Washington's July 4 music, art, and folklife

Singing with the Ozarks at the Smithonian Folklife Festival is a big hit/By Patricia Leslie

Hymnals are available to sing along with the Ozarks at the Smithonian Folklife Festival/By Patricia Leslie

You may enjoy sidewalk music near the American History Museum at the Smithsonian Folklife Festival/By Patricia Leslie

More sidewalk music at the Natural History Museum at the Smithsonian Folklife Festival/By Patricia Leslie

If you get the hungries at the Smithsonian Folklife Festival, prices are higher than expected, even while expecting top dollar! You're better off walking a few feet to the DC Chicken House food truck or the restaurant stand at the American History Museum to save a few bucks or bring your own!  Plenty of places to sit for a spell and eat up.  Plus, the beer is more than a $1 cheaper at the History stand in front of the museum/By Patricia Leslie

At the Smithsonian Folklife Festival, this cost $29 including $10 for beer and $19 for barbecue with fat (taxes built in). Orders are not custom made, but sitting, waiting cold on the shelf which the attendant hands you after you've paid. 

Who asked for dollops of catsup? Not me!  But there you have it!/By Patricia Leslie

The nearby food truck, DC Chicken House, has much better food, and it's cooked to order! Not getting cold on the shelf. And half the price ($10) with a homemade sauce. Yummy!/By Patricia Leslie

The DC Chicken House Food Truck/By Patricia Leslie

Applause for recycling and composting at the Smithsonian Folklife Festival/By Patricia Leslie

 

If you need a rest, the cool and calm National Gallery of Art is open 10 a.m. until 5 p.m, on July 4, too!/By Patricia Leslie

Or read a favorite book and rest at the National Gallery of Art, open on July 4/By Patricia Leslie

You may take a break near the Dante exhibition at the National Gallery of Art/By Patricia Leslie

Crowds are big at the Dante exhibition at the National Gallery of Art/By Patricia Leslie

At the Dante exhibition, National Gallery of Art/By Patricia Leslie

Down the hall from Dante in the newly refurbished gallery at the National Gallery of Art is Still Life with Flowers Surrounded by Insects and a Snail, 1610 by Clara Peeters, 1594-1640, Gallery 50A /By Patricia Leslie

And see Young Boy in Profile, c. 1630 by Judith Leyster, 1609-1660 in the same gallery (50A) at the National Gallery of Art/By Patricia Leslie

But the best is saved for last! Can you spot a young dancer in the Sculpture Garden at the National Gallery of Art?/By Patricia Leslie

patricialesli@gmail.com

Live music drives 'Nutcracker' fans to Manassas

Manassas Ballet Theatre's 2012 production of The Nutcracker/2011, B. Payden Photography, LLC

 

It's sad that in Washington, D.C., live music accompanied only two ballet companies for their 2012 Nutcracker performances, and one was 30 miles away.

 
Peter Tchaikovsky's Christmas ballet was played on tape for the rest of the dances that I found, including the Washington Ballet's production at the Warner Theatre which Sarah Kaufman criticized in a Washington Post article.
 
The sounds from a junior high or high school orchestra would be preferable to tape.
 
The only companies featuring live orchestras were Ballet West at the Kennedy Center and the Manassas Ballet Theatre at the Hylton Performing Arts Center on the Prince William campus of George Mason University. Please correct me if I am wrong, and an abbreviated production is not the same.  

Yes, it cost more money to have real music. Yes, it is worth it.

 
For some Tchaikovsky enthusiasts, music is more important than ballet which may partially explain the consistent sell-out crowds in Manassas and why about half the audience came from outside Prince William and Loudoun counties, according to a show of hands at intermission requested by Mark Wolfe, the company's executive director.
 
It was worth every mile for the hike out to Manassas to listen. And to see.

Sara Gaydash and Aleksey Kudrin in Manassas Ballet Theatre's 2012 production of The Nutcracker/2011, B. Payden Photography, LLC

Manassas has its very own Manassas Ballet Theatre Orchestra, under the direction of Christopher Hite, to help it put on a really big, but charming, show.

 
Not only did real music add sparkle to an evening's enchantment, but the many young, adorable dancers added magic to the professionals' performances.

Manassas Ballet Theatre's 2012 production of The Nutcracker/2011, B. Payden Photography, LLC

 

It seemed like hundreds of little mice and rats swarmed the stage, costumed (Christina Brooks and Donna Huffman Pelot) in grey outfits from head to toe with long tails and rats' heads, dancing in fast, curving lines, and whoops, there goes a fallen mouse, but not to mind. Other opportunities soon presented themselves to upright topsy-turvy.

Manassas Ballet Theatre's 2012 production of The Nutcracker/2011, B. Payden Photography, LLC

 

Other stars of the show were, naturally, Bethany Cooke ("Clara") enjoying her first season with the Manassas company, Margaret Hannah (the Sugar Plum Fairy), Joshua Burnham (the Nutcracker), Sara Gaydash (the Snow Queen), Aleksey Kudrin (the Snow King), William Smith (the Mouse King) and, with Kathryn Carlson, (the Russians).

Bethany Cooke ("Clara") in Manassas Ballet Theatre's 2012 production of The Nutcracker/2011, B. Payden Photography, LLC

William Smith and Kathryn Carlson in Manassas Ballet Theatre's 2012 production of The Nutcracker/2011, B. Payden Photography, LLC

 
At intermission Mr. Wolfe was effusive in his praise of Macy's sponsorship whose divisional manager was invited onstage to address the audience as "you guys." 

The advertisement did not detract from the entertaining evening which introduced many first-timers to excellent quality, surprising for a town with a population right under 40,000, and just down the road from many things to do in Washington, D.C.


patricialesli@gmail.com