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| Dr. "Fronkensteen" (Noah Mutterperl) and Inga (Claire Jeffrey) take a buggy ride in Young Frankenstein at Little Theatre of Alexandria/Photo by Matt Liptak |
Attention, theater lovers and others: rush, do not tarry, but go straight to the Little Theatre of Alexandria‘s website for tickets for Young Frankenstein, if there are any tickets left. You can send me thanks later.
It's a hoot!
A delight!
Lots of fun throughout the night!
Love makes the hair of Elizabeth (Liz Colandene) stand on end when she mixes it up with the Monster (Joshua Nettinga) in Young Frankenstein at Little Theatre of Alexandria/Photo by Matt Liptak
Although billed as an adult comedy, the matters at hand go by so swiftly, youngsters of all ages will enjoy the music, the action, the costumes without getting too caught up in the fast-paced adult themes.
It's the work, music and lyrics of Mel Brooks (still kickin') just so you know you're in for a good time.
The story centers on the inheritance of a spooky castle in Transylvania by Frederick Frankenstein (Noah Mutterperl), the grandson of the celebrated monster scientist of the same last name (Joshua Nettinga).
Frederick (who insists on being called Dr. "Fronkensteen" to separate himself as much as possible from his famous ancestor), needs to sell his new castle quickly so he can return home to the arms of his fiancee, the gifted (in real life) singer, Elizabeth (Liz Colandene).
Off he ventures to see his grandfather's castle and find out just what his grandfather did.
Along the way he meets a humpback, Igor (Joshua Redford) and a lab assistant, Inga (Claire Jeffrey), no relation (we don't think) a young lass who yodels and whose presence, alas, takes Dr. Fronkensteen's mind from Elizabeth as much as he tries to keep the faithful.
Together they all recreate his grandfather's monster who comes alive, escapes into the town and later meets up with Elizabeth who has suddenly arrived in town to find her fiance mixing it up with Inga.
Alass!
Meanwhile, the townspeople are going mad.
That Redford was able to maintain his stooped back and moving hump through the show is a marvel. Inga's playful innocence and gestures are perfect for the role and hear! hear! to those ninnying horses who don't care too much for she "vas his girlfriend," the grandfather's totally serious amour (Judy Lewis) who was able to make the good doctor rise from the dead.
That Redford was able to maintain his stooped back and moving hump through the show is a marvel. Inga's playful innocence and gestures are perfect for the role and hear! hear! to those ninnying horses who don't care too much for she "vas his girlfriend," the grandfather's totally serious amour (Judy Lewis) who was able to make the good doctor rise from the dead.
Nettinga's stalk and enormous height with his makeup (by Natalie Turkevich) match all the visuals you may have mentally stored for decades.
The rich sounds of music from the hidden 10-member orchestra under the direction of Francine Krasowska and Christopher A. Tomasino make the show all the more enjoyable.
There's lots more to make the evening one of solid entertainment.
Give me laughs!
Make me smile and let's talk about the show to all who'll lend me an ear!
Give me laughs!
Make me smile and let's talk about the show to all who'll lend me an ear!
Other cast members are: James Maxted (the Hermit), Brian Ash (the Inspector), and ensemble members,
Daria Butler, Emily Carbone, Andrew Edwards, Louis, Eggleston, Odette Gutierrez del Arroyo, Patrick Kearney, Evie Korovesis (also dance captain), Luke Martin, James Nugent, and Lourdes Turnblom.
Congratulations to director Frank D. Shutts II who has outdone himself!
Additional crew members are Sherry Clark and Rob Cork, stage managers; Robert S. Barr, Jr., set design; Mike Taister, set decoration; Donna Reynolds, properties; Ken and Patti Crowley, lighting and special effects; Allan Wray, sound; Jean Schlichting and Kit Sibley, costumes; Robert Worthington, wardrobe coordinator; Kadira, Coley, hair and wigs; and Kathy Murphy, set painting and design.
Additional crew members are Sherry Clark and Rob Cork, stage managers; Robert S. Barr, Jr., set design; Mike Taister, set decoration; Donna Reynolds, properties; Ken and Patti Crowley, lighting and special effects; Allan Wray, sound; Jean Schlichting and Kit Sibley, costumes; Robert Worthington, wardrobe coordinator; Kadira, Coley, hair and wigs; and Kathy Murphy, set painting and design.
Music and lyrics by Mel Brooks who co-wrote the book with Thomas Meehan.
Rachel Alberts and Russell M. Wyland, producers. Stefan Sittig, choreographer
Rachel Alberts and Russell M. Wyland, producers. Stefan Sittig, choreographer
When: Now through Nov. 11, 2023, Wednesday - Saturday nights, 8 p.m.
Where: Little Theatre of Alexandria, 600 Wolfe St., Alexandria, VA 22314
Tickets: $29 (Wed.- Fri.), $37 (Sat.). Prices includes fees.
Audience: General
Duration: About 2 hours with one 15 minute intermission
Public transportation: Check the Metro and Dash bus websites. Dash is free to ride and has routes which are close to LTA.
Parking: is free on streets and at Capital One Bank at Wilkes and Washington streets, a block away. Paid parking is available at nearby garages.
For more information:
Where: Little Theatre of Alexandria, 600 Wolfe St., Alexandria, VA 22314
Tickets: $29 (Wed.- Fri.), $37 (Sat.). Prices includes fees.
Audience: General
Duration: About 2 hours with one 15 minute intermission
Public transportation: Check the Metro and Dash bus websites. Dash is free to ride and has routes which are close to LTA.
Parking: is free on streets and at Capital One Bank at Wilkes and Washington streets, a block away. Paid parking is available at nearby garages.
For more information:
Box Office: 703-683-0496; Main Office, 703-683-5778 or boxoffice@thelittletheatre.com.
patricialesli@gmail.com
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