Signature Theatre's 'Company' is mixed

Company's group dancing is tops at Signature Theatre in Arlington/Scott Suchman

If you want to discourage anyone from getting married, Company is the play to see. I went expecting to hear more humor than reality.

The ending of this musical, now on stage at Signature Theatre in Arlington, is not a “happy" one.  Depending upon which way you lean, it's either "for" or "against" marriage, and it's left to the viewer to decide.  Throughout the presentation, however, most of the characters "suffer" marriage and all its pitfalls and are miserable.  (Hmmm, maybe an opportunity to appreciate your own relationship and strive to make it better?)

The music is routine and forgettable.

Company did earn six Tonys when it was nominated for 14 in 1971 (a record), so somebody up there must like it, but it is the composition, written by the notable Stephen Sondheim (b. 1930) who based it on George Furth's book, which is mediocre. Who cares in 2013 what marriage is for a bunch of provincial New York dilettantes?

April (Madeline Botteri) and Bobby (Matthew Scott) up in the swing/Scott Suchman

Given the script, Signature's director, Eric Schaeffer, does an admirable job, yet the production lacks soaring flash and dash.   

"Bobby," or "Robert," acted and sung passably by Matthew Scott, is a 35-year-old bachelor who surrounds himself not with other singles, but with five married couples who, natch, try to get him to jump on their loveless boats and get married.  (Misery loves company.) Why would Bobby want to hang out with them? Why would anyone?

Bobby has three girlfriends, about par for today's course, and is smitten by none. Marta (Carolyn Cole), by looks and appearance seems out of sync with the other two (Jamie Eacker, also dance captain, and Madeline Botteri), and all three women deliver some of the strongest performances of the production, especially Botteri who plays the stereotypical air brain airline hostess whose bed romp with Bobby was about the best I've seen on stage. 

The three girlfriends, from left, Marta (Carolyn Cole), Kathy (Jamie Eacker), and April (Madeline Botteri)/Scott Suchman

The costuming (Frank Labovitz) is an excellent fit with the ordinary which mirror the show's general malaise.  Everyone is dressed up in muted grey and white or bone, except for Bobby in a dark blue shirt.  For the striking dance numbers (Matthew Gardiner), the apparel is classy. (One gratuitous scene was a female solo dance number which left me confounded as to its purpose.)

The set's frame (Daniel Conway) remains stationary, but that is immaterial since frequent scene changes of furniture and lighting shifts (Chris Lee) combine to deliver an abstract stage filled with triangles, shadows, and glorious cool mood lighting, presenting theatregoers with a viewpoint of watching a light show while perched on a refrigerator shelf or on a spaceship.  It's a rambunctious ride with large, changing photographs high on the backdrop to distract and create confusion. 

 

A nine-piece orchestra under the direction of Jon Kalbfleisch complements the production nicely without overpowering any voices. Matt Rowe's sound is inconspicuous, the best kind.

The production's highlights belong to the excellent group choreography, and the vignettes acted by Erin Weaver as Amy and Erin Driscoll as Jenny.  Women rule this show.  And three of the couples are really married:  Joanne (Sherri Edelen) is married to Larry (Thomas Adrian Simpson), Sarah (Tracy Lynn Olivera) is married to Harry (Evan Casey), and Jenny is married to David (James Gardiner).

Will she (Erin Weaver as Amy) or won't she? Marry Paul (Paul Scanlan) in Company/Scott Suchman

This production is not for the young, but for comfortably married old folks, i.e. "baby boomers" (certainly for not anyone considering d-i-v-o-r-c-e!) and theatre-lovers, too, especially in halls that are as seductive as Signature’s. 

Two years ago Sondheim’s Follies left the Kennedy Center after a month’s run,  bound for New York, so why can’t this go to New York, too?  It’s certainly better than Follies. 

What:  Company

When:  Now through June 30 every night with weekend matinees, too.  Dark on Mondays.

Where:  Signature Theatre, 4200 Campbell Avenue, Arlington, Virginia 22206

How much:  From $30.   Click here for tickets.

Metro station: Pentagon and then, a short bus ride from there.  Use Metro's Trip Planner to plan a route.

Free parking:  At two nearby garages.  Check here. 

For more information: 703-820-9771 or email tickets@signature-theatre.org.

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'Praying Hands' closes Sunday at the National Gallery of Art

Albrecht Durer, The Men's Bath, 1496/1497, Albertina, Vienna

Another stunning exhibition which includes one of the world's most famous drawings, Praying Hands, comes to a close this weekend at the National Gallery of Art.

Albrecht Durer, Praying Hands, 1508, Albertina, Vienna

The single U.S. venue for Albrecht Durer: Master Drawings, Watercolors, and Prints from the Albertina, is the only time many of Durer's masterpieces have hung together.

By extraordinary arrangement and collaboration with the Albertina in Vienna, the repository of some of the artist's greatest masterpieces, the National Gallery has brought together the show which seems much larger than the 118 works spread over six galleries. On Friday afternoon the first galleries were packed, but strangely enough, Praying Hands had no spectators lined up when I was there, luckily for me, but the crowd thinned as the exhibition, arranged in chronological order, progressed.

(One way to see a crowded display is to advance to the works without viewers, enabling you to devour contents without being pushed or elbowed. You may not be able to see every work up close, depending upon your schedule, but some are better than none, and Durer's particularly are well worth close inspection with their detail and meticulous devotion to reality and perceived reality. They will leave you wondering how time permitted the artist to achieve all the fine line drawings in a little more than four decades, beginning with his self-portrait at age 13, which is found in the first gallery.)

Albrecht Durer, Nemesis (The Great Fortune), 1501-1502, Albertina, Vienna.  Nemesis was the Greek goddess of fortune and fate.  As she circles the globe, she carries a goblet for fortune and a bridle for fate.

The National Gallery's Andrew Robison, the Gallery's senior curator of prints and drawings, and the Gallery's staff spent ten years bringing the presentation to fruition which includes some of the Gallery's own engravings, woodcuts, drawings, and prints.

The Albertina's Durer collection starts with the Holy Roman Empire and Rudolf II whose favorite artist was Durer (1471-1528) born in Nuremberg and generally considered one of the four greatest Renaissance artists. (Can you name the others?*)

With pen, ink, brush, and chalk, he drew religious scenes, including the Last Supper, the Death of the Virgin, Adam and Eve, and other subjects such as the human body, nature, animals, and he depicted allegorical themes.

Albrecht Durer, The Death of the Virgin, 1510, Albertina, Vienna.  The apostles gather around Mary's deathbed, and John helps her hold a candle while Peter sprinkles her with holy water.

The year his mother died (1514) found Durer composing Melencolia I (found in the fifth gallery) which the label calls "perhaps his most original, complex, and puzzling image." Many objects fill the scene: a hammer, tools, an hourglass, a bat carrying a sign, a sad woman, maybe a self-portrait, a fallen angel with wings, resting at the end of life's journey, while she (or he) ponders what she may have missed on her passage. The sun sets or is that heaven with a shining star beckoning? Sitting nearby and hard at work on a tablet is a little boy whose head sits below judicial scales.

Albrecht Durer, Melencholia I, 1514, Albertina, Vienna. 

In the watercolor, The Great Piece of Turf (1503) in the third gallery, the viewer has the perspective of a dragonfly buzzing at a pond, amidst fine ferns and the natural environment.

A 300+ paged color catalogue, co-edited by Mr. Robison and Klaus Albrecht Schroder, director of the Albertina, is available.

The people of the United States are grateful to the Anna-Maria and Stephen Kellen Foundation, the Melvin R. Seiden Memorial Fund, the National Gallery's Exhibition Circle, and the Embassy of the Federal Republic of Germany for making the presentation possible.

*Raphael, Michelangelo, and Leonardo da Vinci are the others.

What: Albrecht Durer: Master Drawings, Watercolors, and Prints from the Albertina

When: Now through Sunday, 11 a.m. - 6 p.m.

Where: the East Building Mezzanine, the National Gallery of Art, between Third and Fourth at Constitution Avenue, NW, Washington, D.C.

Admission:  No charge

Metro stations: Smithsonian, L'Enfant Plaza, Archives-Navy Memorial, Judiciary Square

For more information: 202-737-4215

patricialesli@gmail.com

Dupre, Bach, and Durufle set for free noon concert Wednesday

Jeremy Filsell

 

World acclaimed organist, pianist, and composer Jeremy Filsell will play works by Dupre, Bach, and Durufle at a free noontime concert Wednesday at St. John’s Episcopal Church, Lafayette Square.

Filsell is the artist-in-residence at the Washington National Cathedral and director of music for Washington's Church of the Epiphany.

The concert will begin at 12:10 p.m. and last about 35 minutes and will close this year's series of First Wednesday concerts at St. John's.

On the Wednesday program are Veni Creator from Le Tombeau de Titelouze (Dupre), Komm, Gott Schopfer, heilinger Geist (Veni Creator) (Bach), and Prelude, Adagio et Choral varie sur ‘Veni Creator’ (Durufle).

St. John's, known to many Washington residents as the yellow church at Lafayette Square, is often called the “Church of the Presidents.” Beginning with President James Madison, who served from 1809 to 1817, every president has either been a member of, or has attended services at St. John's. A plaque at the rear of the church designates the Lincoln pew where President Abraham Lincoln often sat when he stopped by St. John's during the Civil War. 

St. John's Episcopal Church, Lafayette Square/Patricia Leslie

The concert is an excellent respite from Washington's hectic pace.  Sit and enjoy a moment of peace amidst beautiful sounds and surroundings, and afterwards, eat a bite, if you like, at the food trucks to be found at nearby Farragut Square, before office life resumes.


Who:  Jeremy Filsell plays Dupre, Bach, and Durufle on the organ

When: 12:10 p.m., June 5, 2013

Where: St. John’s, Lafayette Square, 1525 H Street, NW, at the corner of 16^th, Washington, D.C. 20005

How much:  No charge

Duration: About 35 minutes

Wheelchair accessible

Metro stations: McPherson Square or Farragut North or Farragut West

Food trucks:  Located two blocks away at Farragut Square

For more information: 202-270-6265

patricialesli@gmail.com

Bradley Manning rally at Ft. Meade, MD

Bradley Manning

On the eve of his court-martial at Ft. Meade, MD, hundreds gathered on Saturday to show support for Bradley Manning, a whistle-blower who has been nominated again this year for the Nobel Peace Prize. Manning is being tried for releasing documents and videos to Wikileaks including a video which he found especially revolting of an American airstrike in Baghdad which killed at least 12 unarmed Iraqi civilians, including children, and the Americans can be heard laughing about it. 

 

The documents revealed evidence of torture of detainees, participation by an American contractor in child trafficking, and 15,000 more Iraqi civilian deaths than the military previously reported.  Bradley Manning thought the people of the United States should know the atrocities their government kept hidden.

 

On Saturday the most unpopular name heard during the afternoon was President Barack Obama's.  His administration has targeted government whistleblowers twice as much (6) as all past presidents combined (3).  (Mr. President:  Rather than spending so much time on whistleblowers who seek to inform the citizenry, why don't you spend time on gun control, closing Guantanamo, getting your judicial appointments confirmed, reducing sexual assaults in the military, and breaking the blockade in Congress?)

 

Although the Sixth Amendment to the U.S. Constitution provides that

 

"[i]n all criminal prosecutions, the accused shall enjoy the right to a speedy . . . trial . . . ." The Clause protects the defendant from delay between the presentation of the indictment or similar charging instrument and the beginning of trial," (Wikipedia)

 

Bradley Manning has been imprisoned for three years, including solitary confinement and stripped of his clothing ("fear of suicide") in conditions deemed torture by the United Nations.

At the Fort Meade main gate at Highway 175 and Reece Road/Patricia Leslie

 

At the Fort Meade main gate at Highway 175 and Reece Road/Patricia Leslie

 

At the Fort Meade main gate at Highway 175 and Reece Road/Patricia Leslie

 

A billboard for Bradley Manning at the Fort Meade main gate at Highway 175 and Reece Road/Patricia Leslie

At the Ft. Meade main gate at Reece Road and Highway 175/Patricia Leslie

Listening to speakers at the Bradley Manning support rally.  The temperature neared 90 degrees/Patricia Leslie

Code Pink, United for Peace and Justice, the Bradley Manning Support Network, Veterans for Peace, Iraq Veterans Against the War, Courage to Resist, and the ANSWER Coalition were some of the groups which participated in the Bradley Manning support rally at Ft. Meade Saturday/Patricia Leslie

At the Fort Meade main gate at Highway 175 and Reece Road/Patricia Leslie

The mile march for Bradley Manning along Highway 175 which borders Ft. Meade. The group was about three times the size of the March, 2011 rally for Bradley Manning at Quantico, Virginia/Patricia Leslie

The mile march for Bradley Manning along Highway 175 which borders Ft. Meade/Patricia Leslie

A rolling drum set the tone for chants: 

We will

We will free you.

Brother, sister,

Do not hide,

We've got truth on our side

A Ft. Meade guard rode a motorcycle up and down the fence line, following the marchers and kicking up dust/Patricia Leslie

A police escort along Highway 175/Patricia Leslie

These Bradley Manning supporters walked more than a mile along Reece Road to reach the Ft. Meade main gate.  With permission they had parked their cars at a school/Patricia Leslie

patricialesli@gmail.com

Folger's 'Twelfth Night' rocks Capitol Hill

At Folger's Theatre's Twelfth Night, Richard Sheridan Willis is Malvolio who tries to learn how to smile while James Konicek as Sir Andrew Aguecheek spies on him. Willis's performance is worthy of a Helen Hayes Award nomination/Scott Suchman 
 

It was the most enjoyable Shakespeare I have seen.

Bar none.

Hands down.

No exaggeration.

Twelfth Night at the Folger Theatre is a hit, a lark, a delight, and everyone feels good at the end, including the gal in my row who caught the bridal bouquet and squealed like a little piggy with several of her friends. And I would have squealed, too.

It's a fantastic ride in a land of make-believe, built on the shipwreck of the Lusitania from World War I in the kingdom of Illyria on a set which doesn't change, but there is so much action, who cares or needs change? It was brilliance by the director, Robert Richmond, and his "creative team" who conceived the landing.

The photographer's perfect timing of the shots and the airy leaps in unison made for mouth drops. The characters run around the stage hither and yon, just like those actors from the silent films of the era, but this is live. It's played upon a stage now, and carried off with aplomb.

And so much music. If ever there was a Shakespeare with more, which is it? Thank goodness we get to hear Joshua Morgan (Valentine) play Debussy's Claire de lune  more than once on the piano. If music be the food of life, play on.

The Twelfthth Night cast could have danced all night to the tunes played by Feste (Louis Butelli) on the ukulele and Valentine (Joshua Morgan) on the electric piano/Scott Suchman
 

Oh my gosh: Richard Sheridan Willis as Malvolio. A show stealer par excellence. He was simply fantastic. His eyes almost rolled out of his head. Those moments when he tried to smile could have cracked Congressional communication and cooperation. Send him to the Hill! (Wait, he's there.)

What did he lay upon inside the piano? It hurt to look at him cooped up inside the metal cage for so long. It looked so uncomfortable. Poor lad. I began to really feel sorry for him. Does anyone remember the great actor Peter Lorre? A resemblance, no?
 

Okay: the story (briefly): Twins are shipwrecked, and each believes the other has drowned. Viola makes it to shore where she lands (ahem) a job with Orsino who is in love with Olivia who soon falls in love with Viola who becomes a man, Cesario (to obtain his job), who falls in love with Orsino. Of course.

Malvolio is smitten by Olivia, and Viola's twin brother, Sebastian, turns up at the perfect moment, and Olivia invites him to marriage (thinking he is Cesario), and this all makes sense, doesn't it? An improbable madness rather like life which all goes round and round, up and down, like the swirling waters in the fantastic first scene when the siblings almost drown.

Rachel Pickup seemed so natural in her role of Olivia, she must have been playing herself. (?)

In Twelfth Night Olivia (Rachel Pickup) falls in love with Cesario/Viola (Emily Trask)/Scott Suchman

 

And I haven't mentioned the supporting cast, dominated by James Konicek (Sir Andrew Aguecheek) who flutters about and steals the thunder.

There's a lot of action up and down the center aisle, too, and another show-stopper who served as musical narrator of sorts was Louis Butelli, master ukuleleist who plays Feste who became entranced by an audience member in the second row, a woman who may have been part of the exquisite cast, too, but that was unlikely since she seemed genuinely flattered. Whatever you will. All's well that ends well.

Another feather in the play cap is the costuming (Mariah Hale). For lovers of Victorian dress, they will adore the gowns. Olivia's are marvelous, darling, especially the bridal gowns at the end which are only on stage such a short time. (Which reminds me: At the DAR Museum (Constitution Hall) over on D at 17th is a terrific exhibition of women's fashions of the 1920s. It's free!)

But back to the subject at hand: The choreography (Eleni Grove) and fight scenes (Casey Kaleba) made me wince several times, fearing the swords were real, and the sounds of the clashes soon gave me to know they were. Or flashed like they were.

And the title: Twelfth Night derives from the twelfth night of the Christmas season, the Epiphany on January 6, the end of the season's merrymaking, somewhat like Mardi Gras when foolishness, gaiety, and fun cease (for a while). So have at it what you will, but hurry for the time draws nigh when these frolics do end.

By the way: I wonder if the designer/artist for the program cover based his or her concept on Ophelia by John Everett Millais, likely the most popular piece in the Pre-Raphaelites exhibition which just ended at the National Gallery of Art. They are very much alike.

(Sshhhhhh….for non-Shakespearean scholars (a minority in this town, but keep mum), we all know that Bill's content can be difficult at times to keep up with, what will all the characters, multiple plots, sub-plots, love triangles, quartets. It does help and adds much to the production's enjoyment to read SparkNotes in advance (3X; it's not long). Available right here which permits readers to mentally straighten out the characters, their roles, and who does what, when, and where, and makes for better grasp of the quick action than that usually gained by reading the synopsis in the program notes while you wait for the show to start. (And you'll score 100 on the test, too, at the end, but who's counting?) Try it and see what you think.)

And now for the nominations:

Hear ye! Hear ye!

Helen Hayes Outstanding Director, Resident Play: Robert Richmond

Helen Hayes Outstanding Lead Actor, Resident Play: Richard Sheridan Willis

 

 

Helen Hayes Outstanding Costume Design, Resident Production: Mariah Hale

What: Twelfth Night by William Shakespeare

When: Now through June 9 (dark Mondays) with matinees also on Saturdays and Sundays

Where: Folger Theatre, 201 East Capitol Street, SE, Washington, D.C. 20003

How much: $39 - $60

Metro stations: Union Station or Capitol South

Duration: About 2 hours and 40 minutes with one intermission

For more information: 202-544-4600 or (ticketing) 202-544-7077

patricialesli@gmail.com

2013 National Memorial Day Parade, Washington, D.C.

Members of the North Lincoln High School Band of Knights from Lincolnton, NC march in the 2013 National Memorial Day Parade/Patricia Leslie

The North Lincoln High School Band of Knights from Lincolnton, NC/Patricia Leslie

The National Society of Sons of the American Revolution in the 2013 National Memorial Day Parade/Patricia Leslie

Thousands of holiday celebrants lined Constitution Avenue for the National Memorial Day Parade to enjoy the sights and sounds and to pay tribute to members of the military who have given their lives for the United States.  The American Veterans Center presented the event which it resuscitated only eight years ago.  

High school bands from Oklahoma and North Carolina were by far the most numerous on the parade route. No college bands marched in the event which lasted a little over two hours, and no one seemed to mind.  Onlookers were happy to hear live patriotic music, see the uniforms, the swirling flags and girls, RGIII and his parents, all the marshals, and take pride in our nation's military which was on full display in strict fashion. Oh, and be glad the rain held off.

Major sponsors of the event were Myrtle Beach, S.C., American Airlines, Wells Fargo, the Military Order Purple Heart, T.A.P.S. (Tragedy Assistance Program for Survivors), Fund Raising Strategies, HBO, State Farm, and Costco Wholesale.

The riderless horse/Patricia Leslie

The U.S. Army Band played the Army song, As the Army Goes Rolling Along, without question the most popular tune played by bands throughout the afternoon/Patricia Leslie

Members of the U.S. Army/Patricia Leslie

Members of the U.S. Coast Guard or, maybe, the U.S. Navy Ceremonial Guard?/Patricia Leslie

The U.S. Air Force/Patricia Leslie

The U.S. Navy/Patricia Leslie

The U.S. Marine Corps/Patricia Leslie

Robert Griffin III with his parents, Army veterans Jacqueline and Robert Griffin, Jr., honorary grand marshals/Patricia Leslie

The first float in the parade was sponsored by T.A.P.S. (Tragedy Assistance Program for Survivors)/Patricia Leslie

The Bruin Marching Band from Alfred Bonnabel Magnet Academic High School, Kenner, LA/Patricia Leslie

Gary Sinise and Joe Mantegna, honorary marshals/Patricia Leslie

 The sign on the wagon said "Cashdales"/Patricia Leslie

Ballou High School Majestic Knights Band from Washington, D.C./Patricia Leslie

J.R. Martinez, U.S. Army Veteran, Grand Marshal/Patricia Leslie

Athens Drive High School Marching Band, Raleigh, NC/Patricia Leslie

At 3 p.m. the parade paused for the playing of taps by a solitary bugler, and was followed by a moment of silence/Patricia Leslie

President George Washington must have left Martha in the kitchen to bake a cherry pie.  Without her, he looked like a grumpy old man/Patricia Leslie

President Abraham Lincoln came wifeless, too. Surely the naysayers can figure out the whereabouts of Mary Todd Lincoln/Patricia Leslie

The Franklin High School Black Knight Marching Band from Franklin, PA/Patricia Leslie

A high kicker in the Franklin High School Black Knight Marching Band from Franklin, PA/Patricia Leslie

Another grand marshal, Trace Adkins/Patricia Leslie

Sons of Confederate Veterans from Alexandria, VA, and Maryland/Patricia Leslie

Orange High School Panther Band, Hillsborough, NC/Patricia Leslie

Miami University Alumni remember Lt. Robert Meder, Miami Class of 1939/Patricia Leslie

Concordia Lutheran High School Marching Cadets, Ft. Wayne, IN/Patricia Leslie

Concordia Lutheran High School Marching Cadets, Ft. Wayne, IN/Patricia Leslie

Ninth and Tenth Horse Cavalry, Buffalo Soldiers, Washington, D.C./Patricia Leslie

Cache High School Bulldog Pride, Cache, OK/Patricia Leslie

The Lions Club, a sponsor/Patricia Leslie

Flags and military/Patricia Leslie

The Bayonne High School Band, Bayonne, NJ/Patricia Leslie

 Military heroes First Lt. John Campbell and Master Sergeant Richard Schema/Patricia Leslie

"We can do it!"/Patricia Leslie

Talihina High School Marching Band, Talihina, OK/Patricia Leslie

Sons and Daughters of Pearl Harbor Survivors/Patricia Leslie

James Oliver Johnson High School, Home of the Mighty Jaguars, The Mighty Sounds of the South, Huntsville, AL/Patricia Leslie

It's time to play hearty/Patricia Leslie

Honorary marshal Jerry Yellin flew the final mission in World War II/Patricia Leslie

Those carrying pictures of faces of the fallen veered off the parade route and turned left on 17th towards the WWII monument/Patricia Leslie

Henryetta High School Marching Band, Henryetta, OK/Patricia Leslie

Jefferson Davis High School Marching Band, Montgomery, AL/Patricia Leslie

Sanderson High School Marching Band, Raleigh, NC/Patricia Leslie

A Vietnam veteran/Patricia Leslie

Needham B. Broughton High School Band, Raleigh, NC/Patricia Leslie

Unbelievable!  Some members of the Republic of Vietnam Veterans Association Coalition wore heels to march in the parade/Patricia Leslie

A leg uniform of many colors is frequently seen in and out of parade routes/Patricia Leslie

Hope High School Marching Bobcat Band, Hope, AR, birthplace of President William Jefferson Clinton/Patricia Leslie

Hope High School's conductor/Patricia Leslie

Kuwait/Patricia Leslie

 Schalmont High School Sabres Marching Band, Schenectady, NY/Patricia Leslie

North County High School Raiders Regiment, Bonne Terre-Desloge, MO/Patricia Leslie

Regimental Band and Honor Guard, Massachusetts Maritime Academy, Buzzards Bay, MA/Patricia Leslie

The U.S. military on the ready/Patricia Leslie

The airmen marched and chanted in cadence/Patricia Leslie

Honoring the families of America's fallen heroes/Patricia Leslie

Honoring the families of America's fallen heroes/Patricia Leslie

South Ridge High School Skyhawks, Beaverton, OR/Patricia Leslie

Pascagoula High School Panther Band, Pascagoula, MS/Patricia Leslie

Pascagoula High School Panther Band, Pascagoula, MS/Patricia Leslie

Cool dudes aka Central Islip Senior High School Musketeer Marching Band, Central Islip, NY/Patricia Leslie

Marching home again/Patricia Leslie

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