Rita Coolidge delights area fans

Rita Coolidge at the Bethesda Blues & Jazz Supper Club/Photo by Patricia Leslie

She'll turn 70 next year, but she sure doesn't look it, act it, or sing like it.

Instead, Rita Coolidge sings like she did after she graduated from college and tried her talents on stage, thrilling fans with her classy, signature voice which she did again Sunday evening for a crowd at the Bethesda Blues & Jazz Supper Club.

Rita Coolidge at the Bethesda Blues & Jazz Supper Club/Photo by Patricia Leslie

She opened with a number she sang long ago and oh so far away which the Carpenters made legendary, "Superstar," a song no one wanted her to stop singing.

Rita Coolidge at the Bethesda Blues & Jazz Supper Club/Photo by Patricia Leslie

Dazzling in a ruffled long black dress with curving hemline, silver clasp and lilac wrap, Rita looked like she may weigh all of 100 pounds.  And her long hair may account for half that weight.

Rita Coolidge at the Bethesda Blues & Jazz Supper Club with John Thomas on keys; John McDuffie (center), guitar, and Randy Landas, guitar/Photo by Patricia Leslie

Rita is her own, who can handle the singing herself, without echoes or fake background voices.

John McDuffie on a mean red guitar with Rita Coolidge at the Bethesda Blues & Jazz Supper Club.  Behind him is Randy Landas/Photo by Patricia Leslie

In the romantic, sexily lighted Jazz Club hall, she sang "Basic Lady," and when she got to Peggy Lee's "Fever," you got it. 

The first time she heard Peggy Lee sing the song, Rita was just three years old, she said.  It put a spell on the young listener, and right then and there: "I knew what I wanted to be. I knew I wanted to be here tonight, and here I am." She credited Bethesda's Blues owner, Rick Brown, for bringing her to Washington.

Rita Coolidge at the Bethesda Blues & Jazz Supper Club/Photo by Patricia Leslie

Her most beautiful song of the night was the Cherokee National Anthem, sung by her ancestors in the 1830s while they traveled the Trail of Tears after President Andrew Jackson kicked them out of the Deep South.  The music is reminiscent of "Amazing Grace," and can be as emotionally wrenching for listeners as it is for vocalists.  Rita was born in Lafayette, Tennessee to a Cherokee father and a Scottish/Cherokee mother.

Reading the titles of many of her hits she sang at the Jazz Club may enable them to start spinning in your head: "We're All Alone," (Your Love Has Lifted Me) "Higher and Higher,"  "The Way You Do the Things You Do," and "Can't Stand The Rain."

Also, "How Sweet It Is (To Be Loved By You)," and Bob Dylan's affable, "I'll Be Your Baby Tonight," which she varied with a slower, sexier arrangement from Dylan's version.

Lynn Coulter was the drummer for Rita Coolidge's show at the Bethesda Blues & Jazz Supper Club.  He and Rita made sweet harmony in "Loving Arms"/Photo by Patricia Leslie

She mentioned her ex, Kris Kristofferson (married 1973-1980) and the joy they share in their only child, a daughter, Casey, and three granddaughters. Next spring HarperCollins will publish Rita's autobiography.

Most in the audience stood and applauded when the two hour set ended. Rita Coolidge bowed, and in her graceful way, exited the stage, to return seconds later for the encore and "I'd Rather Leave When I Am In Love" and "Lover, Please, Please Come Back." We will, Rita! 

If your experience is like mine at the Bethesda Blues and Jazz Supper Club, you and your party will spend a totally delightful evening listening to fantastic music in an intimate setting with drinks and/or dinner, and you may be kicking up a heel or two for some of the acts come with dancing, theirs and yours. Cowboy hats, welcome.

What:  Bethesda Blues & Jazz Supper Club

When: 12 p.m.-1 a.m., Monday-Saturday; 12 p.m.-12 a.m., Sunday

Where: 7719 Wisconsin Avenue, Bethesda, MD 20814

How much: Prices vary, depending upon artist. See the calendar.

Food and drink: The dining area has a $10 per person minimum which can be applied toward any item on the menu. Check out FAQ here. And here's the menu. I found the food (beet salad:  yummy) and drinks, good and reasonably priced.

Tickets: Call 240-330-4500 or go to the website.

Getting there: The Bethesda Metro station is about 1.5 blocks away, and parking is below the building (free on weekends). See directions.

For more posts on Rita Coolidge and the Bethesda Blues & Jazz Supper Club, please click on the links.

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Rita Coolidge gave us 'Fever'

Rita Coolidge in a free concert at the National Museum of the American Indian, August 10, 2013/Patricia Leslie

 

Never know how much I love you, never know how much I care
When you put your arms around me, I get a fever that's so hard to bear
You give me fever - when you kiss me, fever when you hold me tight
Fever - in the the morning, fever all through the night.

 

In a free concert Saturday afternoon at the Smithsonian's National Museum of the American Indian, Rita Coolidge charmed hundreds in the Potomac Atrium for almost 90 minutes, singing her classics in her gentle, distinctive voice, instantly recognizable and unchanged over the four decades she has been a star. 

Rita Coolidge in a free concert at the National Museum of the American Indian, August 10, 2013/Patricia Leslie

 

Among the numbers she sang were "Fever," "Your Love Has Lifted Me (Higher and Higher)," "Come Rain or Come Shine," "We're All Alone," "The Way You Do the Things You Do,"  "Only You," "Bird on a Wire," and "How Sweet It Is to be Loved by You."

 

Eric Clapton was on her mind in 1969 when she wrote "Superstar":

 

Long ago, and, oh, so far away
I fell in love with you before the second show
Your guitar, it sounds so sweet and clear
But you're not really here, it's just the radio

Don't you remember, you told me you loved me baby?
You said you'd be coming back this way again baby
Baby, baby, baby, baby, oh baby
I love you, I really do

When she originally recorded "I'd Rather Leave While I'm in Love," she said she didn't understand what it was all about since she was not divorced.  But she discovered the meaning later.

The audience did not "sing along" until near the end of the show when Rita invited participation.  Do you ever attend concerts to hear the star perform instead of the audience?

Rita Coolidge and her band gave a free concert at the National Museum of the American Indian, August 10, 2013, which followed a concert at the museum's New York City location.  It was a rarity and welcome sight to see a woman, Mary Ekler, as a band member.  Thanks, Rita! Other band members were Randy Landas, bass and guitar; John McDuffie, guitar; Lynn Coulter, drums/Patricia Leslie

Rita Coolidge with Randy Landas in a free concert at the National Museum of the American Indian, August 10, 2013/Patricia Leslie

 

Ms. Coolidge, of Cherokee Indian ancestry,  saved the best for last: Amazing Grace, the Cherokee National Anthem. She briefly described the sad story of the Trail of Tears, the saga of 1838 when President Andrew Jackson forced the last 16,000 Cherokees to leave Georgia, Alabama, North Carolina and Tennessee and travel to what became Oklahoma, literally following in the footsteps of their brothers and sisters who had earlier moved. Thousands died on the journey, including 60,000 of the 130,000 Cherokees driven away. The Indian Removal Act of 1830 banished all Indians from east of the Mississippi River. (Click here to see their trails. And here for more information.)

 

 

Ms. Coolidge's powerful song and story brought the hall to a standstill. Babies quietened, talkative youth grew silent, and even the noisy guards on the upper floors ceased shouting at visitors standing along the stairwell to listen to the singer's message which evoked passions for peace, and emotions, including among those without known Indian heritage.

Rita Coolidge with Randy Landas on bass and Lynn Coulter on drums in a free concert at the National Museum of the American Indian, August 10, 2013/Patricia Leslie

 

It just looks like church, but it was the audience who came to see and listen to Rita Coolidge in a free concert at the National Museum of the American Indian, August 10, 2013/Patricia Leslie

The crowd gave Rita Coolidge and her band a standing ovation at the end of their free concert at the National Museum of the American Indian, August 10, 2013/Patricia Leslie

 

patricialesli@gmail.com