to eat five people in a single gulp.  Consider circumstances in the Everglades in Florida where giant pythons, boas (please read below), and anacondas slide hither and thither over the swamplands taking control and eating and chasing away inhabitants. It's a coup de snakes.  Soon, the Florida residents who are left will be forced to flee north, leaving no one there to vote which means our future may be determined by snakes.  Hey, didn't this happen already?) 

But wait, there's even more to the story which all began with a single leaf.

"I have got to text Lucille.  She is not going to believe this.  For a minute, I thought I was at the used tire store."/Patricia Leslie

About ten years ago in South America was a student who visited a coal mine in La Guajira, Columbia where he discovered a fossilized leaf.  This one little leaf of his strengthened scientific studies and "data-driven evidence" that helped reveal the existence of an ancient hot and tropical rainforest, maybe the first one on Earth, which thrived during a period of global warming in the Paleocene epoch.  (That would be after the dinosaurs roamed, or about 60 million years ago.)

Colossal turtles and crocodiles and bean plants, oh my, were found.  (Their fossils, that is.) But the most exciting finds were the fossilized vertebra and fragments of three snake skulls which enabled scientists to replicate what the gargantuan monster looked like. 

The experts, I think, are unsure of its gender, however, based upon experience and its nickname, Tyrannosnakus rush, I can say with certainty that Tyrannosnakus is a male who (which?) is going on a 15-city tour right after Titanoboa (his real name and yes, related to the boa) finishes residency at the Smithsonian early next year.

The sign says "Stand back or risk person." A Smithsonian Channel official, Josh Gross, said the snake model was constructed from Styrofoam, fiberglass, textured epoxy and paint./Patricia Leslie

A video of this specialized beast is available for purchase, and a version screens continuously in Titanoboa's exhibition area which shows how Tyrannosnakus rush moved.  Not to miss!

Baby wants a crocodile for dinner?  Baby gets a crocodile for dinner/Patricia Leslie

What:  Titanoboa:  The biggest snake in the world!

When:  Now through January 6, 2013, every day (except Christmas Day) from 10 a.m. until 5:30 p.m. or, on most summer nights through Labor Day, until 7:30 p.m.  Check the website for hours for the planned day of your visit.

Where: The Smithsonian's National Museum of Natural History at the corner of 10th and Constitution, N.W.

How  much:  No charge

Metro station: Smithsonian

For more information: 202-633-1000

patricialesliexam@gmail.com

Trippi and friends talk election 2012 up on Capitol Hill

From left, Robert Traynham, Joe Trippi, Marjorie Margolies, John Zogby, and John Gizzi/ Patricia Leslie

The Great Eight states* will determine the victor in November with special emphasis on the Key Three (Ohio, Virginia, and Florida), and as for the rest of you, forgetabouit. 

But please, send in your cash anyway, and, no, they are not coming.

That was the message, more or less, delivered by Joe Trippi, campaign strategist, at a Tuesday Capitol Hill panel presentation sponsored by the National Constitution Center and the Fels Institute of Government at the University of Pennsylvania. 

Trippi said Karl Rove thinks Wisconsin is "on the bubble"  (not defined), and Trippi disagrees. 

But the president's team has "put money on the air in Pennsylvania which tells me they're concerned about it," the prognosticator said.  Challenger Mitt Romney must win the Key Three, Trippi said.

Joe Trippi/Patricia Leslie

If the U.S. Supreme Court rules against the healthcare law, the decision will certainly help the president, according to the consensus on the panel, which, in addition to Trippi, included John Zogby, pollster; Robert Traynham, Comcast Network; Marjorie Margolies, Fels faculty member and former Democratic congresswoman from Pennsylvania; and John Gizzi, Human Events correspondent.

A negative decision will help ignite the president’s base and make it stronger, Gizzi said.

Just 100 people are funding 80 percent of the PACs, Trippi said, and the aggravation is that neither candidate controls the PACs and vice-versa.

The money is "out of control" because the "candidates aren't in control.” 

Said Zogby:  “There's way too much money being spent."

Trippi predicted the Democrats and Republicans will each raise between $1 billion and $1.4 billion.

Zogby said "fewer and fewer people" are impressed by huge money expenditures, and as far as campaign finance reform:  "The average person doesn't give a s---."

On the day the news broke that Marco Rubio was not being vetted as a prospective vice-presidential candidate by the Romney campaign, the panel's general consensus was, Rubio’s out. He would bring no Hispanic voters to the table, said Zogby.

The group largely believes the nominee will be either Rob Portman or John Thune.  Traynham mentioned Tim Pawlenty.

Is negative advertising effective? 

People "hate" negative campaigning, "but it works" said Ms. Margolies, mentioning Congress's low approval rating (about 17%).  Said Zogby: "Negative advertising used to work, but now?" 

The panel spent a large chunk of the presentation time discussing past negative campaigns like those of Thomas Jefferson v. John Adams, George H.W. Bush v. Bill Clinton, and Harry Truman v. Thomas E. Dewey. 

"This is something that happens" [people] said John Gizzi.

Zogby recalled that Thomas Jefferson was called "an atheist and a whoremonger as well as being French!"

John Zogby, left, and John Gizzi/Patricia Leslie

Gizzi said George H.W. Bush's campaign in 1992 was absolutely the worst one, excluding Michael Dukakis's 1988 debacle.  And ever since Bush wrote off Pennsylvania and Michigan, those states have trended Democratic. Who told Bush to forget about California? Gizzi asked. 

Zogby’s latest poll shows the president leading Romney, 47 to 43 percent.

After Obama’s announcement on Friday that some illegal immigrants under age 30 would not be deported,  Zogby said Barack Obama’s  support among Hispanics rose to 67 percent,  to 64 percent among younger Hispanics, and to 99 percent among blacks.

Obama's "fly in the ointment," said Zogby, is the 18-32 year olds, a "growing subsection," AKA the "CENGAs:  college-educated, not going anywhere."  They are not going to vote for Romney, he predicted, but the question is:  Can the Obama campaign get out their vote?

He expects a big turnout this fall.

"The process is broken," Zogby said, but "the process will work its way out."

Traynham said:  "I don't believe the system is broken.  It's the American way." And the "American electorate through social media is much more educated."

Robert Traynham/Patricia Leslie

 

The average American is "a helluva lot more sophisticated than given credit for," Zogby said, however, Ms. Margolies said later "the American public is not as smart as we think it is," to clapping by one person.  She's not sure the electorate "is an informed public."

When asked about surprises in the race, Traynham, a "big supporter" of Obama, said "how 'off' the president was last month....so unlike him."

Ms. Margolies said "Romney lacks 'it,' whatever 'it' is," and Obama's "not doing any better." That the president's not running away with the election has been "a shock" to her. Romney "doesn't realize what he says is on tape?" He has got to remember to add a 's' to “sport.”

Marjorie Margolies/Patricia Leslie

Traynham described the president as “very professorial and academic,” but Romney "is even worse."  The presumed Republican challenger "has a bad economy working with him, but does he have the right solution?" Traynham asked. 

 

Gizzi has been surprised by the speed at which the other Republican candidates have flocked to Romney, and he quoted Hailey Barbour who he thought was the first to pronounce:  "Barack Obama is the greatest unifier when it comes to Republicans."

If unemployment "goes back up, I think he's [Obama] toast," Zogby said.

Trippi:  "Greece, Spain, and Italy have more to do with this election that Ohio, Virginia, and Florida." If something bad happens in Europe, "I think he'd [Obama] be in deep trouble." 

Gizzi:  Spain's banks are "very much on the edge of a cliff."

Joe Trippi said the Obama campaign’s information about “millions” of voters is “astounding,” and the Romney campaign is in quick catch-up mode.

The panel agreed that it won’t make any difference in Congress whether Obama or Romney wins in November since Congress is not going to change.  Zogby envisions a new bumper sticker:  "They're creepy, they're dishonest and I vote."

The mostly under-age 30 crowd of about 60 persons filled the room at the Rayburn House Office Building where a reception preceded the discussion which was open to the public. 

*The Great Eight States are: Colorado, Florida, Nevada, Ohio, Virginia, New Hampshire,  Pennsylvania, Wisconsin, and Iowa, but wait, that's nine but “eight” rhymes with “great,” and who’s counting?

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It saves to talk to your banker

Received in the mail, an announcement from Wells Fargo which, you may recall, took over Wachovia and, at the speed of a bank bailout, announced new fees: 

“Effective August 6, 2012 you will be charged $5 monthly for online ($7 for print) accounts unless you maintain a $1,500 minimum balance or have direct deposits totaling more than $500 monthly.”  Yada, yada, yada.

I marched right in my Wells Fargo branch (where I keep a healthy balance of $100 for convenience to work) and said “please close my account,” to which Mr. Manager took exception and said “Hold it there, partner.  Lemme see what I can do to save this here account.  I ain’t in the business to lose business.” 

And with a click of his magic mouse, voila!  No fee!

You have to be prepared to, as they say in the business, walk.   As in, walk with swagger. As in, walk out.  And talk the talk, too.  And make sure you’ve got another bank account, and you don’t need their silly old account anyway.

Which reminds me, the only reason I stopped in Wachovia in the first place was during the hustlin' and bustlin' days of several years ago, it ran an ad in the Washington City Paper offering $100 to anyone opening an account.  I did and it did, and, in the meantime, it found two CDs I had stashed away in another state, another life, and forgotten about. Talk about a nice surprise!  I love you, Wachovia, and where did you go?

It pays to talk to your banker.  With swagger.