Raeda Saadeh (b. 1977), Penelope, 2010/ Rose Issa Projects, London. The artist is a Palestinian who explores "issues of displacement, gender, and identity, with particular reference to the Israeli-Palestinian conflict," according to the label copy. In mythology, Penelope was a Greek woman who waited 20 years for her husband, Odysseus, to return from the Trojan War. Here, Penelope represents a Palestinian neighborhood.
The public is invited to attend at no cost the first art show at Washington's newly restored Middle East Institute, but haste is necessary since the exhibition closes Nov. 22.
Ayman Baalbaki (b. 1975), Al Mulatham, 2012/private collection. Political turmoil is often the subject for this Lebanese painter and installation artist from Beirut. This work "portrays the idealism of [Mr. Baalbaki's] father's generation and serves as a symbol" of unending conflict, according to the label. Mr. Baalbaki is a popular Arab artist who has enjoyed exhibition at the Venice Biennale (2011).
MEI's new gallery is intended to be "a platform for the Middle East's leading and emerging artists to
engage with U.S. audiences and the local D.C. community," wrote Kate
Seelye, MEI's vice president for arts and culture, in a statement. .
Featured in Arabicity/Ourouba are 17 artists' works of installation art, video, painting, and sculpture.
Batoul S'himi (b. 1974), Arab World Under Pressure and Monde Sous Pression Militaire, 2012/Rose Issa Projects, London/photo by Patricia Leslie.The carvings on the pressure cookers are maps intended to illustrate worldwide hostility and unrest. Works by this Moroccan artist are found in museums around the globe. She teaches at the National Institute of Fine Arts in Tetouan. Through the window is N Street, NW.
Anas Albraehe (b. 1991), Untitled, 2002 /Rose Issa Project, London. This is a detail from the artist's series, The Dream Catcher, which "explores the temporary refuge of sleep for laborers and men displaced by war" (and women?) to illustrate the link between sleep and wakefulness. Mr. Albraehe has an MA in Psychology and Art Therapy from Lebanese University.
London-based producer and author, Rose Issa, curated this first show, and she came from London to introduce it.
MEI
got its start here in 1946 and prides itself on being "the oldest
Washington-based institution dedicated solely to the study of the Middle
East," and the only gallery in Washington "dedicated to showcasing" Middle East contemporary art.
Tagreed Darghouth (b. 1979), Brighter than a Thousand Suns, 2012/Rose Issa Projects, London. This Lebanese artist has won several prizes. She draws inspiration from van Gogh, Rembrandt, literature, philosophy and everyday realities, according to the label copy. The message here seeks to illustrate the atomic bomb's effects on humans and the Earth.
MEI's founders believe the arts have the power to influence
culture and transform society, as well as to build bridges between the
peoples of the U.S. and the Middle East.
Five shows are planned for exhibition every year.
The newly renovated Middle East Institute, 1763 N St., NW, Washington, D.C./Photo by Patricia Leslie
From left, Lyne Sneige, MEI; Kate Seelye, MEI; Rose Issa, curator; and Mahmoud Obaidi, artist, at the Middle East Institute, Sept. 11, 2019/Photo by Patricia Leslie
What: Arabicity/Ourouba
When: 10 a.m. - 5 p.m. through Nov. 22, 2019
Where: Middle East Institute, 1763 N St. NW, Washington D.C. 20036
Admission: No charge
Metro station: The closest stations are Farragut North, Farragut West, and Dupont Circle
For more information: 202-785-1141or the website.
patricialesli@gmail.com
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