Showing posts with label King Charles II. Show all posts
Showing posts with label King Charles II. Show all posts

Saturday, January 30, 2021

Today is the 372nd anniversary of the beheading of King Charles I

  

This anniversary of a king's beheading is not to be forgotten by supporters who will lay wreaths at the statue of England's King Charles I (1600-1649) today, not far from his execution site, says the Royal Encyclopedia.

Killers of the King: The Men Who Dared to Execute Charles I by Charles Spencer lays out all the gory details of his death and his trial, followed 11 years later by the worldwide manhunt for the regicides, conducted by Charles's son King Charles II when royalty was restored to the throne in 1660.

With his back to the viewer, Charles I, seated in the center, faces the High Court of Justice in 1649/Wikpedia, public domain.Engraving from "Nalson's Record of the Trial of Charles I" in the British Museum. Plate 2 from A True copy of the journal of the High Court of Justice for the tryal of K. Charles I as it was read in the House of Commons and attested under the hand of Phelps, clerk to that infamous court / taken by J. Nalson Jan. 4, 1683 : with a large introduction. London: Printed by H.C. for Thomas Dring at the Harrow at the corner of Chancery Lane and Fleet Street, 1684.

It was treasonous to house the king's killers or even think about killing him and so, off with his head (sometimes hers)! 

Which is what happened to at least ten of them.

Charles was not a good king, he was not a great king but a greedy king, a king who was arrogant, extravagant, conceited and, to top it off, married to a Roman Catholic.

It was his way or the highway when it came to wars, the Scots, religion, and Parliament. He treasured his vast art collection, funded by his subjects about whom he cared little.

All the regicides were ordered to surrender, and some did, thinking their lives would be spared. Hell hath no fury like a son whose father has been beheaded.

Some were beheaded anyway, confound those promises!

In the first regicide trial, that of Colonel (later, Major General) Thomas Harrison, the judge ruled:

"'...you shall be hanged by the neck, and being alive shall be cut down, and your privy members to be cut off, your entrails to be taken out of your body, and (you living) the same to be burnt before your eyes, and your head to be cut off, your body to be divided into four quarters...'"

to be disposed at the King's pleasure.

Well!

And that wasn't the end of it.

Preceding the butchering, the guilty were hauled in a sledge on the way to the gallows, wearing only a shirt to better receive the tossed objects and insults directed at them by Londoners and to ease the butcher's job of cutting off their privates after they had regained consciousness from hanging.

Until this reading, I had never thought too much about "drawn and quartered," but Readers, it was real and literal!

(The Capitol Hill insurrectionists should be thankful this is 2021 and not 1660 when the "regicides" were hunted throughout England and beyond.)

Head for the hills, man!

And that's what some did, to the Netherlands (those wretched Dutch who turned in the prey) and to New America where a hunt for Col. Edward Whalley and Lt. William Goffe was n'er successful, be that the two were hidden often by government officials and private individuals, on farms, in the wilderness, in basements (two years) until Mr. Whalley died and Mr. Goffe (his son-in-law) was never traced to his final "settlement" which, the author suggests, just might be in Virginia.

King Charles II was so mad that his New World subjects and huntsmen could not find "the most prominent" of his father's killers, Whalley and Goffe, that he took away New Haven's independence and made it part of Connecticut. Take that, you blarney killers!

(Streets in New Haven still bear the regicides' names like 10 Downing Street in London, named after a "first-rate traitor," one of King Charles II's men, who tricked the Dutch and captured three regicides, including his former commander. Samuel Pepys called Downing [doesn't deserve a first-name listing] "a perfidious rogue.")

Then there was Dame Alice Lisle, a mother of 11 and in her late 60s who had harbored two regicides and was the wife of the regicide John Lisle, already dead by 21 years, killed by an assassin in Switzerland, but don't hold that against her, and they did.

Off with her head!

The judge became part of her prosecution and the jury debated all of 15 minutes, and Dame Alice, a community pillar, became the last woman beheaded by order of the English government. (Her sentence had been commuted from burning at the stake, the usual death sentence given to women.)

One famous regicide (or regicide supporter, depending on what you read), and still known to us today was John Milton (1608-1674), the poet who was imprisoned in the Tower of London for a few weeks and penalized financially, but he was one of the lucky ones who kept his head. (Sometimes, the writing profession can be a lifeline.)

Charles II had the body of Oliver Cromwell (the chief insurrectionist who died in 1658) and others dug up, hung at the gallows, beheaded, and spiked on poles for the thousands to see, a lesson to all you commoners who even thought about killing a king. (Wikipedia's list of the regicides excludes Poet Milton.)

Reader, if you can get through all of the names at the beginning of the book, you've overcome the most boring parts, and the pace quickens to the actual trial of the king. (The index is excellent.)

And whether at the beginning you're unsure if you support the king or the regicides, by the end you'll be rooting for the latter as did I and also, the author who dedicates the book as tribute to them (and "Charlotte").

As usual, I am asking, please, for a glossary of the players with brief biographical sketches to help the reader keep them straight, and a map of escape routes would be useful, too.

Who's got the movie rights? I want to see it, but, no gory parts, please!

The chase! The chase!


patricialesli@gmail.com



Saturday, February 23, 2019

Folger's fab 'Nell Gwynn' is delightful fare

 Alison Luff is Nell Gwynn at Folger Theatre whose hat is bigger than your hat/Photo by Brittany Diliberto, Bee Two Sweet Photography

Sex, tarts, and miscellany! 

So much of it is true.  The whole thing is a delight, I dare say. 

We have to thank King Charles II (1630-1685) for restoring theatre and fun, post-Puritans, to England. Had playwright Jessica Swale included all 13 of his mistresses in her play, we'd still be watching them at the theatre. 


As it was, she only included three, 'twas enough and spirited they are!
Alison Luff is Nell Gwynn and Quinn Franzen is Charles Hart in Folger Theatre's Nell Gwynn/Photo by Brittany Diliberto, Bee Two Sweet Photography
 
The king's wife, Queen Catherine (1638-1705) (Zoe Speas in the role and a musician in the show) stayed married to him 'til death did them part, but that's another story to be told anon. She is the angry woman in black, although in real life (Wikipedia), she comes across as rather mousy. Nevertheless, her witchiness (portrayed in Nell) is quite understandable, given that she had many competitors (a practice, I understand, which still continues to this day). 
Peter Lely (1618-1680), Catherine of Braganza, Queen of England, c. 1665/Wikimedia.org

R. J. Foster is the haughty king who does not overplay his role.
John Michael Wright (1617-1694), Portrait of Charles II in Garter Robes, National Portrait Gallery, London/Wikimedia Commons

Nell Gwynn, the play, is about Nell Gwynn (1650-1687), the actress (!) who is Alison Luff at Folger's, star of the king's stage and at the Folger, too.  

And what bloomin' buffoonery it all is!
  
At the Folger (the East Cost premiere) and in real life, Ms. Gwynn did have an amour, Charles Hart, acted by the dashing Quinn Franzen, who does his squiring duties with Ms. Nell quite handsomely and gets her to the stage on time.

It doesn't take long for Thomas Killigrew (Nigel Gore) theatre manager and actor's broker, to succumb to the marvelous abilities of Ms. Gwynn and put her up in the "lights" (had there been any  then).  

She's got talent!

An experienced actor, the most dynamic Mr. Christopher Dinolfo,  is Edward Kynaston, the female substitute in the theatre before King Charles II pardoned the women and let them act, too.  The nerve of it all!   Women acting as women! 

Mr. Dinolfo was on stage far too short a timeHe lost his parts.

The heartiest laughs sprang from the appearances by Catherine Flye, who has earned 13 (matching the king's mistress counts)  Helen Hayes Award nominations, winning one. She has dual Folger roles as Nancy, a lady-in-waiting of sorts, and, briefly, as Nell's mom.

Her lines and mannerisms produce gales of glee, her roles crying for smiles all around as soon as the audience gets used to her antics and one-liners. (It didn't take long to realize she was the constant comic.)

A "tenured" mistress, Lady Castlemaine (Regina Aquino who plays dual roles) has her charms ripped asunder by new women on the block, including the prissy French token, Louise de Kéroualle (also Ms. Aquino) who exudes hilarity the short time she sashays down the promenade in regal "Frenchiness."

Because the audience is busy keeping up with the quick dialogue and fast scene changes, the excellent costuming by Mariah Anzaldo Hale does not receive the sufficient attention the designs warrant. They indeed help make the show and are breathtaking, under closer scrutiny by audience members who sit in proximity near the aisle where actors parade up and down.

Tony Cisek, set designer, hangs rich, red velvety drapes on either side of the stage which close and open and define the backdrop for some scenes which shift from front stage to back stage and back again with characters moving fore and aft.  (You have to be there.) 

The last ear count heard strolling musicians on banjos, guitars, mandolins, accordion, triangle, cello, and (I think) keyboard, all who added pleasant depth without dominating. I can't image the show without this music and applaud the composer, Kim Sherman.

Go and enjoy! You won't be the worse for it, but, like me, laughing lots more! I can't wait to see Ms. Swale's film version of Nell, now on the writing block.


Other members of the cast are Caitlin Cisco as Rose Gwynn, Nell's sister;
Kevin Collins, musician; Michael Glenn, John Dryden, playwright who rapidly scribbled down lines for Nell Gwynn and was named poet laureate by the king.

Also, Jeff Keogh, Lord Arlington, the king's secretary of state; Alex Michell, who starts and ends the play theatrically.

Directing is Robert Richmond, who is also the chair and director of the University of South Carolina's department of theatre and dance.

 
Other members of the creative team are Andrew F. Griffin, lighting; Matt Otto, sound; Diane Healy, production stage manager; Jessica Short, assistant stage manager; Michele Osherow, resident dramaturg, Janet Alexander Griffin, artistic producer; and Beth Emelson, associate artistic producer
.  

What: Nell Gwynn by Jessica Swale

When: Now through March 10, 2019


Where:
Folger Theatre, 201 East Capitol Street, S. E. Washington, D.C. 20003

Tickets: Buy online, by phone (202-544-7077), or at the box office. Tickets start at $42 with discounts for groups, persons under age 30, students, seniors, educators, members and family of the military.


Open-captioned performances: Sunday, March 3, 2 p.m. and 7 p.m., sponsored by Vinton and Sigrid Cerf

Free Folger Friday, March 1, 6 p.m. Before Nell Gwynn at 8 p.m., scholar Deborah Payne and actors will speak and share excerpts from the long-lost manuscript, The Country Gentleman, found in the Folger archives in 1973.
 
Metro station: Capitol South or Union Station

For more information: 202-544-4600 or info@folger.edu

patricialesli@gmail.com