Broadway comes to Olney...again.
Ladies and Gentlemen of the theatre, I present to you another fabulous show at the Olney Theatre Center, based on a true tale, but this one, a "kinky" story, an unlikely story, one filled with entertainment, dancing and costumes to make your eyes pop and yearn for sunglasses.
Plus, the show's got a message. (Not that it needs one.)
The glam, the dancing, and the costumes! (Repeat) The costumes!
Who needs a plot when you've got costumes like these? Kendra Rai must have worked vigorously to complete them, aided by a "few" helping hands.
Harvey Fierstein has written a great book accompanied by singer/songwriter Cyndi Lauper's score. The show won six Tonys (including the most coveted, "Best Musical") in 2013, three Laurence Olivier's (London) and the Grammy in 2017, and more.
Can all these judges be wrong?
I dare say, Olney must have spent more than a shoestring of its budget outfitting these "ladies" (and gentlemen) in this energetic production which, sadly, is missing from the repertoire of theatres in some states (according to director Jason Loewith in his introductory remarks on opening night) because...well, fear of the unknown, the different, those who are not like you and me, the future, and the small world goes on.
Ahem, ahim, aher, aaahhhit.
Kinky Boots' roots stem from a family shoe factory going out of business in Northampton, England.
Market conditions and changing fashions have sent the once successful family plant into near closure until circumstances bring family member "Charlie" (Vincent Kempski) together with a drag queen, "Lola" (Solomon Parker III), whose apparel for all her "lady" friends could stand a boost with better, supportive heels, and ones that are elevated, if you please.
Talk about serendipity!
Coaxed by an employee (Alex De Bard as "Lauren") and ding! ding! ding! circuits in Charlie's brain flash and spark the realization of the opportunity to make fancy boots, kinky boots, big boots, shiny ones, jeweled boots to showcase in an Italian shoe show.
(For those needing a definition, the Urban Dictionary defines "drag" as "someone [who] dresses in an exaggerated style, typically that of a woman." A man is called a drag queen and a woman who takes part is called a bio queen. It's a lot of fun. Anyway...)
Yellow boots, red boots, green boots, sparklies which go up beyond the knee! Thigh highs! Yowee! But, back to the fine story with songs to boot.
The star is, of course, Mr. Parker who leads them all, supported by Charlie who manages ongoing side story romances with two predictable personalities, the uppity "Nicola" (Candice Shedd-Thompson) and the more down-to-earth "Lauren," both roles the actors capture well, vying for Charlie's attention.
"Could it be? Could it be?" Lauren asks herself. "Is he the one?"
Mr. Loewith, the always smiling Olney artistic director, celebrates ten years at the theatre by directing this show, and I doubt he ever had so much fun. (On opening night, the show gave him specially handmade "jeweled" tennis shoes, the tennies for which Loewith is known far and wide, and what a perfect combination with the title.)
Kinky's outstanding choreographer is Tara Jeanne Vallee, assisted by Christopher Youstra who leads the excellent orchestra of eight musicians.
Other cast members are Chris Genebach, Stephen F. Schmidt, Grayden Goldman, Dustin Sardella, Zach Cook, Karl Kippola, Kaiyla Gross, Sarah Anne Sillers, Henry Harleston, Ricardo Blagrove (also fight captain), and Calvin McCullough.
Also, Stephen Russell Murray, Catrina Brenae, Alexis Krey, and Tyrell Stanley.
And not to forget, of course, the "angels," a heavenly crew who never stop kicking up storms: Malachi Alexander, Quadry Brown, Robbie Duncan, Shane Hall (also, dance captain), Daniel Powers, Connor James Reilly, and David Singleton.
Others on the creative team are Larry Peterson who must have used a ladder to pile the wigs so high (and how did they stay in place amidst all those dance numbers?) and Leigh Wilson Smiley whose dialects convinced me everyone is British.
Milagros Ponce de Leon is scenic designer; Max Doolittle, lighting; Matt Rowe, sound; Casey Kaleba, fight director; and Devon Vaow, drag consultant.
Also, Ben Walsh, production stage manager, and Allison Ann Bailey and Cat Moreschi, assistant stage managers.
The original Broadway production was directed and choreographed by Jerry Mitchell. Kinky Boots is based on the Miramax motion picture of the same name by Geoff Deane and Tim Firth.
We can change the world when we change our minds.
What: Kinky Boots
When: Through Mar. 26, 2023 (held over!), Wednesday through Saturday nights at 8 p.m. Saturday and Sunday matinees at 2 p.m.
Where: Olney Theatre Center, 2001 Olney-Sandy Spring Road, Olney, MD 20832.
Tickets: Start at $42
Ages: For ages 10 and up.
Rating: PG-13
Masks: Optional at Thursday - Saturday performances and required on Wednesday and Sunday shows
Refreshments available which may not be taken to seats.
Parking: Free, lighted and plentiful on-site
Duration: About 2.5 hours with one intermission
For more information: 301-924-3400 for the box office, Wed. - Sat., 12 - 6 p.m. or 301-924-4485
patricialesli@gmail.com
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