Saturday, January 10, 2026

Anti-ICE, Anti-Trump at Tysons, VA

A demonstrator today at the Anti-ICE/Anti-Trump rally/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 
At Tysons today, all four corners were covered by demonstrators at Westpark and Route 7/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 

Along Route 7 just beyond the intersection with Westpark, they stood in the rain/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 

By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 

By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 

So do I!  Thank you, Grandmother for being there today/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 

The people stood in the rain to convey the message to melt ICE and stop Trump and his unconstitutional practices/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 
Based on an unscientific survey, 95.5% of passing drivers blew their horns in support of the demonstrators while 100% of passing truck drivers sounded their support/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 
She made a sign out of last night's dinner box, she said/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 
"Yes, I did," she beamed!  Bravo!  She had a sign!/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 
By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 
These moms brought their toddlers to help broadcast the message:  Stop ICE!/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 

By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 

If you think this sign looks like it came from a "No Kings" rally, you'd be right, said the maker and carrier/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 


This woof-woof carries the right message:  Love Your Neighbor - Doggonit/By Patricia Leslie, Jan. 10, 2026 at Tysons, VA in honor of Renee Nicole Good 


Renee Nicole Good did not die in vain at the hands of ICE.  

George Floyd did not die vain only a mile from where Ms. Goodman was murdered. 

They both inspired citizens to take to the streets and carry messages that vicious, violent behavior by law enforcement will not be tolerated like the Trump administration tolerates and encourages. 

As much as Trump tries to install Gestapo practices in the United States and copy North Korea, China, and Russia, the American people will resist and perhaps, soon, Republicans will resist, too.

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Tuesday, January 6, 2026

Italian embassy celebrates Futurism with Depero


Depero Fortunato, "Women of the Tropics," 1945, oil on panel, Studio 53 Arte, Rovereto 
 
Depero Fortunato, "Harlem Mulatto," 1945, charcoal and white lead on cardboard, Studio 53 Arte, Rovereto

Some of the figures remind me of Guy Fawkes's mask and robots, precursors to today.

Rather scary, haunting creatures, lacking human depth.

It may be only the second exhibition of Futurist's Fortunato Depero's works in the United States (the first I found was in Miami in 2024), and what better place to show off an Italian artist than at Washington's Embassy of Italy, the country and place of the movement's birth?

Depero:  Graphic Art Between Italy & United States highlights Futurism, Italy’s early 20th-century avant-garde movement which focused on speed, modernity, and bold visual language, says Wikipedia (you know:  elements of the future!) 

Depero Fortunato, "Ballerina Meccanica (Mechanical Dancer)," 1916/26, collage on cardboard, Studio 53 Arte, Rovereto 

 Depero Fortunato, "Citrus," 1928 advertising poster, Archivio Depero, Rovereto. I can almost taste the drink, looking at the poster.

Depero Fortunato, "Bitter Campari, L'Aperitivo," 1928, advertising poster, Archivio Depero, Rovereto. Depero had a longstanding relationship with the Campari Company when he designed Campari Soda bottles. 
 Depero Fortunato, "Caffe' Cirio, 'Domus' Magazine Back Cover," 1936, Archivio Depero, Rovereto
At the opening of the Depero show at the Embassy of Italy, Sept. 9 2026/By Patricia Leslie 

Italian Ambassador  to the U.S., Marco Peronaci, welcomed visitors to the opening of the exhibition which is up through January 30, 2026:

 “Depero was also a bridge between Italy and the United States: this exhibition highlights the deep interweaving that has fueled mutual cross-pollination and cultural dialogue between our two countries in the last century and beyond."

Depero Fortunato, "L'Aperitivo. Bitter Campari," 1927, project for billboard, tempera on cardboard, private collection, Rovereto
Depero Fortunato, "Lettrice E Ricamatrice Automatiche (Automatic Reader and Embroiderer)," 1920-22, oil on canvas, private collection, Rovereto
Depero Fortunato, "Big Sale (Downtown Market)," 1929-1930, oil on canvas, private collection, Rovereto
Depero Fortunato, "Grammofono Gramophone," 1924, advertising project, pencil on paper,  Archivio Depero, Rovereto

Marco Peronaci, Italy's ambassador to the United States, welcomed guests to the Embassy of Italy and the opening of Depero:  Graphic Art Between Italy & United States Sept. 9, 2025/By Patricia Leslie


The Futurists painted, they sculpted, made ceramics, and created designs for every production realm; they are sometimes linked to art deco, surrealism, constructivism and Dada.  

Depero (1892-1960) was one of the founders of the development whose goal was to make the world a more "joyful place," says Wikipedia. 

Inspired by a trip to Florence in 1913 and an article about Futurism, Depero moved to Rome in 1914 and, while designing ballet costumes and stage sets, he co-wrote a Futurist manifesto in 1915  ("Futurist Reconstruction of the Universe") with fellow Futurist Giacomo Balla.

Depero founded the House of Futurist Art in his hometown in Rovereto in 1919 which specialized in making toys, tapestries and furniture. 

To try out his talents in the U.S., Depero moved to New York City in 1928 where the advent of the Great Depression (1929-1939) presented a hostile reception. 

Still, he found work as a costume designer and making covers for Vogue and the New Yorker, helping introduce Futurism to the American public.  He also worked for Macy's.  

The Italian Cultural Institute at the Embassy of Italy writes on its website that Depero thought New York City was the ultimate Futurist city, and the Chrysler Building shows his influence.

He returned home in 1930.

Futurism's links to fascism during World War II shunted its growth among the public.

His move back to New York City in 1947 found an even cooler reception for him than his first visit and he went back home again where he lived long enough to see one of his longtime dreams come true, the opening of his museum in  Rovereto, the year before he died. 

The museum is still open today.

The Depero exhibition may be visited at the Embassy by registering for guided tours organized by the Italian Cultural Institute of Washington. (See below.) 

What:  Depero:  Graphic Art Between Italy & United States

When: Now through Jan. 30, 2026

Where: Embassy of Italy, 3000 Whitehaven Road, NW, Washington, D.C. 20008

How much: No charge.  Tours of the exhibition are available by registering with the Italian Cultural Institute here, but hurry and sign up since few days and times remain for the show!

For more information: ph. 202-612-4400, email: washington.ambasciata@ester.it

A link to the full catalog in digital non-reproducible format may be found here.

The Cultural Affairs Office
Embassy of Italy in Washington D.C.



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Sunday, December 28, 2025

A Romanov closes Hillwood Jan. 4


At Hillwood Estate, Museum & Gardens/By Patricia Leslie

Especially for Russophiles, there's no time to waste to get to Hillwood and see its exhibition, From Exile to Avant-Garde: The Life of Princess Natalie Paley which closes Sunday, Jan. 4, 2026. 

Princess Natalie Pavlovna Paley was the daughter of Grand Duke Paul Alexandrovich, who was a first cousin and uncle of Czar Nicholas II. 


Her mother was Princess Olga Valerianovna Karnovich, her father's second wife whose scandalous affair and marriage led Czar Nicholas to ban his uncle from Russia for 12 years.

Dorothy Wilding (1893-1976), Natalie in London, c. 1934, at Hillwood Estate, Museum & Gardens
Edward Steichen (1879-1973), Natalie in Vogue Paris, Feb. 1, 1935, at Hillwood Estate, Museum & Gardens/By Patricia Leslie

Princess Paley was born near Paris in 1905 while her father was in exile.  She and her family lived a luxurious life in France with the help of about 16 servants.


For the Romanovs' tercentenary, the czar relented on his banishment of Grand Duke Paul and welcomed him back to Russia in 1912. Once there, Paul renewed his close relationship with the Royal Family and was the one, according to Wikipedia, who told Empress Alexandra of her husband's abdication. (Writer's note:  Google won't allow the link to Wikipedia!)


(The Grand Duke's son from his first marriage, Dmitri, was involved in Rasputin's murder in 1916.)

Eventually, the Bolsheviks killed Natalie's father and only brother, Vladimir, both members of the military. Vladimir was only 21 when he died and was close to Natalie and her sister, Irina. 

The girls and their mother escaped to Finland.
Edward Steichen (1879-1973), Natalie's first appearance in Vogue, Jan. 1928, at Hillwood Estate, Museum & Gardens
George Dawe (1781-1829), Portrait of Grand Duke Alexander at age two, 1820, Princess Natalie's grandfather, Emperor Alexander II, a portrait which hung in her father's study in Tsarskoye Selo, and later, in Natalie's Connecticut home, on view at Hillwood Estate, Museum & Gardens
Letters, silver, and china on view at the exhibition, Hillwood Estate, Museum & Gardens/By Patricia Leslie
An evening dress by the House of Worth, Paris, 1888, similar to one worn by Natalie's mother, as part of the exhibition at Hillwood Estate, Museum & Gardens/By Patricia Leslie
Konstantin Makovsky (1839-1915), Portrait of Olga von Pistohlkors, 1886, Princess Natalie's mother, at Hillwood Estate, Museum & Gardens
A clock and inkwell presented in 1896 to Grand Duke Paul Alexandrovich, Natalie's father, at Hillwood Estate, Museum & Gardens/By Patricia Leslie
Princess Olga and Prince Vladimir, Natalie's mother and brother,  1900s, at Hillwood Estate, Museum & Gardens/By Patricia Leslie
On view at Hillwood Estate, Museum & Gardens/By Patricia Leslie
At Hillwood Estate, Museum & Gardens/By Patricia Leslie

Princess Natalie's good looks and talents shaped her life as a socialite, a Vogue model and influential fashion designer, but her short film career was not successful.  


Over decades living in France and New York, and becoming a naturalized American citizen, Princess Natalie married twice, both times to homosexuals attracted to her style and influence in the world of fashion and society and her positive effects on their businesses. 

From Hillwood's website: "Paley was known for her exquisite taste, someone ethereal and glamorous who dictated her own fashion trends.... (and) embodied the cool, discrete Hollywood allure of the 1930s."

Hats and gloves became her de rigueur accessories, seen in photographs in Hillwood's display. 

The exhibition includes bits and pieces of the princess's life, fascinating and appealing to those  able at Hillwood to gain another glimpse of a Romanov's life. 

Portraits, linens and documents are some of the 335 new items which Hillwood obtained three years ago, many which fill the dacha outside the Hillwood mansion. 

After her second husband, Broadway producer John C. Wilson died in 1961, Princess Paley spent the last 20 years of her life as a recluse in Manhattan where she died in 1981 after a fall at her home.

WhatFrom Exile to Avant-Garde: The Life of Princess Natalie Paley 

When: Now through Sunday, Jan. 4, 2026, 10 a.m. - 5 p.m. Open, New Year's Day. Closed on Mondays. (After January 4, Hillwood will close for the month of January for annual cleaning.)

Where: Hillwood Estate, Museum & Gardens, 4155 Linnean Avenue, NW, Washington, D.C. 20008

Admission: Suggested donations are $20 (adults), $17 (seniors), $10 (college students), $5 (child, ages 6 -18) and free for members and those under age 6. $3 discounts are available for adults and seniors who make reservations online for weekdays.

Directions via bus, rail, car

Parking: Free and on-site

For more information: 202-686-5807

Café onsite


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Sunday, November 30, 2025

FSB orchestrated Putin’s election


David Satter, Washington, D.C. Nov. 28, 2025/By Patricia Leslie


On a recent Friday night about 20 attended one of the many weekly public sessions at Washington’s Free Peoples of Russia House"a platform for the democratic opposition to the Putin regime" that "facilitates dialogue between resistance representatives and the American political elite."  

The speaker was David Satterthe author of articles and books about Russia and the Soviet Union (all books published by academic presses) who lived there from 1976-1982. 

Satter has been a research fellow at the Hoover Institution and the Hudson Institute who testified before the U.S. Congress in 2007, delivering his constant message of FSB involvement in the murder of Russia's citizens to get Vladimir Putin elected. 

Russia expelled him in 2013. 

David Satter, Washington, D.C. Nov. 28, 2025/By Patricia Leslie


Satter encourages audiences to "spread the word," about Russia's involvement in numerous murders of its own people, intended to scare them and instill fear which got Vladimir Putin elected president of Russia the first time.

And the last time.

And those in-between, totaling five elections.

The sad tactic worked.

During times of national catastrophes, public opinion of leaders tends to grow; Russia was no exception.

As Boris Yeltsin's two terms were ending in 1996, a major calamity was predicted. 

An explosion at a Moscow shopping center on August 31, 1999 killed one person and injured 29. It was a test, Satter said, to gauge public opinion and reaction. 

More explosions followed, including a September bombing in an apartment house which killed 64 and injured 133. Another one killed 106, injured hundreds and damaged several buildings nearby.

Another bombing later that month killed 119 and injured hundreds.

There were more explosions (so many that Wikipedia's websites are confusing in the totals killed and injured).

Yeltsin ordered 30,000 buildings to be inspected. 

The apartment bombings are linked to the FSB and show Russia's contempt and lack of respect for its people, Satter said. 

The explosions were intended to panic the people and create animosity towards Chechnya and use the tragedies as a reason to attack that republic. 

It’s a story of how Putin, a FSB leader, rose to power. Scare the citizens and make them afraid, Satter said. Putin's popularity grew.

In January the BBC will air Satter's program about Russia; “American Society is going to have to wake up.”

The results of the Russia's last election in 2024 were obviously falsified; Putin has never been legitimately elected, according to Satter.

After the Soviet Union fell in 1991, a study of the mental health of its citizenry revealed that one-fifth suffered from some kind of mental illness which Satter thinks is a low estimate.

At the time, Russia's mortality rate skyrocketed, resulting in the highest death rate of a country not at war, exceeded only by warring Somalia and Ethiopia.  

Putin encourages a higher birth rate so he can have more soldiers to be killed, according to Satter. For years, Russia's death rate has exceeded its birth rate, a national crisis.

Presidents Lech Wałęsa and Viktor Yushchenko lead the Free Peoples House board of trustees.

I was likely the only non-Russian speaking guest to attend the gathering  on Capitol Hill which Ilya Ponomarev, a former member of the Duma, also attended.  According to Wikipedia, he and his wife were injured last year in a drone strike at their home in Kyiv Oblast, the fifth attempt by Russia to kill him. 


(Writer's note: For the first time in researching Wikipedia on a person, place, event or thing, I was unable to find a page on the FSB or its predecessor, the KGB, because, say the Economist and Foreign Policy, Russia is rewriting Wikipedia and won't allow it!)  
Free Peoples of Russia House, Washington, D.C. Nov. 28, 2025/By Patricia Leslie


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Thursday, November 6, 2025

Shakespeare's 'Wild Duck' is must-see


Melanie Field iGina Ekdal and Nick Westrate iHjalmar Ekdal in Shakespeare Theatre Company's The Wild Duck/BGerry Goodstein



Do you reveal the truth to those around you, thinking it will help when it's none of your business?

When "the truth" may set you free but may make matters worse and upset family dynamics?

Do I tell my best friend her husband is having an affair with her next door neighbor? Or that I heard from medical team members that her mother's cancer has returned and it's terminable?

Is it up to me?

The second act of The Wild Duck caused my hand and fingers to stop moving.

I was hypnotized and my notetaking ceased, overcome by Shakespeare Theatre Company's Henrik Ibsen's The Wild Duck, "rarely performed" and likely the only time I'll see it, according to program notes by the theatre's artistic director, Simon Godwin, who directs.

Not one sneeze, one cough, or one dropped program by audience members sounded in the auditorium of several hundred.

We were breathless, unable to break the total silence which engulfed the venue.

But lest I go hyperbolic, do go prepared. Read a synopsis beforehand, but even that won't prepare you for this spellbinding performance.

The first act is the calm before the storm, the explosion of the second act when Gina (Melanie Field), a mousy wife we are led to believe, evolves into a forceful dynamo to stand her ground and make her pleas that she is a loving wife, no matter what has happened in the past, but husband, Hjalmar (Nick Westrate), refuses to accept her arguments when she begs for forgiveness and acceptance of the past.


Their daughter, Hedvig (Maaike Laanstra-Corn) is a clingy type, torn by her dad's anger and her blood curdling screams typify the tragedy which I joined in mourning. (Had I not been "prepared," no doubt I would have been sobbing with the woman behind me.)

The first act's gentle husband becomes a possessive spouse/louse, urged on by the devil incarnate, Gregers Werle (Alexander Hurt), always wearing black and spouting the same, trying to "do good," or is he?

Can't you realize, Hjalmar, what's happening? But, Hjalmar is blinded by passion and the past.
David Patrick Kelly is Old Ekdal in Shakespeare Theatre Company's The Wild Duck/By Hollis King

The acting is superb, none finer than that by David Patrick Kelly, the slow and bent grandpa who has a relationship, too, with the arrogant and conceited patriarch (Robert Stanton) who has relationships with everybody, including his disaffected son who resist his father's moves and money.

Alexander Sovronsky is the music director who, with sound designer Darron L. West, has composed a beautiful and unforgettable score of 19th century Norwegian folk and classical music which Sovronsky plays on various instruments between scenes.

It is David Eldridge’s version of Ibsen's play, the place, Norway in the 1880s.

Ibsen is often referred to as the "father of modern drama" and, according to Wikipedia, "the most important playwright since Shakespeare" who influenced, among others, George Bernard Shaw, Oscar Wilde, Eugene O'Neill, and James Joyce.

Some consider Wild Duck the most complex and Ibsen's finest work, the first modern masterpiece in the genre of tragicomedy, but writing about it, the humorous parts totally eclipsed me who found it somewhat sexist.

In program notes, Drew Lichtenberg quotes Ibsen: Wild Duck "will certainly provoke discussion, but it cannot possibly give offense to anyone." I beg to differ.

Cast members include Katie Broad, Mahira Kakkar, Bobby Plasencia, and Matthew Saldivar.

Other creative team members are Andrew Boyce, scenics;
Heather C. Freedman, costumes; Stacey Derosier, lighting;
Jacob Grigolia-Rosenbaum, movement and fight director; Andrew Wade, voices; Satellite Wigs; Jonno Knust, properties; Laura Smith, production stage manager; Dayne Sundman, assistant stage manager.

Produced in association with Theatre for a New Audience, this makes Ibsen STC's second most-produced playwright after ...


What: The Wild Duck

When Through Nov. 16, 2025 at 7:30 p.m. with weekend matinees at 2 p.m.

Where: Shakespeare Theatre Company's Klein Theatre, 450 7th St., NW, Washington, DC 20004

Tickets: Start at $39

Audio Description: Saturday, Nov. 8, 2pm 

Open Captioning: Wednesday, Nov. 12, 12 p.m., and Nov. 13, 7:30pm

Audience: For adults and mature children 

For more information: Call the Box Office at 202-547-1122, seven days a week, 12 – 6pm which remains open until curtain time. ShakespeareTheatre.org.

Duration About 2.5 hours with one intermission  

Metro Stations: Gallery Place, Archives, Metro Center


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