Washington Speaks: Washington National Cathedral

Showing posts with label Washington National Cathedral. Show all posts

Sunday, April 9, 2023

Easter at the Washington National Cathedral

Easter Day at the Washington National Cathedral, April 9, 2023. Repairs continue at the Cathedral damaged by the 2011 earthquake. (See tower above.) Some $14 million still need to be raised to meet the total $38 million cost of restoration/By Patricia Leslie

Easter Day, Washington National Cathedral, April 9, 2023/By Patricia Leslie

The War Memorial Chapel on Easter Day, Washington National Cathedral, April 9, 2023 in /By Patricia Leslie

Easter Day at the Washington National Cathedral, April 9, 2023 in the War Memorial Chapel. British artist Steven Barry Sykes (1914-1999) sculpted the head of Jesus surrounded by a halo which hangs above the altar. British women, including the Queen Mother (1900-2002), mother of Queen Elizabeth (1926-2022), made the kneeling pads in the chapel in commemoration of sacrifices made by U.S. Armed Forces during World War II/By Patricia Leslie

A banner of Armed Forces in the War Memorial Chapel on Easter Day, Washington National Cathedral, April 9, 2023/By Patricia Leslie

Detail of the 9 x 12 foot Tree of Life embroidery which hangs at the left of the altar in the War Memorial Chapter with seals of all 50 states. Some of the seals (Tennessee's, above) appear to be unfinished which matches Tennessee's unfinished chapter in granting justice for all its citizens. Pictured Easter Day, Washington National Cathedral, April 9, 2023/By Patricia Leslie

The entrance to the Children's Chapel on Easter Day, the Washington National Cathedral, April 9, 2023/By Patricia Leslie

The altar in the Children's Chapel, Easter Day, the Washington National Cathedral, April 9, 2023/By Patricia Leslie

Flowers on the altar at the Children's Chapel, Easter Day, the Washington National Cathedral, April 9, 2023/By Patricia Leslie

The baptismal font in the Children's Chapel, Easter Day, the Washington National Cathedral, April 9, 2023/By Patricia Leslie

At the altar in the Children's Chapel, Easter Day, the Washington National Cathedral, April 9, 2023/By Patricia Leslie

A kneeling cushion at the altar in the Children's Chapel, Easter Day, Washington National Cathedral, April 9, 2023/By Patricia Leslie

The conclusion of Choral Evensong, Easter Day, Washington National Cathedral, April 9, 2023/By Patricia Leslie

A tower undergoing repair due to the 2011 earthquake, Easter Day, Washington National Cathedral, April 9, 2023/By Patricia Leslie

Easter Day at the Washington National Cathedral, April 9, 2023/By Patricia Leslie

patricialesli@gmail.com

Wednesday, March 22, 2023

Wildest expectations soar at the Washington Cathedral

Sergei Rachmaninoff, age 10 or 12, St. Petersburg/Wikimedia Commons

The title of the program was To the Wild Sky and my favorites were all there: Edgar Allan Poe (1809-1849), Sergei Rachmaninoff (1873-1943), and the Baltimore Symphony Orchestra at the Washington National Cathedral with Alfred, Lord Tennyson (1809-1892) and the Cathedral Choral Society.

Who knew about their links?

Conductor Steven Fox leads the Baltimore Symphony Orchestra and the Cathedral Choral Society at the Washington National Cathedral, Mar. 19, 2023/By Patricia Leslie

In the Cathedral's crossing, the musicians, soloists, and chorus hypnotized the audience throughout the afternoon with Rachmaninoff's unsettling response to a painting and his intrepretation of Poe's "bells! bells! bells!" ringing everywhere.

The Isle of the Dead, 1880 - 1886, Arnold Bocklin (1827-1901)

Also on the program was Tennyson's text of his poem, In Memoriam: A.H.H., sung by soprano Andriana Chuchman, who later joined the Symphony, other soloists, and Chorus in Poe's The Bells.

Soprano Andriana Chuchman at the Washington National Cathedral, Mar. 19, 2023

After all, it is the 150th anniversary of Rachmaninoff's birth (April 1 or [O.S.] Mar. 20, 1873) and the DMV has gone plumb Rachy with three performances in a week and I am going to them all.

Lucky me!*

To combine the literary immortals with music is an astonishing feat and one which most assuredly exceeded expectations at the Cathedral from the first note to the last.

The audience was as captivated as I who had anticipated the sounds would echo in the Cathedral's great hall, diminishing the aural effects but that was not to be.

Baltimore Symphony Orchestra's percussionists at the Washington National Cathedral, Mar. 19, 2023

Guest artists, the Baltimore Symphony Orchestra and the Cathedral Choral Society at the conclusion of the performance, To the Wild Sky, Mar. 19, 2023

The Washington National Cathedral, Mar. 19, 2023/By Patricia Leslie

First on the program was The Isle of the Dead, Rachmaninoff's response to a popular painting by Arnold Bocklin (1827-1901).

The music filled one with a sense of dread. In the boat as we neared the island, foreboding and heavy anxiety filled my emotions as waves and strings deepened, cymbals crashed and threw me around the vessel as it neared shore. The landscape echoed with the coming climax.

Upon landing, a single violin greeted us with a rainbow and not such an unpleasant ending.

Death be not proud.

The next selection, Ring Out, Wild Bells, to the Wild Sky was composed by Augusta Read Thomas (b. 1964 and a Pulitzer Prize finalist) in 2000 on commission to welcome the new millennium.

For her base, the composer chose Tennyson's poem with its message of the "universal" drive for peace. It begins with multiple voices singing like bells in tandem with Ms. Chuchman, chorus, and orchestra.

Dare I write the best was saved for last?

"The bells! The bells! The bells!" so reads Poe's title he wrote in 1848-1849 and spoken confidently a cappella before the musical presentation by an unidentified man on video.

"Hear the sledges with bells" is Poe's first line, a sledge, coincidentally or not, was the vehicle used by Rachmaninoff and his family to escape Russia forever in 1917 as the nation's revolution took hold.

Program notes said an adaptation of Poe's Bells by the Russian Konstanin Balmont (1867-1942) led a student at the Moscow Conservatory in 1912 to recommend to Rachmaninoff that he put the poem to music.

After the composer read the verses, he "decided at once to use them for a choral symphony," an incredible performance at the Cathedral for the audience to hear that which became "the one I like best of all my works."

The movements included solos by John Ramseyer, tenor, Ms. Chuchman, and Aleksey Bogdanov, baritone, all exceeding quality demanded by Washington's attending classical perfectionists.

With a 20 minute intermission, the concert lasted almost two hours, an unforgettable production which will be hard to outperform by this week's remaining Rachmaninoff concerts.

More about Rachmaninoff:

Is it Rachmaninoff or Rachmaninov? Music for Everyone says the Rachmaninoffs changed their name from Rachmaninov when they fled Russia, likely because the family was pre-revolution Russian bourgeoisie.

Boosey & Hawkes, "the" classical music publisher, says about Rachmaninoff: "The years up to the Russian Revolution were spent in an exhausting whirl of playing and conducting, with the family’s country estate at Ivanovka, in the countryside south-east of Moscow, offering a haven of peace where he could concentrate on composition. The works that emerged during this period include the Third Piano Concerto, the symphonic poem The Isle of the Dead, the choral symphony The Bells, and two a cappella choral works, the Liturgy of St John Chrysostom and the Vespers."

Rachmaninoff was born into a musical family and began piano lessons at age 4. After fleeing Russia with his family and settling in the U.S. about four decades later, he made a living by giving many performances but, like many artists, finding little time to compose.

On Feb. 17, 1943, already "gravely ill" and almost 70 years old, Rachmaninoff played his last recital at the University of Tennessee in Knoxville where a statue to the composer was dedicated in 2003, the 130th anniversary of his birth, at the site of the 1982 World's Fair.

He became an American citizen shortly before he died of melanoma that year.

Conducting Sunday was Steven Fox, assisted by Joy Schreier, pianist.

*More Rachmaninoff:

The National Symphony Orchestra, 7 p.m., Mar. 23, 2023 at the Kennedy Center.

BSO, 8 p.m., Mar. 25, 2023, Music Center at Strathmore, Angel Blue and Rachmaninoff II; tickets starting at $35.

BSO, 8 p.m., Apr. 13, 2023, Music Center at Strathmore, Marin Conducts Rach 3; tickets starting at $35.

In Baltimore BSO Rachmaninoff performances, Mar. 24, Mar. 26, and Apr. 15, 2023.

Of note, Poe and Tennyson were born in the same year, 1809, as was President Abraham Lincoln.

Why are most of the great composers Russian? I am guessing many Ph.D. students have written their dissertations on this topic, at least one I would like to read! Does their nation's turbulent past play a role?

patricialesli@gmail.com

Monday, April 17, 2017

Easter flowers at Washington National Cathedral

Washington National Cathedral, Easter Day 2017/photo by Patricia Leslie

According to a report last week on WAMU-FM, about a dozen volunteers worked on 86 floral arrangements for the Easter Sunday celebration at the Washington National Cathedral where 5,000 visitors were expected.

Washington National Cathedral, Easter Day 2017/photo by Patricia Leslie

President George Washington at Washington National Cathedral, Easter Day 2017/photo by Patricia Leslie

Washington National Cathedral, Easter Day 2017/photo by Patricia Leslie

President Abraham Lincoln, Washington National Cathedral, Easter Day 2017/photo by Patricia Leslie

The inscription on the wall is from President Lincoln's impromptu address to several thousand citizens who gathered in Springfield, Illinois on February 11, 1861 to bid him farewell as Lincoln embarked on his journey to his inauguration in Washington:

My friends, no one, not in my situation, can appreciate my feeling of sadness at this parting. To this place and the kindness of these people, I owe everything. Here I have lived a quarter of a century, and have passed from a young to an old man. Here my children have been born, and one is buried. I now leave, not knowing when, or whether ever, I may return, with a task before me greater than that which rested upon Washington. Without the assistance of that Divine Being who ever attended him, I cannot succeed. With that assistance I cannot fail. Trusting in Him who can go with me, and remain with you, and be everywhere for good, let us confidently hope that all will yet be well. To His care commending you, as I hope in your prayers you will commend me, I bid you an affectionate farewell.

Washington National Cathedral, Easter Day 2017/photo by Patricia Leslie

Washington National Cathedral, Easter Day 2017/photo by Patricia Leslie

The copy in the frame for the Pentagon Cross reads:

The cross was presented to Washington National Cathedral by the United States Army Chief of Chaplains in recognition that we are united in memory, freedom, and faith, and in the hope of and love for God, our nation, and all peoples of the earth.

The cross was made by Alvin Neider from fragments of the facade of the Pentagon after the attacks of 11 September 2001.