Saturday, January 1, 2022

'Belfast' is an arty film

 


That Belfast been nominated for a Golden Globe for Best Motion Picture in Drama demonstrates the lack of competitive film choices available now.  (The other titles are relatively unknowns because that's what's on the screens now:  unknowns. Some of the actors and the director Kenneth Branagh have been nominated, too, to make Belfast the recipient of the most Golden Globe nominations [7].)

Throughout the movie, viewers agonize, wondering, hoping none of the stars of the show will be killed or injured in Northern Ireland in its turmoil of the 1960s amidst the time of "Troubles." That's when and where Mr. Branagh was growing up, and compelled, at last by covid to do something, he has made an autobiographical film of the conflict and its social and domestic effects.

Belfast is told from the perspective of a lad (Jude Hill; nominated) who delivers a remarkable performance in the story where the continuing violent conflict plays a secondary, backdrop role to the reality of family circumstances and change.  

Should the family go or stay?

Belfast has long pauses and great music (by Van Morrison), but an action film, it is not. Those who are Spiderman or James Bond fans will not cotton well to this.  

The inclusion of Dame Judith Dench as the almost unrecognizable grandma (who was not nominated) is a redeeming social plus. But, the housewife's role (played by CaitrĂ­ona Balfe; nominated for supporting role) in her June Cleaver dress and personality is off by ten years and undermines a mother's and wife's importance.

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