Monday, April 28, 2025

The strife is not o'er in GALA’s 'Choke'


From left, Gerardo Ortiz Gonzalez, Maria del Mar Rodriguez and Giselle Gonzalez in GALA'S Choke/By Stan Weinstein


In Spanish the subtitle means “it happens even in the best of families” and if you’re a family member, you’ve experienced it, too: disagreements, conflict, exasperation, and love.

Compounded with intergenerational and environmental injustice in Charm City and there: "Attention, Baltimore! We've got problems."


In the world premiere of his powerful play 
Choke on stage now at GALA Hispanic TheatreEmilio T. Infante has written about family matters involving Giselle Gonzalez as Casandra and Joi Kai, Zulema, a lesbian couple, who arrive for a visit at Casandra's parents' home.

Casandra's father, Gonzalo (Gerardo Ortiz Gonzalez) and mother, Esperanza (Maria del Mar Rodriguez) have no quarrel with their offspring's relationship with a person of the same sex. They welcome Zu into their household.

But it's their daughter who throws tantrums at her parents' home in industrial  Baltimore repeating family fights over health, financial, and personal problems, and this isn't the first time.

With no hint of empathy, Casandra has come home to roost and crow, and crow she does with increasing volume until she yells. And yells loudly and tells her parents just what she thinks.

She wants them to move, but her parents proclaim their desire to stay. They don't have the means to pay for repairs, but money is a touchy subject.

This kind couple could raise such a daughter?

Ouch!

I felt for Gonzalo and Esperanza, especially Gonzalo who has seeming few years left, and is the target of his daughter's persistently harsh epithets. 

He breathes through an oxygen tube he carries around (so realistic I wondered if GALA had hired a handicapped actor), and to protect his self-esteem, he refuses to ask Casandra for a loan.

For years she has pleaded with her parents to move away from the "refinery" and all its chemical and polluting ills plaguing the family.

Yet, the parents resist. Until the bridge is busted and the government offers a way out.

Throughout the ordeal, Esperanza (which means "hope" in English), remains cool, calm, and collected, as she tries to soothe word wounds inflicted on one by the other.
From left, Giselle Gonzalez and Joi Kai in GALA'S Choke/By Stan Weinstein


Zulema mostly stands on the sidelines, offering comfort to those afflicted, an observer who must be thankful that her partner has not shown such anger at her...yet.

A hole in the floor captures the whole bloomin' mess like Casandra's hardened heart which allows no compassion for anyone who disagrees with her. It's her way or the hole way.

But, it's not all screaming and yelling: Bits of humor flash every now and then. 

Like the actors, creative team members excel at GALA and their contributions for this show are no exception.

Sound designer Konstantine Lortkipanidze infuses the play with sirens of industrial emergencies, and, in calmer moments, music between-the-scenes, especially chilling single piano keys which slowly play at critical moments for fine dramatic effect.

Gustavo Ott, GALA's artistic director, directs.
Grisele Gonzalez created the full kitchen, dining and sitting room set, assisted by Sarah Bidini, with lighting designer, Hailey LaRoe, and costumer Rukiya Henry-Fields.

Other key creative team members are Tessa Grippaudo, properties; Andre Hopfer, hair and makeup; Ilyana Rose-Davila, production manager; Matty Griffiths, technicals; Grace Rodriguez, stage manager; Makayla Smith, assistant stage manager.

Choke is presented in Spanish with English surtitles on screens on both sides of the stage.

The production will keep you intrigued as you try to guess the ending and ponder how you would bring harmony to this divided family and let all be peaceful and calm, for a change.


WHAT: Choke

WHEN: Thursday through Saturday nights at 8 p.m.; Sunday matinees at 2 p.m. Now through May 18, 2025

WHERE:  GALA Theatre, 3333 14th St NW, Washington, DC 20010.

TICKETS: Get 2 for 1 regular tickets for May 1 and May 2 shows with the code: Chocking.

Special event May 3:  Longtime theater patrons Jose Alberto Ucles and husband Tom Noll with receive the Gary Maker Audience Award at 7:30 p.m. preceding the 8 p.m. performance. All attending are invited to a reception after the performance. 

DURATION: About two hours plus a ten-minute intermission.

AGES: For 14 and up; adult themes and some adult language.


Handicapped accessibility
: GALA has four wheelchair accessible spaces and an elevator from the entrance to the lobby and the house.

Metro stations: Columbia Heights is one block from GALA on the Green and Yellow lines. Or, get off Metro at McPherson Square, take bus #52 or #54 up 14th, or, walk the two miles from McPherson Square and save money and expend calories! Lots of places to eat along the way.

Parking:
Discounted parking for $4 at Giant's garage around the corner on Park Road with ticket validation in GALA's lobby. Additional parking is available on the street and at the Target garage also on Park Road NW, between 14th and 16th streets NW.

For more information: Call (202) 234-7174 and/or email info@galatheatre.org


patricialesli@gmail.com

Wednesday, April 23, 2025

Vienna's new play soars!

Vienna Theater Company's cast in Decision Height/Photo by Shaley Weinstein



I always feel fortunate to live in the DMV where regional theatres like Vienna Theatre Company give us stimulating productions with excellent acting like Decision Height.

For anyone with a liking of or a link to World War II through legacy, history, drama, or just wanting a great theatre experience, Vienna's new play, Decision Height about trainees in the Women's Airforce Service Pilots (WASPs) program presents a brief look at a seldom told story of females at war.

And it's based on fact!

Which includes that the ladies received no military benefits for their service.

During the war, the women flew 60 million miles in the U.S. to relieve men of domestic flights so they could tackle combat duties. Eventually, the WASPs flew every type of military aircraft and taught male pilots, too.

Right off the bat, strong personalities emerge in Decision Height with Kim Paul taking the lead as "Virginia" in this camaraderie of women formed at the training field, Avenger Field in Sweetwater, Texas, the locale of the show and the historic site.

No one is as dominant a trainee as Shannon McCarthy's "Eddie," who wants everyone to know just exactly where she stands which is not much when it comes to "I'm Carol!" (Shelby Kaplan), no shrimp she exclaims time and time again to the group, refusing to accept the demeaning comments thrown at her by most of the rest of the crew.

Jocelyn Steiner is "Ziggie," a serious instructor joined by another strictly business type, Melissa Dunlap who carries off her role realistically as "Mrs. Deaton," the no-nonsense "dorm mother."

Some of the women acknowledge the men in their lives and the importance of wartime letters and telegrams (whatever they are) but this is not an outright preachy women's rights play but one about a war group who formed a common bond with a common goal, to utilize their skills and talents and help the Allies win the war.

Director Jessie Roberts skillfully marches the women in unison with boots knocking the wooden floor for the familiar rhythmic sound, clickety clack, clickety clack.

A-ten-shun!

And with special "goggles," the pilots maneuver the skies.

Sound designer and projectionist Jon Roberts does an excellent job with planes in the air, taking off, idling and, what is WWII without music? It's all here.

Charlie and Katie Boone have designed a simple set with a few beds, embellished by Roberts's backdrop of a large screen of an historic barracks.

Introducing the show is WWII footage from the Smithsonian Channel, lending credence to the story and an audience pleaser.

Julie Whelihan has fashioned lovely and elegant 1940s apparel to set the tone, with the exception of drab Air Force uniforms which need no color anyway when up against lively dialogue.

Other airwomen in the show are Shannon McCarthy, Keenan Parker, Jen Ware, Caroline Kinney, and Vanessa Bliss.

Production team members include Claire Tse, producer; Katie Boone, stage manager; Tom Epps, lighting; and Sherry Kaiser, properties.

Decision Height by Meredith Dayna Levy won the new play award at the 2013 Kennedy Center American College Theatre Festival, originating at Virginia's Hollins University Theatre.

More than 1,000 WASPs graduated and 38 died during service. In 2009, President Obama signed into law the Congressional Gold Medal for the WASPs who were honored at a ceremony March 10, 2010.

Come to the play and learn the meaning of "decision height," and when you're in Texas, visit the WASP WWII Museum in Sweetwater.

What: Decision Height

When: 8 p.m., Fridays and Saturdays now through May 3, 2025 and 2 p.m., Sundays April 27 and May 4, 2025.

Where: Vienna Community Center, 120 Cherry St. SE, Vienna, VA 22180

How much: Tickets are $16. Order online at Vienna, VA – WebTrac Ticket Search (myvscloud.com), at the box office at the community center or before the show starts.

Duration: About two hours plus an intermission.

For more information: vtcshows@yahoo.com.

patricialesli@gmail.com

Sunday, April 20, 2025

Easter Day Evensong with flowers 2025, Washington National Cathedral

Washington National Cathedral, April 20, 2025/By Patricia Leslie
At the entrance of the Washington National Cathedral, April 20, 2025/By Patricia Leslie
Inside the entrance at Washington National Cathedral, April 20, 2025/By Patricia Leslie
Washington National Cathedral, April 20, 2025/By Patricia Leslie
Washington National Cathedral, April 20, 2025/By Patricia Leslie
Entry to Children's Chapel, Washington National Cathedral, April 20, 2025/By Patricia Leslie
At Children's Chapel, Washington National Cathedral, April 20, 2025/By Patricia Leslie
At Children's Chapel, Washington National Cathedral, April 20, 2025/By Patricia Leslie
At Children's Chapel, Washington National Cathedral, April 20, 2025/By Patricia Leslie
Easter pew cushions at Children's Chapel, Washington National Cathedral, April 20, 2025/By Patricia Leslie
The altar at Children's Chapel, Washington National Cathedral, April 20, 2025/By Patricia Leslie
Washington National Cathedral, April 20, 2025/By Patricia Leslie
At the Dulin Window, Washington National Cathedral, April 20, 2025/By Patricia Leslie
At Washington National Cathedral, April 20, 2025, Abraham Lincoln held yellow tulips in front of remarks he made in Springfield, IL, Feb. 11, 1862/By Patricia Leslie

Another statue of Abraham Lincoln, Washington National Cathedral, April 20, 2025/By Patricia Leslie

George Washington, Washington National Cathedral, April 20, 2025/By Patricia Leslie
Washington National Cathedral, April 20, 2025/By Patricia Leslie
At the Andrew Mellon Window, Washington National Cathedral, April 20, 2025/By Patricia Leslie
Washington National Cathedral, April 20, 2025/By Patricia Leslie
Washington National Cathedral, April 20, 2025/By Patricia Leslie
Thomas M. Sheehan, Julie DeBoer, Edward Hewes, and Ariana Corbin were  organists listed on the program for Evensong, Washington National Cathedral, April 20, 2025/By Patricia Leslie
The Evensong processional, Washington National Cathedral, April 20, 2025/By Patricia Leslie
The Evensong processional, Washington National Cathedral, April 20, 2025/By Patricia Leslie


The Evensong processional, Washington National Cathedral, April 20, 2025/By Patricia Leslie
The Evensong processional, Washington National Cathedral, April 20, 2025. Hymns sung by all during the service included "Jesus Christ Is Risen Today" and "The Strife Is O'er"/By Patricia Leslie


The Space Window, Washington National Cathedral, April 20, 2025/By Patricia Leslie
She played the Tocatta on Victimae Pashcali Laudes by Iain Quinn, to end the Evensong service at Washington National Cathedral, April 20, 2025/By Patricia Leslie
Washington National Cathedral, April 20, 2025/By Patricia Leslie

Washington National Cathedral, April 20, 2025/By Patricia Leslie
Washington National Cathedral, April 20, 2025/By Patricia Leslie
Washington National Cathedral, April 20, 2025/By Patricia Leslie



Patricialesli@gmail.com