Thursday, March 17, 2016

Philly's Park and Bark Show pined for flowers

Photo by Patricia Leslie
 It was time again for the Smithsonian Associates' annual day trip to Philadelphia for the spectacular International Flower Show whose theme in 2016 was the commemoration of the 100th birthday of the National Park Service.

Park designs to the right of us, park designs to the left of us, but alas, no sign of the most popular park in the system, the Great Smoky Mountains National Park, which records more than 10 million visitors every year, about twice the number of the second most visited park, the Grand Canyon.  

Perhaps the omission was because the Great Smokies don't need the attention and/or it's in the South. (Attention, Southerners: Northerners don't cotton much to you and your kin, if you haven't heard.) 


But I did see something dedicated to the Everglades in Florida: a bunch of sticks is the best of my recollection, which were the color of sticks, dull and brown, and no photographs.

Whatever, the Flower Show this year didn't have its usual bursting big arrays of fresh flowers in all colors and sizes and kinds, to top anything you ever conceived.   

This year the "Flower Show" was more about trees and greenery and limbs left from fires in the national parks which can always use the attention, I suppose, but their fragrance is not the same as roses (saw and smelled none) or daffodils wafting through the Philadelphia Convention Center.  
Photo by Patricia Leslie
 At the Flower Show, Park Service guides were at the ready everywhere and seemingly happy to answer questions.  It must have been a plum assignment for them.
Photo by Patricia Leslie At the main entrance to the show
Photo by Patricia Leslie
 Another view of the main entrance to Old Faithful Inn at Yellowstone National Park.
Photo by Patricia Leslie
 And you thought the Old Faithful Inn was in Yellowstone.  From March 5 to March 13, it was in Philadelphia.
 Photo by Patricia Leslie 
Flower Show attendees mingled and watched video inside Old Faithful Inn.
Photo by Patricia Leslie
 More of Yellowstone and geysers in Philadelphia.
Photo by Patricia Leslie
 Arcadia National Park in Maine by J. Downend Landscaping, Crum Lynne, PA
Photo by Patricia Leslie
 The Appalachian Trail created by Williamson College of the Trades, Media, PA.  All right, all right, so some of the trail wanders through the Great Smoky Mountains which straddles the Tennessee and North Carolina border, but that's just a small portion of the trail which meanders through the eastern U.S. 2,168 miles, ending in Maine and completed by only 25% of those who start hiking it, according to the sign at the display.  So, no, this is not a park in the South.
Photo by Patricia Leslie
 Just like the contests on the cooking channel, there were timed competitions at the Designer's Studio to see who could create the best design, and the audience voted for favorites.
Photo by Patricia Leslie A display of tablescapes.

Photo by Patricia Leslie Tablescapes from the other end.
Photo by Patricia Leslie
 A little elaborate, don't you think?  The judges liked it though, and it won two third prizes (judging on different days), commendations, and a blue ribbon.  In posted remarks, one judge said "Overuse of accessories distracts from design." The setting was inspired by Washington Irving and Ansel Adams for Yosemite National Park's Annual Bracebridge Dinner, according to the creators, Rosemary Harris and Elsa Taylor.
Photo by Patricia Leslie
 The Elverson Garden Club called their tablescape "Sipapu, Portal to the Past" which "evokes the culture of the ancestral Puebloan people and their ancient cliff dwellings found at Mesa Verde National Park, Colorado." It took second and third place honors, and a commendation.
Photo by Patricia Leslie
 The Garden Workers made "Smoke From the Ground" for Native Americans who admired Yellowstone's geysers hundreds of years before the park was established. "Smoke" won two blue ribbons, a gold ribbon, and class commendations.
Photo by Patricia Leslie
 In the "Front Entrance" category, "Ellis Island, Welcome Home" by the Norristown Garden Club won two blue ribbons and a red ribbon.
Photo by Patricia Leslie
 My favorite in this category was the Edgar Allan Poe house, the colors which immediately attracted me from several feet away.  "Tales Untold" by the Greene Countrie Garden Club were posted on a sign:  "Hot and humid day...[in] Philadelphia. Misery and gloom follow me everywhere. Even the garden reflects my melancholy mood. My mind is turning over with tales. Everything is just as I left it. Alas, there lay the typewriter to be used by me nevermore, nevermore." In the "yard" lay Poe's typewriter  stuffed with a manuscript entitled...
Photo by Patricia Leslie  
"The Raven." Poe's front entrance earned the artists only two yellow ribbons for third place. Wrote one nasty judge:  "A manicured standard (?) does not belong in a dismal garden."  Ain't this make believe, anyway? 

Said another:  "Relocating crowded plants would improve overall design."  Huh?  What crowded plants?  They must got eyes I can't see.  Take out the plants and what you got left?  A frame of a house?  The Philly Flower Show has never asked me to be a judge and if it did, like I did for my son's kindergarten classmates a long time ago on Spirit Day, all competitors would win blue ribbons.
Photo by Patricia Leslie
 Except for this one which struck Claire and me as an odd choice to win a blue ribbon in the Monuments category (I think that was the name), only because of its funereal, lifeless, unimaginative and artificial (redundant?) design that supposedly commemorates the FDR Memorial in Washington, D.C.  Huh?
Photo by Patricia Leslie
 Down the aisle was more of a blue ribbon winner to me, the Washington Monument by Patti Kelly of the Gardeners of Rose Valley which only garnered an honorable mention. A judge commented: "Vertical structure is out of scale and affects the balance."  I wonder what this judge would say about a design dedicated to complement the Leaning Tower of Pisa.  "It slants"?
..
Photo by Patricia Leslie
 Or, here is the contemporary design of the Jefferson Magnificent Memorial, one of the most beautiful, if not the most beautiful, memorial in Washington, D.C.  Kathy Powell of the Garden Club of Trenton was the artist who won a red ribbon for second place. The wires "distract" from the overall design, wrote one judge.  Good cow, judge!  The wires are the design!   
Photo by Patricia Leslie
 Aaawwww...the Great Smoky Mountains?  Nope.  Try again.  It's a scene from the Shenandoah National Park made by Hillary Lee and the "outstanding" blue ribbon winner in the Miniatures competition.  The artist copied a likeness of President Herbert Hoover's Camp Rapidan retreat in the Blue Ridge Mountains where he liked to fish for trout, and escape demands of the office.  One of the judges said it had "museum quality."
Photo by Patricia Leslie
 A peek inside President Hoover's cabin with a fire in the fireplace.
Photo by Patricia Leslie
 Except for a splashy show of flowers, the Philly show had everything this year  including nudes, these bathers straight from "Optional Suits at Sandy Hook" by Mary Forsberg who entered this scene in the Miniatures competition and won a red ribbon.  At Gunnison Beach, New Jersey, this couple celebrated their 45th wedding anniversary with doughnuts, wine, cheese, cake, and a view of the Big Apple. No wonder the line was long at the Miniatures.
Photo by Patricia Leslie
 This is what?  An impressionist painting at the Philly show?  No, it's "Symbiosis of Fire and Ice" by Dr. Robin Tomasi, which won an Honorable Mention in the Miniatures.

"Thinking outside the box! Design and intent are confusing," wrote one judge. "Contrast is not as effective as intended."  The scene depicts the transmission of a "telepathicgram" (?) to paleobotanist Prudence Buster about an imminent eruption at Mt. Rainer and her climb through the forest to the portal of the volcano.  Perhaps Tomasi writes sci-fi, too.
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Photo by Patricia Leslie
 If you were small enough (like about 1.5" high or  shorter), you could have relaxed at the Redwood National Park Campgrounds created by Cathy Bandoian for the Miniatures, the winner of a blue ribbon. All the tree trunks are real redwood, but one judge thought the fallen tree "affects rhythm."  I saw no musical instruments anywhere.  

On the table, however, is a bag of Pepperidge Farm cookies which the picnickers had better hide from the bears.
Photo by Patricia Leslie
 Who knew that Kate Middleton, Duchess of Cambridge, was coming?  She probably didn't know it either, but Norristown Garden Club members Dot Chmielewski and Barbara Leiby entered her in the "Back Pedestal" (?) competition (see the crown on the pedestal) and took third place honors. I can see Kate wearing a hat similar to the floral arrangement.  

What is the connection to national parks in the U.S.?  Oh, I get it.  We used to be part of her homeland which also explains the one below.
Photo by Patricia Leslie
 Queen Elizabeth!  This is the Queen Elizabeth designed by Jim and Valerie McLaughlin of the Four Counties Garden Club which won an Honorable Mention.  Can you see QEII wearing the stacked roses?  I can't either.  Too splashy for HRH, but a judge thought differently:  "Choice of flowers compliments (sic) the Royal Monarch."
Photo by Patricia Leslie
 High school students made these beautiful necklaces with all components from plants, flowers, trees, seeds.
Photo by Patricia Leslie
 This might come in handy trying to fend off suitors.  Nehama Dormont and Carly Feld of Lower Merion High School designed and made it and carried off an  honorable mention.
Photo by Patricia Leslie
 Another gorgeous necklace to complement any ensemble, made by Jennifer Crainic of Lower Merion High School who won an Honorable Mention.
Photo by Patricia Leslie
 Holy Batman!  Devin McNutt took home a blue ribbon for these unusual earrings.  
Photo by Patricia Leslie
 Sarah Carlson and Dan Baxter won an honorable mention for these gumball gems which are earrings.  Wrote one judge: "Dramatic design. Selection of plant materials affects wearability."  Really? 
 Photo by Patricia Leslie
 A hat made of rice, goji berry, Star of Anise, and thistle by Keith Cavell Long, Jr. won not only a blue ribbon, but a big blue and gold ribbon from the Garden Club Federation of Philadelphia. 
Photo by Patricia Leslie
 Barb B. Kaytes and Frankie Hollister of the Green Fingers Garden Club (CT) won a red ribbon for this hat.
Photo by Patricia Leslie
 New York's Fifth Avenue Easter Parade has nothing on this hat made by Tina and Brin Marcinek who used 16 different plants and won an honorable mention.
Photo by Patricia Leslie
 It looked like a forest of wedding bouquets but this is King's Canyon National Park in California.
Photo by Patricia Leslie 
More bouquets, these from Denali National Park.
Photo by Patricia Leslie
 These are not miniature stuffed poodles.
Photo by Patricia Leslie
 The photographer cut off the heads of these white-legged ostriches with flowers attached to their knees.
Photo by Patricia Leslie
 This is what a hangover looks like after a night on the rails.
Photo by Patricia Leslie
 Daffodils, daffodils!  There was a host of them.
Photo by Patricia Leslie
 And if you thought it was all flowers and pines, guess again.  Vendors galore were present to offer up unusual items for your home place.  

And wine!  And liquor!

Free tastings were rampant "on the bridge" where some drank wine and then liquor, and still managed to find their way back to the bus to complete a fine day at the Philadelphia Park and Pine Show, but on board the bus, special request to the Smithsonian:
 
Give us liberty in Philadelphia or give us drink, but please, not that awful Taylor sherry.  

Perhaps something next year to match the "Holland" theme, like Holland Gin Cocktails, maybe? Amstel?



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Sunday, March 13, 2016

Last day for modern photo show at National Gallery of Art


Dorothea Lange, General Strike, San Francisco, 1934, National Gallery of Art, Washington, D.C.

For children of the 1960s who grew up amidst Watergate and President Richard M. Nixon (1913-1994), it is hard to leave the full wall of photographs taken in 1976 by Richard Avedon (1923-2004) which are part of the exhibition closing today at the National Gallery of Art.


With a few exceptions, all the major era players hanging on the Watergate Wall are dead.

President Nixon's secretary, famous for "erasing" several minutes of critical audio tape, Rose Mary Woods (1917-2005) is there in a tight-fitting frock who looks like she's been stuffed in a can, and beside her is the rumored-to-be-and-later-confirmed, "Deep Throat," Mark Felt, the FBI deputy director, the major tipster for the story.
Richard Avedon, Ralph Nader, consumer advocate, Washington, D.C. June 8, 1976  Promised Gift of Lisa and John Pritzker, in Honor of the 25th Anniversary of Photography at the National Gallery of Art
Richard Avedon, Edward Kennedy, U.S. Senator from Massachusetts, Washington, D.C., July 29, 1976  Promised Gift of Lisa and John Pritzker, in Honor of the 25th Anniversary of Photography at the National Gallery of Art
 Diane Arbus, Child with toy hand grenade, New York City, 1962, National Gallery of Art, Washington, D.C.
Deborah Luster, One Big Self: Prisoners of Louisiana, 1998-2002,  National Gallery of Art, Washington, D.C.  Ms. Luster was driven to this project by her mother's unsolved murder.

Did the photographer choose the clothes?  Why else would the elegant Lady Bird Johnson wear a plain and definitely  unfirst ladylike, striped blouse which could have been purchased at the Walmart? 
 Richard Avedon, Lady Bird Johnson, former First Lady of the United States, McLean, Virginia, August 24, 1976  Promised Gift of Lisa and John Pritzker, in Honor of the 25th Anniversary of Photography at the National Gallery of Art

I asked National Gallery curator Sarah Greenough how the photographer was able to gain approval from so many important subjects for his assembly, and she replied: "He was Richard Avedon." 
Richard Avedon, Cesar Chavez, organizer, United Farm Workers, Keene, California, June 27, 1976  Promised Gift of Lisa and John Pritzker, in Honor of the 25th Anniversary of Photography at the National Gallery of Art

The huge majority of subjects do not smile.  It was not a smiling time, save for one U.S. Congresswoman on the wall from New York, and that would be Bella Abzug (1920-1998).
Richard Avedon, Bella Abzug, U.S. Congresswoman, New York City, June 19, 1976  Promised Gift of Lisa and John Pritzker, in Honor of the 25th Anniversary of Photography at the National Gallery of Art

Of course, Watergate does not encompass the whole show which has about 200 pictures and illustrates the history of photography from the 1840s to present day.
Simon Norfolk, one of four photographs (1934-2004) of The Lewis Glacier, Mt. Kenya,  National Gallery of Art, Washington, D.C.  The series shows the effects of climate change, and this photograph of one of Norfolk's pictures pollutes the image with reflections on the glass.

What better place for Watergate portraits than  Washington, D.C.? 


Plan to sit for a spell in front of them (if there is room on the bench) and play "Watergate." Be amused by a bygone era and the characters you can identify whose names are listed on a card. 

The exhibition is the third of three National Gallery shows to commemorate the 25th anniversary of its photo collection which now includes nearly 15,000 works by more than 600 artists.  

A catalog with 325 reproductions, essays, and a history of photography, The Altering EyePhotographs from the National Gallery of Art, is available in the shops. Ms. Greenough and the Gallery's Sarah Kennel, Diane Waggoner, Andrea Nelson, and Philip Brookman are the authors.

What:
Celebrating Photography at the National Gallery of Art: Recent Gifts
 

When: Closing March 13, 2016.
 

Where: West Building, National Gallery of Art, between Third and Seventh streets at Constitution Avenue, N.W., Washington, D.C. On the Mall.
 

Admission is always free at the National Gallery of Art.
 

Metro stations: Smithsonian, Federal Triangle, Navy Memorial-Archives, or L'Enfant Plaza

For more information: 202-842-6941

patricialesli@gmail.com

Saturday, March 12, 2016

Two 'Fantasias' plus live orchestra = enchantment at George Mason U

Disney Fantasia: Live in Concert featuring Czech National Symphony Orchestra, licensed by Disney Concert Library, copyright Disney

I was quite disillusioned when I was a child and my parents took me to Fantasia. 

Why?

Because there were no words. Why ever would anyone make a cartoon without words? I was furious with the producers. Imagine, a cartoon without words.  The nerve.  

And yet, and yet...I was captivated by the visuals and sounds of the Sorcerer's Apprentice, remaining etched in my mind for decades, the message, the music, Mickey scrambling, and I can bring it to life there again if I think about it.

Oh! To hear the music played by a real orchestra with the film whirring on screen would be utter delight and that's exactly what happened at the George Mason Center for the Arts when Disney presented the film and the Czech National Symphony Orchestra played the music.

For the performance, Disney fused the two Fantasias of 1940 and 1999 into one really big show and brought the animation back with classical music for a momentous ride through magical forests and clouds and sky, floating as we were amidst pastel colors with dreamy-like persons flying through the air, skimming tree tops, and dashing from volcanoes.


Much of it could be quite scary for children, I thought in my adulthood, but few were there at George Mason, perhaps because the show began at 8 p.m. Scenes with great big red monsters and mammoth-sized snakes streaked the screen, enough to produce shrieks, but none were heard from the sold-out audience which applauded often and emitted only bits of adult laughter now and then after a comical scene.

The orchestra played portions of Tchaikovsky's Nutcracker Suite, Beethoven's Symphony No. 5 in C minor, Stravinsky's 1999 Firebird Suite, Camille San Saen's Carnival of the Animals complete with Donald and Daisy Duck and Noah's ark, and, of course, my favorite, Dukas' Sorcerer's Apprentice, and other works.

(Omitted from the program, sadly, ("Programs and artists subject to change without notice") was another all time favorite, Debussy's "Clair de lune.")


The Czech Orchestra only began in 1993, and brought 68 musicians to play on its U.S. tour. Conducting was Ted Sperling, the principal conductor for the Westchester Philharmonic, who also is a stage director, performs at Lincoln Center and Carnegie Hall, and sings, plays the piano, violin, and viola and orchestrates for Broadway, that's all.

He presented a broad smile whenever he turned to face the audience which did not fail to respond enthusiastically to his baton.

Never have I been disappointed in any production at George Mason and that includes the one-act show by adjunct professor, Kaiulani Lee, as Rachel Carson in A Sense of Wonder. I wonder why she's not on stage 365 days a year, twice a day, delivering the powerful message, especially during these dangerous times of climate change. (Wake up, World! I think the rest of it has, but the U.S.? To listen to most of the Republican presidential candidates, no.)

George Mason's Center for the Arts has many fantastic upcoming performances in its playbook. To see all of them, click here. Below are a few:

March 13, 7 p.m. Pianist Jeffrey Siegel plays Beethoven's final Piano Sonata and other works. Tickets from $24.

March 20, 4 p.m. For St. Paddy's Day and direct from Ireland, Celtic Music, dancing, and storytelling. Tickets from $29.

April 16, 8 p.m. Moscow Festival Ballet performs Giselle. Tickets from $34.

April 17, 4 p.m. Moscow Festival Ballet performs Swan Lake. Tickets from $34.

April 23, 8 p.m., and April 24, 2 p.m. Virginia Opera presents the Flying Dutchman. Tickets from $48.

April 30, 8 p.m. Fairfax Symphony Orchestra plays Beethoven's Eroica with pianist Awadagin Pratt. Tickets from $34.

May 21, 8 p.m. Fairfax Symphony Orchestra with pianist Andrew Tyson play Beethoven and Brahms. Tickets from $34.
 

Directions are here.
 

Parking: Free in Lot K
 

For more information: 888-945-2468 or
(703) 993-8888
patricialesli@gmail.com



Tuesday, March 1, 2016

Free noon harp and organ concert March 2, St. John's, Lafayette Square

Michael Lodico and Rebecca Smith/St. John's Episcopal Church

The Washington, D.C. premiere of Peter Mathews' Fantaisie for Harp and Organ will be presented in a noontime concert Wednesday at St. John's Episcopal Church by the Lafayette Square Duo with organist Michael Lodico and harpist Rebecca Smith.

The performance is part of the church's First Wednesday Concerts series and shall include this Wednesday a set of Irish jigs (for an early start on St. Paddy's Day) and "colorful" hymns.
 
The musicians are dedicating Fantaisie to Ms. Smith's mentor, Jeanne Chalifoux Goddin, and Mr. Lodico's daughter, Florence Asha Lodico. 

Ms. Smith and Mr. Lodico first teamed up in 2010 when they performed with the choir at St. John’s where Mr. Lodico is interim director of music ministry and organist. The duo have played at many area venues and at the Piccolo Spoleto Festival in Charleston.

Mr. Lodico is a graduate of the Curtis Institute of Music and a 2004 recipient of a Fulbright grant for graduate study in the Netherlands on historic instruments.


Ms. Smith is a former principal harpist for the Kennedy Center Opera House Orchestra and teaches at St. Mary's College and Anne Arundel Community College. She graduated from Dickinson College and received a M.M. from the Peabody Conservatory of Music. Ms. Smith studied at the Salzedo Summer Harp Colony and at Tanglewood Institute. In 2008 she recorded Benjamin Britten's A Ceremony of Carols with the Washington National Cathedral Girls Choir.

 St. John's Episcopal Church, Lafayette Square, Washington, D.C./Photo by Patricia Leslie
 

St. John's is known to many Washington residents as the yellow church at Lafayette Square and is often called the “Church of the Presidents” since beginning with James Madison who was president from 1809 to 1817, every president has been a member of St. John's or has attended services at the church. A plaque at the rear of the church designates the pew where President Abraham Lincoln often sat when he stopped by St. John's during the Civil War.

This year the church celebrates its bicentennial, and its history and stained-glass windows are described in books and booklets available at St. John's.

First Wednesday concerts begin at 12:10 p.m. and last about 35 minutes. Food trucks are located two blocks away at Farragut Square.

Who: Rebecca Smith and Michael Lodico in concert


What: First Wednesday Concerts

When: 12:10 p.m., March 2, 2016

Where: St. John’s, Lafayette Square, 1525 H Street, NW, at the corner of 16th, Washington, D.C. 20005

How much: No charge

Duration: About 35 minutes

Wheelchair accessible


Metro stations: McPherson Square (White House exit), Farragut North, or Farragut West

For more information: Contact Michael Lodico at 202-270-6265.

Future dates and artists of the First Wednesday Concerts are:

April 6: Soloists from St. John's Choir will sing.

May 4: The U.S. Air Force Strings Chamber Orchestra with harpsichordist Brandon Straub will play Bach's Brandenburg Concerto No. 5.

June 1: Concert organist Roderick Demmings, Jr., will play works by Bach, Wammes, and Widor.

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