Monday, May 30, 2022

Falls Church Memorial Day Parade and 'Safe Guns'

The group probably receiving the loudest applause block after block along the route of the Memorial Day Parade in Falls Church, Virginia, was the Concerned Citizens Against Gun Violence/Photo by Patricia Leslie

He marched in the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA, the crowds cheered when the Concerned Citizens Against Gun Violence marched by. Some left their seats and joined the walk/Photo by Patricia Leslie

Concerned Citizens Against Gun Violence assembled for the Memorial Day Parade in Falls Church, VA.

One nearby resident saw the group forming and immediately jumped up to join the march and offer her home's bathrooms to group members.  She said she was from Texas and "ashamed" of what's happening there.

Another marcher was a woman who drove to Falls Church from Harrisonburg, VA, who said she attends the monthly protest at NRA Headquarters in Fairfax on the 14th, the anniversary day of the Sandy Hook and Parkland killings. 

At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie

At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
This woman on oxygen marched with the Concerned Citizens Against Gun Violence in the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie

At the Concerned Citizens' booth, voters could sign postcards addressed to U.S. Senators Tim Kaine and Mark Warner urging new legislation to help stop gun violence.

Concerned Citizens Against Gun Violence in the booth at the Memorial Day Parade in Falls Church.
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie

At the Memorial Day Parade in Falls Church, VA
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
This woman came from Tennessee Sunday night to join Concerned Citizens Against Gun Violence and march in the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
Boy Scout Troop 1996 tried to row their boat ashore in the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
Boy Scout Troop 1996 in the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
Cub Scout Pack 1127 from McLean in the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie

Would you walk a mile in these shoes?  At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
At the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
Congressman Don Beyer shook hands with voters at the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie
Falun Dafa of DC in the Memorial Day Parade in Falls Church, VA/Photo by Patricia Leslie






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Friday, May 27, 2022

Harlem photographs close Monday at the National Gallery of Art


James Van Der Zee, Portrait of a Young Woman, 1930, gelatin silver print with applied color, National Gallery of Art, Washington, Pepita Milmore Memorial Fund © 1969 Van Der Zee



Portraits of Harlem residents in the refined elegance of the 1920s and 1930s and beyond are on view at the National Gallery of Art through Monday, May 30, 2022.

In a small gallery from the Gallery's collection of works by Black photographer, James Van Der Zee (1886-1983) hang about 40 of his pictures of landmark places and people dressed up for special occasions, many shot during the heyday of the Harlem Renaissance.
James Van Der Zee, Blumstein’s Sales Girls, 1930, gelatin silver print, Alfred H. Moses and Fern M. Schad Fund, 2021.33.3.  Above, the real ring the lady wears differs from the sparkly ring another lady wears which Mr. Van Der Zees added, according to a blog post by NGA's Laura Panadero.  Can you spot the differences?



Mr. Van Der Zee was born in Lenox, Massachusetts and received his first camera when he was 14, one of the first persons in Lenox to have the device which he used to take hundreds of photos of his family and others.

At age 20, he moved to New York City to join his father and brother in their work as elevator operators and waiters.

Mr. Van Der Zee's musical talents on the violin and piano led to his participation as one of five members of the Harlem Orchestra.
  
James Van Der Zee, Portrait of a Couple, 1924, gelatin silver print, National Gallery of Art, Washington, Robert B. Menschel Fund © 1969 Van Der Zee


He became a darkroom assistant which led to his stature at the most renowned photographer in Harlem, who "produced the most comprehensive documentation of the period" (Wikipedia) but his business declined in the 1930s due to economic conditions and increasing camera sales to the public.

It was not unusual for photographers to retouch their photos which Mr. Van Der Zee has done in several examples here, like adding a bracelet and ring to the woman pictured above in Portrait of a Young Woman. Writes the National Gallery's Laura Panadero in a blog post, Mr. Van Der Zee likely used graphite to enhance his pictures. 
James Van Der Zee, Marcus Garvey (right) with George O. Marke (left) and Prince Kojo Tovalou-Houénou, 1924, gelatin silver print, National Gallery of Art, Washington, Avalon Fund © 1969 Van Der Zee
James Van Der Zee, “Beautiful Bride,” c. 1930, gelatin silver print, National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund © 1969 Van Der Zee
James Van Der Zee, Portrait of Sisters, 1926, gelatin silver print, National Gallery of Art, Washington, Robert B. Menschel Fund © 1969 Van Der Zee
James Van Der Zee, Couple, Harlem, 1932, printed 1974, gelatin silver print, National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund © 1969 Van Der Zee




In 1967 Mr. Van Der Zee was "rediscovered" and featured in a controversial exhibition at the Metropolitan Museum of Art. He often photographed funerals (including his daughter's), resulting in the book, The Harlem Book of the Dead.

He died in Washington, D.C. in 1983.

What: James Van Der Zee's Photographs: A Portrait of Harlem

When: Now through May 30, 2022, 10 a.m. to 5 p.m.

Where: Ground floor of the West Building, National Gallery of Art, Washington

How much: Admission is always free at the National Gallery of Art.

Covid policy: Masks are not required but encouraged. Proof of vaccination is not required.

Metro stations for the National Gallery of Art:
Smithsonian, Federal Triangle, Navy Memorial-Archives, or L'Enfant Plaza

For more information: (202) 737-4215

Accessibility information: (202) 842-6905

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Thursday, May 26, 2022

Another must for journalists: Carl Bernstein's book

 


You know it's a "must." He's a "must" for anyone who's a news-aholic, and/or in the writing business (which in Washington, D.C. is everyone!)

Chasing History: A Kid in the Newsroom details Carl Bernstein's five years working for The Washington Evening Star, beginning when he was in high school and ending with his start at the Washington Post, mostly covering the years, 1960-1965.

He describes the ins and outs of what it’s like to be on staff of a major newspaper, how to get there (call and call and call the editors again!), the background and coverage of the major events of the times (JFK's inauguration, JFK's assassination, Sputnik, the 1963 March on Washington) and even, a fake obituary which he and others planted in the Post. (He admits he was chiefly responsible.)

He recounts working with editors (with few negative stories about anyone, save Bill Hill), flying to scenes, and abandoning school for his passion.  All information helpful for any fledgling or would-be writer, to learn what it takes or took back then to get hired by a paper, although challenges now do not mirror challenges then.

At the end, Bernstein includes welcome updates in brief biographical sketches of his tale's main characters, most whose names I couldn’t keep straight anyway, except for Joanne's. 

When I became aware of the section, the first name I hunted was Bill Hill's, a main character Bernstein omits since he did not like Hill for various reasons and whose absence at the end is rather childish. But, maybe Hill would not cooperate and update Bernstein because, like many of the characters, he is dead. 

In addition to the rear listings, adding a one- or two-sentence description of the majority of the cast would have been helpful  to keep names straight.

Other book weaknesses (which, no doubt, his many friends have failed to mention in their glorification) are the title and the cover, great examples of mediocrity.

Blue on blue is dull on dull and Chasing History?  

Huh?  

What does this mean?  How about Carl Bernstein's Start-Up for starters?  

I know Carl Bernstein did not choose the jacket design or the title and he probably argued with the publisher who, of course, knows more about publishing than the author.  Hahahahaha.  

And Carl, I was stunned, stunned (!) that you accepted the assignment of the weather page redesign when Bill Hill pulled out all the plugs to try and resuscitate the Star, which, of course, now lies buried in the cemetery of newspapers with so many others.

At age 78, Carl, it's time to hurry up and finish your second and final volume, thank you very much.

Whoops!  I mentioned Hill's name only four times!


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Saturday, May 21, 2022

Take a walk thru a Salvador Dali park at Jekyll Island, GA


Driftwood Beach, Jekyll Island, GA, April 12, 2022/Photo by Patricia Leslie
Driftwood Beach, Jekyll Island, GA, April 12, 2022/Photo by Patricia Leslie
Driftwood Beach, Jekyll Island, GA, April 12, 2022/Photo by Patricia Leslie
Driftwood Beach, Jekyll Island, GA, April 12, 2022/Photo by Patricia Leslie
Driftwood Beach, Jekyll Island, GA, April 12, 2022/Photo by Patricia Leslie
Driftwood Beach, Jekyll Island, GA, April 12, 2022/Photo by Patricia Leslie
Driftwood Beach, Jekyll Island, GA, April 12, 2022/Photo by Patricia Leslie
Driftwood Beach, Jekyll Island, GA, April 12, 2022/Photo by Patricia Leslie
Driftwood Beach, Jekyll Island, GA, April 12, 2022/Photo by Patricia Leslie



Salvador Dalí (1904-1989), The Persistence of Memory, 1931, Museum of Modern Art



"Driftwood Beach" at Jekyll Island, Georgia is “consistently voted one of America’s ‘Ten Most Romantic Beaches.'”

Huh?  

Were the voters wearing blinders?  This is a "romantic beach"?  

I guess if you'd like a walk in a park by Salvador Dali like, maybe, in his The Persistence of Memory, it's fun!

Rather than “Driftwood Beach,” this is “Deadwood Beach,” since it’s piled up with…you guessed it, DEAD WOOD.

For fans of surrealism, this is a beach walk on a beautiful island through big dead hunks of gnarled wood which lay on the shore with their limbs splayed and tall dead  branches which extend towards the sky and cry "help me!" 

Ladies and Gentlemen, it's another example of what climate change has done.

The way it was explained to me (twice):  The encroaching ocean spray kills the trees which eventually topple over and lay in the sand, more wreckage from human practice and ignorance. 


That it's a lesson in the mistakes humans make is a good reason to recognize these tree skeletons, a sad example of human mistreatment of our home, our vessel, our Earth, leaving behind a venue of ghosts, nature's cemetery of tombstones which originated in the ground below.

This is romantic?  And celebrated? 

Why Mother Nature enabled these trees to grow nearer to the shore, susceptible to ocean waters, is a mystery, but the creation happened long before humans took hold and drove waters closer inland.

Today's reality does not conform with the colorful image marketed to visitors who come in droves to see nature’s "art" on the beach.  

Tiptoe through a Salvador Dali painting if you like, and have a Halloween wedding while you're at it.  Plenty of props abound in this land where monsters roam.


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Thursday, May 12, 2022

'On Your Feet!' at Gala


Front, from left, Amy Romero, Gaby Albo (center), Miranda Pepin. Back, from left, Hugo Bruments, Steven Orrego Upegui, and Graciela Rey in Gala Hispanic Theatre's On Your Feet!/Photo, Daniel Martinez

Broadway is at Gala!


That's right: Gloria and Emilio Estefan's story comes alive at the Hispanic Theatre in a high-kickin', dynamic glossy show in the world premiere in Spanish of On Your Feet! (with English surtitles).

Fabulous dancing and outstanding, glittering costumes (by Jeannette Christensen, assisted by Cidney Forkpah which make you wonder how did they change so fast?) trace the Cuban-American couple's rise to stardom and 26 Grammy wins in this fast-paced production. 

Gaby Albo (center). From left, on the sides facing front: Brayan Llamoza and Steven Orrego Upegui and members of the cast in Gala Hispanic Theatre's On Your Feet!/Photo, Daniel Martinez


At the end the crowd was on its feet, stompin' and clappin' to join the cast in a fun and energetic display of the real show on Broadway where it ran two years before starting a world tour. 


Get up and make it happen
Stand up, stand up, stand up and take some action



It's a "jukebox musical" with popular Estefan titles including four which Gloria has enriched with new lyrics.

Gaby Albo is Gloria in a convincing performance to make her namesake proud. Samuel Garnica is her husband in a strong, subordinate role whose ego never wilts under his wife's glow.

From left, Fran Tapia, Gaby Albo, and Samuel Garnica in Gala Hispanic Theatre's On Your Feet!/Photo, Daniel Martinez


Some other best performances are those by women in Gloria's "family": Fran Tapia as Gloria's mother, Madelin Marchant is Gloria's grandmother, and 
Gina Maria Fernandez is Gloria's sister.

The mother is a mean woman encumbered by her own background and failure to pursue her dreams.  She resists and resents her daughter's climb to fame.  In flashbacks, Ms. Tapia shows age matters not when it comes to her incredible dance. 

Gloria's supportive Grandmother Consuelo counterbalances the mother with Consuelo's perfectly timed appearances to assure her granddaughter that her dreams can become real. 

The grandmother was an audience favorite but nothing exceeded the roar of the crowd at the end when the house almost came down at the sight of  youngsters "Little Gloria" (Kamila Rodriguez) and "Little Emilio" (Winsley Dejesus) dancing expertly in a duet to belie their young years. 

The wreck scene which left Gloria's life and career initially in doubt, is a jarring shock, smashing in your face and expertly crafted by Patrick Lord, assisted by Clara Ashe-Moore.

A huge international cast of happy actors included Jose Capellan starring as Jose Fajardo, Gloria's father, and ensemble members: Rodolfo Santamarina, Camila Cardona, Camila Taleisnik, Brayan Llamoza, Jonathan Mouset, Amy Romero, Miranda Pepin, Grant Latus, Carlos Adol, Hugo Brument, Steve Orrego Upegui, Luis Armando Benitez, Laura Castrillon, and Graciela Rey.

Dance captains Myriam Gadri and Bryan Menjivar assisted in choreography.

The production team included Alexander Dinelaries, book; Emilio and Gloria Estefan and Miami Sound Machine, music producers; Esmeralda Azkarate-Gaztelu, book translation; Luis Salgado, director and choreographer.

Also,  Clifton Chadick, scenic design; Matthew Rowe, sound; George-Edward A. Burgtorf, properties; Lashawn Melton, wigs/makeup; Valeria Cossu, associate director. 

Lighting designer Christopher Annas-Lee and assistant Zachary Heffner deftly met the demands of the show.

Other crew members: Maria Jose ”Majo” Ferrucho, stage manager; P. Vanessa Losada, production manager; Heather Hogan, creative consultant;
Hugo Medrano, producer; and Rebecca Medrano, executive producer.


The 10-member band was led by pianist Walter “Bobby” McCoy and assisted by Daniel Gutierrez on keyboards. The musicians were partially hidden up high on either side of the theatre and at stage rear, producing surround sound indeed! 

Extra applause to trumpeter, Brad Clements, for his solos.   

This is a storybook tale that provides inspiration to all dreamers who may sometimes doubt their drive in struggles to reach the top, but hard work and persistence pay off.  Nothing is totally due to chance. 

Seize the opportunity and get on your feet and get to the theatre where a good time of outstanding fun and entertainment are guaranteed at Gala which makes a memorial mark in the history of theatre in Washington, D.C.

What: On Your Feet!


Covid vaccine card and picture ID required for admission or a negative covid test taken within 72 hours of the show.

When: Thursday - Sunday nights through June 5, 2022

Where: Gala Theatre, 3333 14th St NW, Washington, DC 20010.

Tickets: 
$65, or seniors (ages 65+), students, teachers, military, and groups (10+), $45.  Ages 25 and under, $35. To purchase, visit galatheatre.org or call 202-234-7174.

Handicapped accessible


Duration: About two and a half hours with one intermission

Metro stations: Columbia Heights is one block from GALA. Or, get off Metro at McPherson Square, take bus #52 or #54 up 14th, or, walk the two miles from McPherson Square and save money and expend calories! Lots of places to eat along the way.

Parking
 Discounted parking at Giant's garage around the corner on Park Road. Validate your ticket in GALA's lobby. 

For more information: Call (202) 234-7174 and/or email info@galatheatre.org



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