Friday, January 13, 2012

National Symphony Orchestra tickets on sale for $11 each

Christopher Eschenbach is the National Symphony Orchestra conductor, and Michelle DeYoung is a mezzo-soprano who will sing March 8, 2012/The Kennedy Center




Stephen Hough will play Rachmaninoff's Piano Concerto No. 1 April 19 and April 20, 2012/The Kennedy Center








It's true!
According to a mailing I received from the Kennedy Center: Pick any three concerts (certain dates and times) from remaining programs for $33 total, or six concerts for $66 (better seats), or nine concerts for $99 (premium orchestra seats).

No handling charge!  And no Saturday nights, but there are some Friday nights: Jan. 20, Feb. 3, Feb. 10, Mar. 9, Mar. 23, May 18, and June 8, in addition to Thursday nights and several Friday matinees and a couple of Sunday matinees (Jan. 29 and Feb. 19).

I don't have to list all the performances, do I? Good! Get'em while they are hot.

Log on to nationalsymphony.org/tripleplay and choose the Triple Play Subscription under NSO Classical. Make your selections and check out and look for your tickets in the mail, or call 202-416-8500 to speak with a human. Three's the minimum.

Offer ends February 29, 2012, and it can be withdrawn at any time so you better get to clickin'.

While $11 is higher than what you may pay for the Wizards (30 cents), members of the National Symphony Orchestra are true team players who put out a solid performance and win every time.

'Sonia Sotomayor: The True American Dream'


Last summer it was reported that U.S. Supreme Court Justice Sonia Sotomayor has received an advance of  $1.2 million for her upcoming autobiography. 

It is doubtful that "New York Times bestselling author" Antonia Felix received an advance like that for her book, Sonia Sotomayor:  The True American Dream, but she beat the justice to the bookstores, at least, with her "yes" biography of the first Hispanic member appointed to the Supreme Court. 

("Yes" books are those which essentially affirm everything about the subject and make for rather dour, uneventful reading and information since very little negative is included. And if this title doesn't confirm it, what does? Note to Justice Sotomayor:  If your book is still in the draft stages, please make it as objective as you can if you want to sell more copies and include at least some negatives. "Yes" books generally fail at the bookstore but your intent may be, unlike 99.9% of celebrities taking pen to paper, non-profit-motivated.)

Anyway, back to the book:  If you have any curiosity about Justice Sotomayor's background, Ms. Felix's book for information is worth a read, and it's the only one (for adults) out of the gate at this time.

For a middle-school reading level, it is well written, although in "chop chop" style (like Wikipedia or an encyclopedia) and documented with references, an index, and a list of cases.  It may be a
publisher's "author for hire" book.

Like so many books published now, the editors have gone missing.  Folks, the machines can't do it all.
 And since it's a "yes" book, it is not "fair and balanced."

Ms. Felix describes Ms. Sotomayor's life from childhood to present with as much public information the biographer could find. 

A few highlights: 
Sonia Sotomayor's father died when he was only 42, and Sonia tried to escape her sadness with books, lots and lots of them, including Nancy Drews (but not enough books to overcome her ignorance of the "classics" where, at Princeton, she was handed the wonderful self-assignment to read many of them, and she did.) (An associate professor at Virginia Tech, a high school valedictorian like the justice, with several books and articles in her repertoire, told me her (the professor's) writing suffered from a lack of reading good fiction, i.e. classics, when she was growing up, more reason to read more of them.)

Anyway, Justice Sotomayor adored the television show, "Perry Mason" which helped shape her desire at age 10 to become a lawyer, and instilled her with an appreciation for the prosecution side. 

Not until she went off to Princeton had she ever visited a bookstore, but her family had a set of encyclopedias.   (After high school, a condescending Harvard counselor's attitude led the future justice to reject Harvard. )   

When Sonia Sotomayor was only a college sophomore, she filed a successful complaint with the federal government about the dearth of Latinos on the Princeton staff.  

She attended law school at Yale and worked for five years in the New York's District Attorney's office which she left for private practice. A study of her judgeship from 1993-1998 revealed her sentences were harsher than most. Her 1994 injunction, which essentially ended the baseball strike, endeared her eternally to baseball fans everywhere, and her diabetes and gender make her work harder than men.

For her swearing in to the Supreme Court, she wore an off-the-rack suit.  

Her "distance marriage" to Kevin Noonan, whom she had dated since high school and married after she graduated from Princeton, lasted seven years. The divorce was amicable.

The book is nicely designed with a catchy cover (a photo of the justice), but some of the text is too dry for us non-lawyers.

P.S. If you, dear reader, are unhappy with President Obama in any way, just consider his choices for the U.S. Supreme Court, Justice Sotomayor and Elena Kagan, and be thankful he was in office to make them.

Wednesday, January 11, 2012

Tunisians celebrate their revolution at the Kennedy Center


Jaloul Ayed, composer, at the Kennedy Center/World Leadership Forum

Hannibal Barca


Composer and Tunisia Minister of Finance, Jaloul Ayed



Tunisia's revolution/Wikimedia Commons/Rais67

To pay tribute to the first anniversary of the January, 2011 uprising in Tunisia which ultimately cascaded into Arab Spring triggering the people's revolts against harsh regimes in Egypt, Libya, Syria, Bahrain, and Yemen, the Embassy of Tunisia with the Tunisian Ministry of Culture hosted a gala concert Monday evening at the Kennedy Center, composed for the occasion by none other than Tunisia's minister of finance, Jaloul Ayed.
Premiering in the U.S., Hannibal Barca, the Symphony commemorates composer Ayed's longtime hero, Hannibal Barca, who in the third century B.C., marched with 40 elephants and 80,000 warriors across the Pyrenees and Alps Mountains from Carthage into Rome, defeating an army twice the size and capturing Italy for 15 years. 
With resounding clashes and horns heard gloriously throughout the hall, Conductor Jean-Charles Biondi enthusiastically led the Kennedy Center Opera House Orchestra, augmented by many Tunisian musicians who joined in making triumphal music for the audience of 2,000 which excitedly applauded at the end of the three movements,  The Pride of Carthage, The Long Crossing, and The Glorious March.
Ayed composed the music to honor not only the feats of Hannibal Barca but to link his victories with that of a young fruit vendor, Mohammed Bouazizi, who, in December, 2010, set himself aflame, so frustrated by despicable acts of the Tunisian government.  The cause for Bouazizi's action enraged the Tunisian people who, one month later, took down their government, laying the foundation for other nations to follow.
Said one listener afterwards, "I heard a lot of Arabic influences," but others disagreed, hearing only the powerful sounds of victory.
Beginning the evening's performance were the Tunisian and the American anthems followed by Verdi's Overture to La forza del destino which the Opera House Orchestra played with the vigor and polish of the expertise it owns.
Question:  Does Timothy Geithner make music?

Friday, January 6, 2012

Harry Callahan photographs at the National Gallery of Art


Harry Callahan
Detroit, 1943
gelatin silver print
overall (sheet, trimmed to image): 8.3 x 11 cm (3 1/4 x 4 5/16 in.)
National Gallery of Art, Washington, Gift of the Callahan Family
© Estate of Harry Callahan, courtesy Pace/MacGill Gallery, New York



Harry Callahan
Eleanor and Barbara, Chicago, 1953
gelatin silver print
overall (image): 19.5 x 24.45 cm (7 11/16 x 9 5/8 in.)
National Gallery of Art, Washington, Promised Gift of Susan and Peter MacGill
© Estate of Harry Callahan, courtesy Pace/MacGill Gallery, New York


Harry Callahan
Atlanta, 1985
dye imbibition print
overall (image): 24.4 x 36.7 cm (9 5/8 x 14 7/16 in.)
National Gallery of Art, Washington, Gift of the Callahan Family
© Estate of Harry Callahan, courtesy Pace/MacGill Gallery, New York


Not far from DC's core is a photography show which is capable of soothing a busy mind by means of a mental massage.

On the ground floor of the West Building, near the Seventh Avenue entrance at the National Gallery of Art, it is the exhibition of 100+ photographs spread over five galleries in celebration of the 100th birthday of the artist, Harry Callahan (1912-1999), "one of the most innovative artists of the 20th century" who produced "highly experimental, visually daring and elegant photographs," the National Gallery says.

Much like staring at the ocean and its horizon, the still, linear portraits allow the mind to wander aimlessly about a city, along a shore, beneath stark, wintry trees. Scenes of urban life, a captivating 1965 shot of pedestrians on a town sidewalk moving in two directions, a 1956 collage, and "Cutouts" (1956) carry the viewer from romantic influences "back down to earth."

Callahan was fond of lines and undecorated designs without much detail, able to skillfully convey haunting images of nature, city life, and his wife, Eleanor.

Five galleries of his photos are arranged chronologically and thematically, according to his life.

Hanging in the first gallery of the exhibition are black and white 1940 scenes of Detroit where he was born. Like today, Detroit looks rather bleak and bare (although word on the street says a revival in Motor City is presently underway). Found also in this gallery is an unusual self-portrait, a shadowy silhouette of Callahan's face superimposed on his shoes in multiple images which he made in 1942 in homage to Albert Stieglitz.  It is one of 45 photographs given to the National Gallery by Eleanor and their daughter, Barbara, in honor of the exhibition.

Those he loved most dearly, Eleanor and Barbara, are subjects in the second gallery, notably Eleanor, a classy nude in many whispery, unpretentious black and whites. The head of the National Gallery's photography department and senior curator, Sarah Greenough who consulted with Callahan, said Mrs. Callahan posed for her husband at any time and place he asked. (Some husbands might want to know his secrets.)

In the third gallery is Chicago from the 1940s and 1950s, and color appears in the fourth gallery with pictures of Providence and Cape Cod where mass culture's effects are observed.
The last gallery, "Later Works," depict places Callahan and Eleanor visited before his death: Atlanta, Ireland, Morocco.
Without any formal training in the medium, Callahan's artistic talent was recognized early on, and he was invited to teach at the Institute of Design in Chicago and the Rhode Island School of Design where hundreds of students enjoyed his lessons over the years.

The Trellis Fund is a major sponsor of the exhibition.

What: 100 photographs for Harry Callahan's Centennial Celebration
When: Now through March 4. The National Gallery of Art is open seven days a week from 10 a.m.-5 p.m., Monday through Saturday, and 11 a.m.-6 p.m., Sunday
Where: The West Building of the National Gallery of Art on the National Mall between Fourth and Seventh streets, NW along Constitution Avenue
How much: Admission is always free at the National Gallery of Art
Metro stations: Smithsonian, Navy-Memorial/Archives, Judiciary Square, China Town/Gallery Place, or ride the Circulator bus
For more information: 202-737-4215

And if you visit this weekend, you cannot dare miss the magnificent Gothic tapestries exhibition from Spain, set to close January 8 (East Building).

Tuesday, January 3, 2012

Second City at Woolly Mammoth was ?




Peter Marks must have seen another Second City performance from the one at Woolly Mammoth I saw which only referenced Chicago in political scenes;  Barack Obama is not local. 
Do WE care that much about Chicago? No.
Do WE care what Chicago eats?  No.
Do WE care about television furniture ads in Chicago?  No.

Its baseball teams' rivalry? No.
Was I expecting some political comedy?  Yes.
Really, is coarse language the de rigueur of contemporary theater? It grows tiresome. I guess to be hip with the younger set, it's a requirement. (But it was not a younger audience at the performance I attended.)
Years ago when I saw the troupe in Chicago on two occasions, they were much funnier, and years ago, I was much younger and don't recall constant, explicit "f's" and "s's" every 30 seconds.  But those were the days, my friend, when things and language were not frequently vulgar and base which are contributing factors to the erosion of today's society.
Anyway, the acting in Spoiler Alert: Everybody Dies was superb (Jessica Frances Dukes and Aaron Bliden are Woolly Company members who participated), and the music (Matthew Loren Cohen), spot-on. The props were minimal, and they (accessories, chairs) worked well with solitary lighting  (Colin Bills and Jennifer Sheetz). 
Audience participation was the best scene (sic; sorry) anywhere and quite effective.  Do you think it is going to become an award since it grows more frequent?   
Was the production worth $50? (Saturday's matinee prices.) Probably not. If you're looking for political comedy, the Capitol Steps are much better.
What:  Spoiler Alert: Everybody Dies

When: Now through January 8, 2012
Where: Woolly Mammoth Theatre Company, 641 D Street NW
Tickets: 202-393-3939
Metro stations: Gallery Place-China Town, Archives-Navy Memorial, or a short walk from Metro Center or ride the Circulator bus up 7th Street, NW

Friday, December 30, 2011

Andy Warhol and Chester Dale to leave the National Gallery of Art Monday

Andy Warhol Daily News 1962/ Museum fur Moderne Kunst, Frankfurt am Main, formerly collection Karl Stroher, Darmstadt, 1981, copyright 2011 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society, NY, Axel Schneider, Frankfurt am Main


Folks, you have this last weekend to check out Warhol: Headlines and the unparalleled Chester Dale collection From Impressionism to Modernism, both at the National Gallery of Art.  
The earlier in the day you get to the National Gallery, the smaller the crowds will be. Monday is the last day for both, and January 15 is the last day for Andy Warhol: Shadows at the Hirshhorn Museum and Sculpture Garden.
The National Gallery's Warhol (1928-1987) show in the East Building (Dale is in the West) includes paintings, photographs, videos, and screenprints which demonstrate the artist's fascination with all things celebrity and the news. From Washington the exhibition moves to Frankfurt (Feb.11 - May 13), Rome (June 11-Sept. 9) and the Andy Warhol Museum in Pittsburgh (Oct. 14 - Jan. 6, 2013).
On Wednesday afternoon, the East Building was packed with holiday visitors, many of whom came to see the phenomenal documentary about Warhol's friend, Brigid Berlin (b.1939), Pie in the Sky

Ms. Berlin is the daughter of the head of Hearst Publishing who grew up in luxury and bucked it all in the 1960s to join the Warhol conclave in New York and pal around with Warhol until his death. She was/is also an artist who, at times, used her body parts to dip into paint and give away the results. Central to the film is Ms. Berlin's relationship with her mother and the conflicting goals set by each. Can your relationship with your mother/daughter compare to theirs? It's a great film which asks many questions.
Other Warhol films scheduled for this final weekend, all to be screened at no charge in the East Building Auditorium, are:
Dec. 30, 12:30 p.m., Beautiful Darling: The Life and Times of Candy Darling
Dec. 31, 12 p.m., Warhol: Velvet Underground and Nico
Dec. 31, 2 p.m., Orphee (Orpheus)
Dec. 31, 4 p.m., Donkey Skin (Peau d'Ane)
When: Doors open 30 minutes before show times and seating is "first come, first seated." The National Gallery of Art is open from 10 a.m.- 5 p.m. every day except this Sunday when it is closed for New Year's Day.
Where: The National Gallery of Art, Fourth and Constitution
Admission: Always free at the National Gallery of Art
Metro stations: Judiciary Square, Navy Memorial-Archives, or the Smithsonian or ride the Circulator bus
For more information: 202-737-4215 or 202-842-6799 (for films)

Wednesday, December 28, 2011

Movies: 'The Descendants' : Yes!


George Clooney with Shailene Woodley (center) and Amara Miller/Fox Searchlight Pictures

Academy Award nominations:
Best picture: Alexander Payne et al.
Best actor:  George Clooney
Best supporting actress:Shailene Woodley
Best supporting actress: Amara Miller
Another Clooney film without sex!  Aaaaauuuuuugggggggghhhh, but those eyelashes!  Do you think they are real?
This is a thoroughly enjoyable film, and as a matter of fact, I wish I had not seen it so I could see it for the first time.
It's a great story with "another man," a dad, an estranged and mute (?) wife, two daughters, and a boyfriend who adds tremendously to the enjoyment, and a grandpa whose lines are keen.  I wouldn't give it the highest rating, but it's close.  
A chick flick?  No!
A sleepy (at times) tempo match the Hawaiian lifestyle (the locale) so it's not a film for the action-oriented male kills everybody, except when it comes to words:  The lines for this film are some of the best heard anywhere. Including the obscenities which are mostly 85% gratuitous in all other movies, but not here.  They are part of the plot.
The Hawaiian scenery is nice on the eyes, especially at this time of year, and did the Hawaiian Tourism Bureau help produce it?
The only negatives:  the redundant music which lacks any pizzazz (no nomination), and the passionless title (sounds like one of those loooooong books by James Michener) which is too vapid for the contents.  Don't judge a movie by its title. 
Please go here (Rotten Tomatoes) if you want to know more about the plot but don't be turned off by what looks depressing.  It's not.  It's hilarious.
Suggested new title: "George Clooney's Got Eyelashes"